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Arranged To The Mafia
“Our marriage is nothing but a deal” He said looking the girl in the eye, her green eyes met his silver blue ones, both of their eyes hard as they glared at each other. “Believe me love, I don’t want this marriage any more than you do, but if it will bring peace to our families, then I will sign that stupid paper” she said glaring at him. She is the daughter of the English Mafia boss, and he is the Russian Mafia boss, and the only way to guarantee a proper, safe alliance between the two families, the Brook and the Ivanov family…
The Royal Kalendar and Court and City Register for England, Scotland, Ireland, and the Colonies for the Year ...
Vols. for 1837-52 include the Companion to the Almanac, or Year-book of general information.
Arranged To The Mafia
“Our marriage is nothing but a deal” He said looking the girl in the eye, her green eyes met his silver blue ones, both of their eyes hard as they glared at each other. “Believe me love, I don’t want this marriage any more than you do, but if it will bring peace to our families, then I will sign that stupid paper” she said glaring at him. She is the daughter of the English Mafia boss, and he is the Russian Mafia boss, and the only way to guarantee a proper, safe alliance between the two families, the Brook and the Ivanov family…
Worlds Apart?
Literary critics and scholars have written extensively on the demise of the "utopian spirit" in the modern novel. What has often been overlooked is the emergence of a new hybrid subgenre, particularly in science fiction and fantasy, which incorporates utopian strategies within the dystopian narrative, particularly in the feminist dystopias of the 1980s and 1990s. The author names this new subgenre "transgressive utopian dystopias." Suzette Haden Elgin's Native Tongue trilogy, Suzy McKee Charna's Holdfast series, and Margaret Atwood's The Handmaid's Tale are thoroughly analyzed within the context of this this new subgenre of "transgressive utopian dystopias." Analysis focuses particularly on how these works cover the interrelated categories of gender, race and class, along with their relationship to classic literary dualism and the dystopian narrative. Without completely dissolving the dualistic order, the feminist dystopias studied here contest the notions of unambiguity and authenticity that are generally part of the canon.
Redeeming Factors
"Jack Ross, after serving his country in top-secret special ops missions for most of his adult life, has discovered that the jumpdrive, a device that allows interstellar transportation, has immense possibilities. The jumpdrive has introduced the people of Earth to planets with alien beings who remarkably resemble animal life-forms from Earth. One of these species, the H'kaah, agree to a business proposition that allows them to live on Earth under the supervision and guidance of human hosts, their 'Patrons.' This business deal leads to an incredible adventure for Jack, the first Patron, and his companion as the two species learn to live in a cooperative environment, and teaches how being different doesn't necessarily mean being unable to be compatible. and to love. This amazing tale of futuristic possibilities will hold you spellbound until you realize that no matter who you are or what you've done, your fate is always open, never carved in stone, and could possibly be your Redeeming Factor."--Back cover
