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Presents the events of the jazz trumpeter, Lee Morgan's life not just as items of biography, but also as points of departure for historical investigations that aim to situate the musician and his contemporaries in changing aesthetic, social and economic contexts. This work draws on many original interviews with Morgan's colleagues and friends.
"Morgan's return to music in the early to mid-sixties witnessed a tremendous evolution in his playing. Formerly a virtuoso in the model of his idol, Clifford Brown, Morgan brought to his critically acclaimed Blue Note records of the era an emotionally charged, muscular tone, full of poise and control. But it was with the record Sidewinder, recorded in 1963, that Morgan found his greatest fame and commercial success, due to the infectious groove of the title tune. By the time of his death, at thirty-three---murdered in a New York City club by his girlfriend Helen More, during a gig - Morgan had begun a new phase of his career, experimenting with freer-forms of musical expression."--BOOK JACKET.
The field of witchcraft studies is continually over-turning new information and research about traditional witchcraft practices and their meanings. A Deed Without a Name seeks to weave together some of this cutting-edge research with insider information and practical know-how. Utilising her own decades of experience in witchcraft and core-shamanism Lee Morgan pulls together information from trial records, folklore and modern testimonials to deepen our understanding of the ecstatic and visionary substrata of Traditional Witchcraft. Those who identify themselves as 'Traditional' tend to read a lot of scholarly texts on the subject and yet still there remains a vast gulf between this information and knowledgeably applying it in practice; this book aims to close that gap. ,
Presents the events of the jazz trumpeter, Lee Morgan's life not just as items of biography, but also as points of departure for historical investigations that aim to situate the musician and his contemporaries in changing aesthetic, social and economic contexts. This work draws on many original interviews with Morgan's colleagues and friends.
This story about faerie began as a vision. In his newest work, Lee Morgan follows a cacophony of visions with sharp, bright edges to them that have lain claim to his heart and hands. In what is clearly a work of the heart, Lee bypasses rational intellect guiding the reader to experience the touch, scent and feel of the Faerie Faith through symbol and suggestion. Sounds of Infinity is divided into three parts, the work of the Head, the work of the Heart and the work of the Hands. The second is a work of occult fiction that meditates upon the themes discussed in Part One in the form of a woven narrative. The final part is a practical grimoire that leads the reader through the door to physically manifests the vision they have shared in parts one and two. This is not just a book, but an experience, one which culminates not at the end of reading the volume but in the consummation known in the art of ritual.
Perchard presents the events of the jazz trumpeter, Lee Morgan's life not just as items of biography, but also as points of departure for historical investigations that aim to situate the musician and his contemporaries in changing aesthetic, social and economic contexts.
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In this dictionary of American art, 945 alphabetically arranged entries cover painters, sculptors, graphic artists, photographers, printmakers, and contemporary hybrid artists, along with important aspects of the cultural infrastructure.
A true story of violence, drugs, human smuggling, and dirty politicians.