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Peter Lime is trained to hunt down his prey and catch them on film. But now he is the one being hunted. Whose prey has he become? And what is it that he has that these people will kill to get? Lime is a Danish paparazzo, living in Madrid. For more than 20 years he has stalked and captured the rich and famous on film, making vast sums of money from exposing their secrets - the more salacious the image, the bigger the fee. But lately he's been thinking of giving it up. His wife and child have changed his life, and now he dreams of doing a job that his daughter can be proud of. Then he goes on a routine assignment, snapping a Spanish minister out sailing with his mistress, and suddenly his world is turned upside down. When a fire destroys his home, but not all of his photographs, Lime sets out to discover a motive and finds himself drawn into the complex and terrifying web of international terrorism.
Iranian Mullahs have offered a $4 million reward to the person who carries out their fatwa, the death sentence of the internationally acclaimed author Sara Santanda. A Danish daily newspaper has in cooperation with Danish PEN Centre invited her to Copenhagen, and police officer Per Toftlund of the Danish Secret Police is put in charge of protecting the author. A politician in parliament strikes a deal with dire consequences. And somewhere in the former Yugoslavia a young man signs up for murder. The man is Vuk. He is the Serbian Dane.
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In Bratislava, Teddy Pedersen, a middle-aged, Danish university lecturer, receives a visit from an Eastern European woman who turns out to be his half-sister. Father to both of them was a Danish SS officer who had officially been declared dead in 1952, but had in fact lived on in Yugoslavia for many years. In Copenhagen, Teddy's older sister is arrested on suspicion of being a Stasi agent, and a murder leads Teddy - and the Danish intelligence service - to investigate the relationship between these two - the woman in Denmark and the woman in Bratislava. The link between them proves to have far-reaching personal and political consequences.
Scandinavian popular novels and films have flourished in the last thirty years. In Crime and Fantasy in Scandinavia, Andrew Nestingen argues that the growth and visibility of popular culture have been at the heart of the development of heterogeneous �publics� in Scandinavia, in opposition to the homogenizing influence of the post-World War II welfare state. Novels and films have mobilized readers and viewers, serving as a preeminent site for debates over individualism, collectivity, national homogeneity, gender, and transnational relations. Crime and Fantasy in Scandinavia provides insight into the changing nature of civil society in Scandinavia through the lens of popular culture. Nestingen develops his argument through the examination of genres where the central theme is individual transgression of societal norms: crime films and novels, melodramas, and fantasy fiction. Among the internationally known writers and filmmakers discussed are Henning Mankell, Aki Kaurism�ki, Lukas Moodysson, and Lars von Trier.
This collection of articles studies the development of crime fiction in Denmark, Finland, Iceland, Norway and Sweden since the 1960s, offering the first English-language study of this widely read and influential form. Since the first Martin-Beck novel of Maj Sjöwall and Per Wahlöö appeared in 1965, the socially-critical crime novel has figured prominently in Scandinavian culture, and found hundreds of millions of readers outside Scandinavia. But is there truly a Scandinavian crime novel tradition? Scandinavian Crime Fiction identifies distinct features and changes in the Scandinavian crime tradition through analysis of some of its most well-known writers: Henning Mankell, Stieg Larsson, A...
This collection of papers offers an alternative to mainstream functional linguistics on two points. Especially in American linguistics, function and structure are often viewed almost as polar opposites; in addition, structure is often understood as being only a matter of linguistic form or expression as opposed to content. The book tries to illustrate why function and structure must be understood as mutually dependent in relation to language and why the most interesting aspect of language structure is the way it structures the content side of language. In this, the book represents a reaffirmation of traditional concerns in structural linguistics, especially with respect to the struc...
What makes a magazine in South Africa promote Scandinavian unity among its immigrant readers and why does a Swedish king endorse attempts to influence pan-Scandinavian opinion through a transnational media event in Sweden, Norway and Denmark? Can portraits of exotic Lapplanders in the British press, enthusiastic accounts of the welfare state in post-war travel literature and descriptions of the liberal Nordic woman as a metaphor for a freer society in Franco Spain really be bundled together under a joint label of 'Nordicness'? How is it that despite the variety of images of the Nordic region that are circulating, we still find this recurring idea of a shared Nordic identity? These are some o...