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Stories from Jonestown
  • Language: en
  • Pages: 377

Stories from Jonestown

  • Type: Book
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  • Published: 2014-05-14
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  • Publisher: Unknown

The saga of Jonestown didnOCOt end on the day in November 1978 when more than nine hundred Americans died in a mass murder-suicide in the Guyanese jungle. While only a handful of people present at the agricultural project survived that day in Jonestown, more than eighty members of Peoples Temple, led by Jim Jones, were elsewhere in Guyana on that day, and thousands more members of the movement still lived in California. Emmy-nominated writer Leigh Fondakowski, who is best known for her work on the play and HBO film "The Laramie Project," spent three years traveling the United States to interview these survivors, many of whom have never talked publicly about the tragedy. Using more than two h...

The Advocate
  • Language: en
  • Pages: 72

The Advocate

  • Type: Magazine
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  • Published: 2000-04-11
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  • Publisher: Unknown

The Advocate is a lesbian, gay, bisexual, transgender (LGBT) monthly newsmagazine. Established in 1967, it is the oldest continuing LGBT publication in the United States.

Stories from Jonestown
  • Language: en
  • Pages: 443

Stories from Jonestown

The saga of Jonestown didn’t end on the day in November 1978 when more than nine hundred Americans died in a mass murder-suicide in the Guyanese jungle. While only a handful of people present at the agricultural project survived that day in Jonestown, more than eighty members of Peoples Temple, led by Jim Jones, were elsewhere in Guyana on that day, and thousands more members of the movement still lived in California. Emmy-nominated writer Leigh Fondakowski, who is best known for her work on the play and HBO film The Laramie Project, spent three years traveling the United States to interview these survivors, many of whom have never talked publicly about the tragedy. Using more than two hun...

The Radical Act of Listening: Making Documentary and Investigative Theatre
  • Language: en
  • Pages: 221

The Radical Act of Listening: Making Documentary and Investigative Theatre

The Radical Act of Listening: Making Documenatry and Investigative Theatre explores best practices in the field of Documentary and Investigative theatre and offers readers a how-to guide for making their own work, written by a leading practitioner in the field. This book looks at how listening can radically bring about change through documentary and investigative theatre. It examines the mechanics and value of listening and how theatre practitioners can use these skills to create theatre. What does it mean to really listen, especially during a time when everyone is shouting? Can we listen without an agenda? Can we take what we hear and find ethical ways to share it with others so that we cap...

Print and the Poetics of Modern Drama
  • Language: en
  • Pages: 236

Print and the Poetics of Modern Drama

In Print and the Poetics of Modern Drama, W. B. Worthen asks how the print form of drama bears on how we understand its dual identity.

The Laramie Project
  • Language: en
  • Pages: 63

The Laramie Project

THE STORY: On November 6, 1998, gay University of Wyoming student Matthew Shepard left the Fireside Bar with Aaron McKinney and Russell Henderson. The following day he was discovered on a prairie at the edge of town, tied to a fence, brutally beaten, and close to death. Six days later Matthew Shepard died at Poudre Valley Hospital in Ft. Collins, Colorado. On November 14th, 1998, ten members of Tectonic Theatre Project traveled to Laramie, Wyoming and conducted interviews with the people of the town. Over the next year, the company returned to Laramie six times and conducted over 200 interviews. These texts became the basis for the play The Laramie Project. Ten years later on September 12th,...

Moment Work
  • Language: en
  • Pages: 338

Moment Work

  • Type: Book
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  • Published: 2018-04-17
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  • Publisher: Vintage

A detailed guide to the collaborative method developed by the acclaimed creators of The Laramie Project and Gross Indecency--destined to become a classic. A Vintage Original. By Moisés Kaufman and Barbara Pitts McAdams with Leigh Fondakowski, Andy Paris, Greg Pierotti, Kelli Simpkins, Jimmy Maize, and Scott Barrow. For more than two decades, the members of Tectonic Theater Project have been rigorously experimenting with the process of theatrical creation. Here they set forth a detailed manual of their devising method and a thorough chronicle of how they wrote some of their best-known works. This book is for all theater artists—actors, writers, designers, and directors—who wish to create work that embraces the unbridled potential of the stage.

Stories from Jonestown
  • Language: en
  • Pages: 350

Stories from Jonestown

  • Type: Book
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  • Published: 2013
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  • Publisher: Unknown

Collects survivor's accounts of the infamous mass murder-suicide at Jonestown in the Guyanese jungle.

Utopia in Performance
  • Language: en
  • Pages: 249

Utopia in Performance

"Jill Dolan is the theatre's most astute critic, and this new book is perhaps her most important. Utopia in Performance argues with eloquence and insight how theatre makes a difference, and in the process demonstrates that scholarship matters, too. It is a book that readers will cherish and hold close as a personal favorite, and that scholars will cite for years to come." ---David Román, University of Southern California What is it about performance that draws people to sit and listen attentively in a theater, hoping to be moved and provoked, challenged and comforted? In Utopia in Performance, Jill Dolan traces the sense of visceral, emotional, and social connection that we experience at su...

Dismemberment in Drama / Dismemberment of Drama
  • Language: en
  • Pages: 185

Dismemberment in Drama / Dismemberment of Drama

Dismemberment in Drama / Dismemberment of Drama is an essay collection which considers the dramatic possibility contained in the images and narratives of dismemberment frequently recurring on the western stage. The Classical Tragedies of Sophocles and Euripides, the Romanticism of Kleist, the surrealism of Artaud, and the contemporary drama of Suzan-Lori Parks and Marina Carr are just some of the fractured and fragmented bodies analyzed in this collection. Both individually and in concert the contributors ask what a dismembered body means. Such an inquiry allows them to confront dismemberment as a theoretical category which understands such twentieth-century innovations as the Theatre of Cruelty, the Epic Theatre, the Open Theater, and documentary theatre as part of a long dramatic tradition. Dismemberment in drama examines the tenuous bond between representation and the object being represented by highlighting the dismemberment of drama as a form that occurs during drama’s repeated theorizations of its own enactment. There is a conflict between disintegration and unity inherent in mimesis, theatrical phenomenology, and performance.