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Montažstroj’s Emancipatory Performance Politics
This book deals with the broader theoretical and philosophical context of performance art in former Yugoslavia, focusing on more than three decades of politically engaged performance activity of the Montažstroj group. Their activity is only a starting point for a deeper analysis of some of the key notions of contemporary “art-ivism” in a much broader post-political and globalized context before, during, and after Yugoslavia and its Socialist paradigm collapsed. The author analyzes and sets notions of agonism, engagement, terrorism, post-war trauma, political populism, social Darwinism, participation and publicness, and the public sphere into different theoretical matrixes.
From Culture of Fear to Society of Trust
Fear is an emotion that is strongly connected with violence and with the darkest periods of history, including terrorism, genocides, and totalitarianism. It is especially important for theology, where it can be considered to have very positive aspects. However, worldwide cultures are too often burdened with unnecessary fear. There are different factors involved in the cultivation of an 'adequate culture' of fear, and one of them is the certainly that mankind does indeed know how to cultivate it. Therefore, awareness and knowledge about the concept of fear is necessary. This book helps to increase and widen that understanding. (Series: Theology East-West / Theologie Ost-West - Vol. 17)
Reception of Northrop Frye
The Reception of Northrup Frye takes a thorough accounting of the presence of Frye in existing works and argues against Frye's diminishing status as an important critical voice.
Croatian Cultural Renaissance
Croatia is a magnificent land full of surprises. Visitors are amazed to discover a country with spectacular natural wonders, a great culinary tradition, excellent wine, architecture, a beautiful language, and a vibrant national culture. While it is a small country when measured in square miles, market size, or military power, it has a rich culture that has profoundly impacted the world. The contributors to Croatian Cultural Renaissance: From the Margins to the Crossroad of Europe were the protagonists who survived the communist period and then lived through the fraught period of the Croatian War of Independence in the 1990s; they worked to understand, build, and preserve their cultural identity and freedom as Croatian people. They are diplomats, government officials, artists, and academics who are recognized within Croatia for their intellectual prowess and for their vital and noteworthy contributions to their country. While the chapters explore different areas of Croatia’s national culture, they are united in showing how the national identity and ethos have deep roots and provide insight in what it means to be Croatian today.
The Pèlerinage Allegories of Guillaume de Deguileville
New essays on the unjustly neglected Pèlerinage works by de Guileville, showing in particular its huge contemporary influence. The fourteenth-century French pilgrimage allegories of Guillaume de Deguileville (or "Digulleville") shaped late medieval and early modern European culture. Portions of the Pèlerinage de Vie Humaine, Pèlerinage de l'Ame and Pèlerinage de Jhesucrist survive in more than eighty medieval manuscripts and translations into English, German, Dutch, Castilian and Latin appeared by the early sixteenth century, along with adaptations into Frenchprose and dramatic forms and numerous early printed editions. This volume furnishes a better understanding of the allegories' circ...
Brücke
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Die Literaturen Südosteuropas
Der vorliegende Band bildet den Grundstock einer zukünftigen komparativen Literaturwissenschaft Südosteuropas von der frühen Neuzeit bis zur Moderne im frühen 20. Jahrhundert und vergleicht zum erstenmal die Entwicklung von Gattungen und Epochenstilen der Belletristik, ideologische Tendenzen, Thematik und Motivik bzw. Rezeptionsvorgänge und Vorbildwirkungen in den Literaturen Ungarns und Rumäniens, der südslawischen Länder und Albaniens, Griechenlands und der Türkei.
The Italian Opera Libretto and Dubrovnik Theatre
Nowhere in Europe the Italian opera libretto has had such a direct and decisive influence on original national drama production as it did in Dubrovnik during the 17th and 18th century. In the "Golden Age of Croatian Literature", a hybrid drama genre was created. For more than a century, authors of this genre looked attentively at the most important trends of Italian opera production and followed them faithfully. In Croatian literature of that period, a specific model of libretti without music was created, one that appropriated the Italian libretto. These plays were not performed along with functional music, although sometimes authors and actors would provide instrumental accompaniment to the texts. Nothing more needs to be said about the dissemination and specific reception of Italian opera libretti in Dubrovnik during the 17th and 18th century to be understood as occupying a noteworthy place in the cultural life of Europe.
Marin Držić
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