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Hitchcock & the Anxiety of Authorship
Hitchcock and the Anxiety of Authorship examines issues of cinema authorship engaged by and dynamized within the director's films. A unique study of self-reflexivity in Hitchcock's work from his earliest English silents to his final Hollywood features, this book considers how the director's releases constitute ever-shifting meditations on the conditions and struggles of creative agency in cinema. Abramson explores how, located in literal and emblematic sites of dramatic production, exhibition, and reception, and populated by figures of directors, actors, and audiences, Hitchcock's films exhibit a complicated, often disturbing vision of authorship - one that consistently problematizes rather ...
Mary Poppins
This volume examines Mary Poppins as a 1960s film reflecting and invested in its radically changing times, a largely but not unmitigatedly antiestablishment musical resonant with conditions and issues powerfully affecting baby boomers. Among the explosion of baby boomer films that rocked the 1960s, the most stirring early work was likely Mary Poppins. This 1964 film captivated young audiences, earning top-grossing ticket sales, multiple Oscars, and landmark status as a cultural phenomenon. The book illuminates Mary Poppins as a musical teeming with preoccupations of American youth in the early-to-mid-1960s, including antiestablishment desires, anxieties, and pleasures. Reading against the do...
Hitchcock & the Anxiety of Authorship
Hitchcock and the Anxiety of Authorship examines issues of cinema authorship engaged by and dynamized within the director's films. A unique study of self-reflexivity in Hitchcock's work from his earliest English silents to his final Hollywood features, this book considers how the director's releases constitute ever-shifting meditations on the conditions and struggles of creative agency in cinema. Abramson explores how, located in literal and emblematic sites of dramatic production, exhibition, and reception, and populated by figures of directors, actors, and audiences, Hitchcock's films exhibit a complicated, often disturbing vision of authorship - one that consistently problematizes rather ...
Hitchcock & the Anxiety of Authorship
Hitchcock and the Anxiety of Authorship examines issues of cinema authorship engaged by and dynamized within the director's films. A unique study of self-reflexivity in Hitchcock's work from his earliest English silents to his final Hollywood features, this book considers how the director's releases constitute ever-shifting meditations on the conditions and struggles of creative agency in cinema. Abramson explores how, located in literal and emblematic sites of dramatic production, exhibition, and reception, and populated by figures of directors, actors, and audiences, Hitchcock's films exhibit a complicated, often disturbing vision of authorship - one that consistently problematizes rather ...
9th Circuit News
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New Constellations
American culture changed radically over the course of the 1960s, and the culture of Hollywood was no exception. The film industry began the decade confidently churning out epic spectacles and lavish musicals, but became flummoxed as new aesthetics and modes of production emerged, and low-budget youth pictures like Easy Rider became commercial hits. New Constellations: Movie Stars of the 1960s tells the story of the final glory days of the studio system and changing conceptions of stardom, considering such Hollywood icons as Elizabeth Taylor and Paul Newman alongside such hallmarks of youth culture as Mia Farrow and Dustin Hoffman. Others, like Sidney Poitier and Peter Sellers, took advantage of the developing independent and international film markets to craft truly groundbreaking screen personae. And some were simply “famous for being famous,” with celebrities like Zsa Zsa Gabor and Edie Sedgwick paving the way for today’s reality stars.
American Cinema of the 1960s
This book examines a range of films that characterized the decade, including Hollywood movies, documentaries, and the independent and experimental films.
Mustang
This book provides a critically informed account of the Turkey-born France-based director Deniz Gamze Ergüven’s debut film Mustang (2015), which tells the story of five orphaned sisters living with their grandmother and uncle in a remote Turkish village. The film’s familiar art-house style, and its universalising focus on female coming-of-age and feminist dissent, resulted in celebratory reviews from journalists and scholars of world cinema. Meanwhile, Mustang’s framing of youth in the Turkish national context, and its representation of gender, divided Turkish film critics and cultural theorists. These divisions led to a debate that questions the politics of transnational feminism by ...
The Dangers of Dissent
While most studies of the FBI focus on the long tenure of Director J. Edgar Hoover (1924-1972), The Dangers of Dissent shifts the ground to the recent past. The book examines FBI practices in the domestic security field through the prism of 'political policing.' The monitoring of dissent is exposed, as are the Bureau's controversial 'counterintelligence' operations designed to disrupt political activity. This book reveals that attacks on civil liberties focus on a wide range of domestic critics on both the Left and the Right. This book traces the evolution of FBI spying from 1965 to the present through the eyes of those under investigation, as well as through numerous FBI documents, never us...
The Routledge Handbook of Cultural Legal Studies
This handbook provides a comprehensive introduction to the cutting-edge field of cultural legal studies. Cultural legal studies is at the forefront of the legal discipline, questioning not only doctrine or social context, but how the concerns of legality are distributed and encountered through a range of material forms. Growing out of the interdisciplinary turn in critical legal studies and jurisprudence that took place in the latter quarter of the 20th century, cultural legal studies exists at the intersection of a range of traditional disciplinary areas: legal studies, cultural studies, literary studies, jurisprudence, media studies, critical theory, history, and philosophy. It is an area ...
