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Behavioral Mechanisms in Evolutionary Ecology
The first book-length exploration of behavioral mechanisms in evolutionary ecology, this ambitious volume illuminates long-standing questions about cause-and-effect relations between an animal's behavior and its environment. By focusing on biological mechanisms—the sum of an animal's cognitive, neural, developmental, and hormonal processes—leading researchers demonstrate how the integrated study of animal physiology, cognitive processes, and social interaction can yield an enriched understanding of behavior. With studies of species ranging from insects to primates, the contributors examine how various animals identify and use environmental resources and deal with ecological constraints, ...
Foundations of Ecology
Assembled here for the first time in one volume are forty classic papers that have laid the foundations of modern ecology. Whether by posing new problems, demonstrating important effects, or stimulating new research, these papers have made substantial contributions to an understanding of ecological processes, and they continue to influence the field today. The papers span nearly nine decades of ecological research, from 1887 on, and are organized in six sections: foundational papers, theoretical advances, synthetic statements, methodological developments, field studies, and ecological experiments. Selections range from Connell's elegant account of experiments with barnacles to Watt's encyclo...
The Cutting Edge
The Beatles' hair changed the world. As their increasingly wild, untamed manes grew, to the horror of parents everywhere, they set off a cultural revolution as the most tangible symbol of the Sixties' psychedelic dream of peace, love and playful rebellion. In the midst of this epochal change was Leslie Cavendish, hairdresser to the Beatles and some of the greatest stars of the music and entertainment industry. But just how did a fifteen-year-old Jewish school dropout from an undistinguished North London suburb, with no particular artistic talent or showbusiness connections, end up literally at the cutting edge of Sixties' fashion in just four years? His story – honest, always entertaining and inspiring – parallels the meteoric rise of the Beatles themselves, and is no less astounding.
Leslie’s Apology
"The Stuff on the Inside" is a coming-of-age novel that follows a young student named Leslie Barclay. During his journey through college, Leslie battles with the finite nature of life, the collapsing health of those closest to him, and struggles to mask his identity crisis. The more the outside world fails him, the more refuge Leslie seeks within the walls of his college. Pursuing any means to cheat death and stay young forever, Leslie sells his soul to the masters that rule on campus. In this attempt to stave off the coming tide of adulthood, Leslie finds himself drowning in a sea of adolescence that he helped create. Only to discover a horrifying truth... you either get old, or you die. This novel touches on many adult conversations surrounding topics such as mental health, self-harm, death denial, and sexual assault. It is not intended for readers under the age of eighteen.
Anybody Here Seen Frenchie?
Aurora is bouncy, loud, and impulsive--a big old blurter. Making friends has never come easy to her. When Frenchie, who is autistic, silently chose Aurora as his person back in third grade, she was all in. In fact, she chose him back. They make a goo
Real Allegories
Olivier Richon's work addresses various themes such as the desire for the exotic, the pleasures of imitation, the function of the object in the still life, quotation and appropriation of art history.
Thinking about Stories
Thinking About Stories is a fun and thought-provoking introduction to philosophical questions about narrative fiction in its many forms, from highbrow literature to pulp fiction to the latest shows on Netflix. Written by philosophers Samuel Lebens and Tatjana von Solodkoff, it engages with fundamental questions about fiction, such as: What is it? What does it give us? Does a story need a narrator? And why do sad stories make us cry if we know they aren’t real? The format of the book emulates a lively, verbal exchange: each chapter has only one author while the other appears spontaneously in dialogues in the text along the way, raising questions and voicing criticisms, and inviting response...
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