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Presents the events of the jazz trumpeter, Lee Morgan's life not just as items of biography, but also as points of departure for historical investigations that aim to situate the musician and his contemporaries in changing aesthetic, social and economic contexts. This work draws on many original interviews with Morgan's colleagues and friends.
CONTENTS: The Welcome to Denmark; To an Admirable Teacher; The British Tradition -- In the Ambush of My Name: A Discussion of Measure for Measure; Is All Well That Ends Well? A Historical Reconstruction of All's Well That Ends; Dr. Johnson and the Martial Spirit; Fanny Burney's 'Styles'; Domesticating Science: The Liberal Politics of Mary Shelley's Frankenstein; Modern Voices -- An Allotropic Triangle in D.H. Lawrence's Women in Love: The Philosophical and Psychological Genesis of the Gerald-Gudrun-Loerke Relationship; A World of His Own: Dreams in Graham Greene's Novels; Making Sense of the Past for the Present: Colm Toibin and Post-Nationalist Ireland; 'The Canadian Winter is a Real Blessing' or How Canada was Sold to Danish Emigrants in the 1920s; Jack London: 'Impassioned Realism' and the Marketplace; Conceptions of Mystery in Eudora Welty and Flannery O'Connor; The Critical Perspective -- Criticism and Aesthetics: The Status of the Example; On the Dynamics of Harold Bloom's Agonistic Canon; Tabula Gratulatoria.
In this biography, Lee Morgan tells the story of Henry Thrale, a successful but flawed and troubled businessman and Member of Parliament who was at the center of the life of the most famous man of letters of the eighteenth century, Dr. Samuel Johnson. Thrale was also married to an exceptionally talented diarist and, perhaps, the most brilliant society leader of the period, Hester Salusbury Thrale, later Mrs. Gabriel Piozzi. In chronicling both the domestic life and the career of Thrale, Dr. Johnson's "Own Dear Master" also affords an interesting glimpse of eighteenth-century business, political, and social life of the age of Johnson as it was played out by some of the principal figures of the day.
Centenary College of Louisiana began as a public institution known as the College of Louisiana on February 18, 1825, and has enjoyed a long and distinguished history. The years have brought a multitude of changes to the school--the name has changed, the location has changed, and the student population has changed. However, what remains steadfast at Centenary is a commitment to the highest standards of academic excellence, and an environment that fosters growth and achievement. Within these pages, students, alumni, faculty, and friends of the college will discover the Centenary of the past--the early days in Jackson, Louisiana, the devastation of the Civil War, the move to the Shreveport campus, and the championship football team that once was. Vintage photographs of the school's founders and supporters, the campuses, and the students will evoke memories of years past and reflect the traditions that continue at Centenary today. Accompanied by informative captions, the photographs include aerial views of the physical layout of the school, early sporting events, academic settings, and notable figures who contributed to the institution as graduates, teachers, and dynamic leaders.
Using classic works such as To His Coy Mistress, Hamlet, Huckleberry Finn, Young Goodman Brown, Everyday Use, and Frankenstein as tools to introduce students to various critical theories, this book demonstrates how different approaches to an array of readings enrich the total response to and understanding of the individual work.
Though underexplored in contemporary scholarship, the Victorian attempts to turn aesthetics into a science remain one of the most fascinating aspects of that era. In The Outward Mind, Benjamin Morgan approaches this period of innovation as an important origin point for current attempts to understand art or beauty using the tools of the sciences. Moving chronologically from natural theology in the early nineteenth century to laboratory psychology in the early twentieth, Morgan draws on little-known archives of Victorian intellectuals such as William Morris, Walter Pater, John Ruskin, and others to argue that scientific studies of mind and emotion transformed the way writers and artists unders...
The third edition of this highly successful survey of critical responses to literature covers the significant critical and theoretical developments of the past decade, while retaining the essential clarity of definition and accessibility that distinguished the earlier editions. Offering a new chapter on feminist approaches to literature and shorter sections on the new historicism, narratology and dialogics, and hermeneutics, the new edition also features a substantial new section on structuralism, post-structuralism, and deconstruction, and a unique section on reader response. The editors have also substantially revised and updated all bibliographical references, both within individual chapters and in the list of supplementary readings.
A true story of violence, drugs, human smuggling, and dirty politicians.
For more than fifty years Robert Morgan has brought to life the landscape, history and culture of the Southern Appalachia of his youth. In 30 acclaimed volumes, including poetry, short story collections, novels and nonfiction prose, he has celebrated an often marginalized region. His many honors include four NEA Fellowships, a Guggenheim Fellowship and an award from the American Academy of Arts and Letters, as well as television appearances (The Best American Poetry: New Stories from the South, Prize Stories: The O. Henry Awards). This first book on Morgan collects appreciations and analyses by some of his most dedicated readers, including fellow poets, authors, critics and scholars. An unpublished interview with him is included, along with an essay by him on the importance of sense of place, and a bibliography of publications by and about him.