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A provocative look at historical trauma as bound, incarnated, and processed through intimate and sexual expression. In an autotheoretical journey through bondage, domination, and intimacy, Leora Fridman uncovers how Jewish historical trauma can be challenged and explored in embodied relations. Drawing on her experiences as an American Jew in Germany, Fridman delves into BDSM practices and experimental communities from Oakland to Berlin. This work weaves personal encounters with critical analysis founded in feminist theory, queer literature, Holocaust history, and memory studies. Bound Up begins with kink and leads us through a sensual and intelligent approach to intergenerational trauma and ...
Poetry. Winner of the 2015 CSU Poetry Center First Book Competition, Selected by Eileen Myles. "MY FAULT is brainy and organic, interrupting itself. In MY FAULT politics and intimacy are jousting for the planet. Through MY FAULT nature appears, wearing a beautiful stuttering naked poem you know what they mean. Yes." Eileen Myles "When someone says 'my fault' it's usually just after something not so awful has happened; it's usually a little light-hearted, a little excusable. When Leora Fridman says 'my fault' it's not so simple as it is most welcoming. This new book introduces the poet as someone who is willing to be someone, not to hide behind so-called points of view or other concoctions of literary fastidiousness. There's an 'I' in this book and it's an 'I' saying over and over again here I am, how are you? This 'I' says 'We are only looking about // Who can say where the handle is / to this an opening door // Who can hit my switch?' Reading MY FAULT is like being with a new friend who has chosen to trust you with her thoughts about just about everything. It's rare a poet that lets herself be so exposed, so open for inspection, so unguarded." Dara Wier"
Essays on the apparitional, the incomprehensible, and the paranormal in conversation with art, travel, and storytelling The ghosts—literal and figurative—that drive our deepest impulses, disturb our most precious memories, and haunt the passages of our daily lives are present in this collection of sublime meditations on the unbelievable, the coincidental, and the apparitional. Often containing reflections on the art of storytelling, Caryl Pagel’s essays blend memoir, research, and reflection, and are driven by a desire to observe connections between the visual and the invisible. The narrator of Pagel’s essays explores each enigma or encounter (a football coach’s faked death, the fa...
In the face of unimaginably violent systems, our most vulnerable bodies - sick, disabled, unable to rise from bed - offer the resistance of imperative vulnerability. What can we learn from the body that cannot help but fail? How can porosity perform treachery within entrenched opressions? What kind of reading and relationship to text can enrich relationship instead of inscribing boundaries between us? What does it mean to accept the unacceptable, and what kind of power becomes available when we submit to forces larger than ourselves? How might we take refuge in discomfort, and in the process refuse the stale comforts offered by hyper-capitalist economics and white supremacy? Static Palace, a...
In 1970s Thailand, three young people meet each other with fateful results. Det has just lost his mother, the granddaughter of a king. He clings to his best friend Chang, a smart boy from the slums, as they go to college; while there, Det falls for Lek, a Chinese immigrant with radical ideals. Longing for glory, Det journeys into his friends’ political circles, and then into the Thai jungle to fight. During Thailand’s most famous period of political and artistic openness, these three friends must reconcile their deep feelings for one another with the realities of perilous political revolution.
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Poetry. Latinx Studies. LGBTQIA Studies. "Equal part prayer and potion and survival guide, Oliver Baez Bendorf's remarkable ADVANTAGES OF BEING EVERGREEN is an essential book for our time and for all time...Baez Bendorf is making a future grammar for the moment all of our vessels are free and held. I am living for the world these poems anticipate...This is a book of the earth's abiding wonder. And the body's unbreakable ability to bloom."--Gabrielle Calvocoressi "This book...offers a topography of the body--each poem, a dropped pin, locating across a broad intricate landscape: memory, hunger, tenderness, grief, and fear. To read these poems is to trust the momentum of tributaries or the dist...
From the author of Blackfishing the IUD, a darkly hilarious novel about familial trauma, chronic illness, academic labor, and contemporary art. In the tradition of Rabelais, Swift, and Fran Ross—the tradition of biting satire that joyfully embraces the strange and fantastical—and drawing upon documentary strategies from Sheila Heti, Caren Beilin offers a tale of familial trauma that is also a broadly inclusive skewering of academia, the medical industry, and the contemporary art scene. One day Iris, an adjunct at a city arts college, receives a terrible package: recently unearthed letters that her father had written to her in her teens, in which he blames her for their family’s crises....
'A response - finally - to the new norms of femininity' Rachel Cusk Having reached an age when most of her peers are asking themselves when they will become mothers, Heti's narrator considers, with the same urgency, whether she will do so at all. Over the course of several years, under the influence of her partner, body, family, friends, mysticism and chance, she struggles to make a moral and meaningful choice. In a compellingly direct mode that straddles the forms of the novel and the essay, Motherhood raises radical and essential questions about womanhood, parenthood, and how - and for whom - to live. 'Likely to become the defining literary work on the subject' Guardian 'Courageous, necessary, visionary' Elif Batuman 'Quietly affecting... As concerned with art as it is with mothering' Sally Rooney 'Groundbreaking in its fluidity' Spectator **A Daily Telegraph, Financial Times, Irish Times, Refinery29, TLS and The White Review Book of the Year **
Drawing on unprecedented access to the video archives of B'Tselem, an Israeli NGO that distributes cameras to Palestinians living in the West Bank, East Jerusalem, and the Gaza Strip, Liat Berdugo lays out an argument for a visual studies approach to videographic evidence in Israel/Palestine. Using video stills as core material, it discusses the politics of videographic evidence in Israel/Palestine by demonstrating that the conflict is one that has produced an inequality of visual rights. The book highlights visual surveillance and counter surveillance at the citizen level, how Palestinians originally filmed to “shoot back” at Israelis, who were armed with shooting power via weapons as t...