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For more than a century, Ghost Ranch has attracted people of enormous energy and creativity to the high desert of northern New Mexico. Occupying twenty-two thousand acres of the Piedra Lumbre basin, this fabled place was the love of artist Georgia O’Keeffe’s life, and her depictions of the landscape catapulted Ghost Ranch to international recognition. Building on the history of the Abiquiu region that she told in Valley of Shining Stone, Ghost Ranch historian Lesley Poling-Kempes now unfolds the story of this celebrated retreat. She traces its transformation from el Rancho de los Brujos, a hideout for legendary outlaws, to a renowned cultural mecca and one of the Southwest’s premier co...
Ladies of the Canyons is the true story of remarkable women who left the security and comforts of genteel Victorian society and journeyed to the American Southwest in search of a wider view of themselves and their world. Educated, restless, and inquisitive, Natalie Curtis, Carol Stanley, Alice Klauber, and Mary Cabot Wheelwright were plucky, intrepid women whose lives were transformed in the first decades of the twentieth century by the people and the landscape of the American Southwest. Part of an influential circle of women that included Louisa Wade Wetherill, Alice Corbin Henderson, Mabel Dodge Luhan, Mary Austin, and Willa Cather, these ladies imagined and created a new home territory, a...
North by northwest from old Santa Fe is the winding road to Abiquiu (ah-be-cue'), Ghost Ranch, and el Valle de la Piedra Lumbre, the Valley of Shining Stone: mythical names in a near-mythical place, captured for the ages in the famous paintings of Georgia O'Keeffe. O'Keeffe saw the magic of sandstone cliffs and turquoise skies, but her life and death here are only part of the story. Reading almost like a novel, this book spills over with other legends buried deep in time, just as some of North America's oldest dinosaur bones lie hidden beneath the valley floor. Here are the stories of Pueblo Indians who have claimed this land for generations. Here, too, are Utes, Navajos, Jicarilla Apaches, ...
Just outside of Santa Fe, in the land of The Milagro Beanfield War, a group of pilgrims converge on the edge of a canyon for a last chance at life.
The award-winning history of the women who went West to work in Fred Harvey's restaurants along the Santa Fe railway -- and went on to shape the American Southwest From the 1880s to the 1950s, the Harvey Girls went west to work in Fred Harvey's restaurants along the Santa Fe railway. At a time when there were "no ladies west of Dodge City and no women west of Albuquerque," they came as waitresses, but many stayed and settled, founding the struggling cattle and mining towns that dotted the region. Interviews, historical research, and photographs help re-create the Harvey Girl experience. The accounts are personal, but laced with the history the women lived: the dust bowl, the depression, and anecdotes about some of the many famous people who ate at the restaurants--Teddy Roosevelt, Shirley Temple, Bob Hope, to name a few. The Harvey Girls was awarded the winner of the 1991 New Mexico Press Women's ZIA award.
By 1929, the brief, brilliant career of Bix Beiderbecke––self–taught cornetist, pianist, and composer––had already become legend. From the summer of '26 at Hudson Lake, Indiana, when his genius blazed forth with a strange, doomed incandescence, Bix's career tragically reflected the chaotic impulses of a country suddenly awash in wealth, power, and a profound cynicism. Shy, elusive, inarticulate, Bix was beloved by both the raccoon–coated campus crowd and the men who nightly played alongside him. He is still celebrated in a yearly festival in his hometown of Davenport, Iowa.And that is where the novel begins, Davenport and the Bix Fest. Then it travels back in time to focus on the...
"Mary Elizabeth Jane Colter ... was an architect and interior designer who spent virtually her entire career working simultaneously for the Fred Harvey Company and the Santa Fe Railway."--p. 9.
During the westward settlement, for more than twenty years Apache tribes eluded both US and Mexican armies, and by 1886 an estimated 9,000 armed men were in pursuit. Roberts (Deborah: A Wilderness Narrative) presents a moving account of the end of the Indian Wars in the Southwest. He portrays the great Apache leaders—Cochise, Nana, Juh, Geronimo, the woman warrior Lozen—and U.S. generals George Crock and Nelson Miles. Drawing on contemporary American and Mexican sources, he weaves a somber story of treachery and misunderstanding. After Geronimo's surrender in 1886, the Apaches were sent to Florida, then to Alabama where many succumbed to malaria, tuberculosis and malnutrition and finally in 1894 to Oklahoma, remaining prisoners of war until 1913. The book is history at its most engrossing. —Publishers Weekly
For many people who have never spent time in the state, Oklahoma conjures up a series of stereotypes: rugged cowboys, tipi-dwelling American Indians, uneducated farmers. When women are pictured at all, they seem frozen in time: as the bonneted pioneer woman stoically enduring hardship or the bedraggled, gaunt-faced mother familiar from Dust Bowl photographs. In Red Dirt Women, Susan Kates challenges these one-dimensional characterizations by exploring—and celebrating—the lives of contemporary Oklahoma women whose experiences are anything but predictable. In essays both intensely personal and universal, Red Dirt Women reveals the author’s own heartaches and joys in becoming a parent thr...
In the early 1880s when conventional wisdom decreed that working women were socially inferior and morally suspect, an English gentleman brought the first of thousands of young women to the American West to work in restaurants along the Santa Fe Railroad line. Preferring the term Harvey Girl to waitress, Fred Harvey recruited single women between the ages of eighteen and thirty to work ten-hour days serving four-course meals in under thirty minutes at Harvey Houses from Kansas to California.Harvey Girls usually lived above the Harvey Houses and were chaperoned by a house mother. Their uniforms were modest, makeup and jewelry were forbidden, and each Harvey Girl signed a year-long contract. In...