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An Open Access edition of this book is available on the Liverpool University Press website and the OAPEN library as part of the Opening the Future project with COPIM. A City Against Empire is the history of the anti-imperialist movement in 1920s Mexico City. It combines intellectual, social, and urban history to shed light on the city’s role as an important global hub for anti-imperialism, exile activism, political art, and solidarity campaigns. After the Russian and the Mexican Revolution, Mexico City became a space and a symbol of global anti-imperialism. Radical politicians, artists, intellectuals, scientists, migrants, and revolutionary tourists took advantage of the urban environment ...
What do we "see" when we think of Italy? How is our sense of that country, its people and culture formed, what conditions it? Looters, Photographers, and Thieves suggests that our visualization and relationship to a place like Italy is the result of a long and complex series of constructed images that have their origins in the ideology of nation building.
This book explores the evolution of the role of the heirs to the throne of Italy between 1860 and 1900. It focuses on the future kings Umberto I (1844-1900) and Vittorio Emanuele III (1869-1947), and their respective spouses, Margherita of Savoia (1851-1926) and Elena of Montenegro (1873-1952). It sheds light on the soft power the Italian royals were attempting to generate, by identifying and examining four specific areas of monarchical activity: firstly, the heirs’ public role and the manner in which they attempted to craft an Italian identity through a process of self-presentation; secondly, the national, royal, linguistic and military education of the heirs; thirdly, the promotion of a family-centred dynasty deploying both male and female elements in the public realm; and finally the readiness to embrace different modes of mobility in the construction of italianità. By analysing the growing importance of the royal heirs and their performance on the public stage in post-Risorgimento Italy, this study investigates the attempted construction of a cohesive national identity through the crown and, more specifically, the heirs to the throne.
This book explores Darwinism in modern Italian literature. In the years between Italy’s unification (1861) and the rise of fascism, many writers gave voice to anxieties connected with the ideas of evolution and progress. This study shows how Italian authors borrowed and reworked a scientific vocabulary to write about the contradictions and the contrasting tensions of Italy’s cultural and political-economic modernization. It focuses, above all, on novels by Italo Svevo, Federico De Roberto and Luigi Pirandello. The analysis centers on such topics as the struggle against adverse social conditions in capitalistic society, the risk of failing to survive the struggle itself, the adaptive issues of individuals uprooted from their family and work environments, the concerns about the heredity of maladapted characters. Accordingly, the book also argues that the hybridization and variation of both narrative forms and collective mindsets describes the modernist awareness of the cultural complexity experienced in Italy and Europe at this time.
This text examines the collection of feminist art in the Museum of Modern Art. It features essays presenting a range of generational and cultural perspectives.
Cultural Cold Wars and UNESCO in the Twentieth Century addresses the now-considerable interest in the concept of cultural cold war as a means of advancing ideologies. The book charts the development of the concept in the twentieth century. Structured in two parts, Part I considers the League of Nations’ idealist attempts at international intellectual cooperation. It discusses also the first cultural cold war with the Communist International’s attempts to advance communism. It also analyses the ideological and cultural appeal of Italian fascism, German national socialism, and Japanese nationalist militarism; and the transition from a wartime alliance to a new cold war. Part II examines th...
An international history of radical movements and their convergences during the Mexican Revolution The Mexican Revolution was a global event that catalyzed international radicals in unexpected sites and struggles. Tracing the paths of figures like Black American artist Elizabeth Catlett, Indian anti-colonial activist M.N. Roy, Mexican revolutionary leader Ricardo Flores Magón, Okinawan migrant organizer Paul Shinsei Kōchi, and Soviet feminist Alexandra Kollontai, Arise! reveals how activists around the world found inspiration and solidarity in revolutionary Mexico. From art collectives and farm worker strikes to prison "universities," Arise! reconstructs how this era's radical organizers found new ways to fight global capitalism. Drawing on prison records, surveillance data, memoirs, oral histories, visual art, and a rich trove of untapped sources, Christina Heatherton considers how disparate revolutionary traditions merged in unanticipated alliances. From her unique vantage point, she charts the remarkable impact of the Mexican Revolution as radicals in this critical era forged an anti-racist internationalism from below.
Movements After Revolution is a history of the people's movements in the aftermath of the Mexican Revolution of 1910-20 that brought together industrial workers and rural communities to fight for a vast array of demands and diverse forms of justice.
Explores the impact of fascism, communism, and totalitarianism on modern Italy, through the prism of a single family.
The Comintern and the Global South: Global Designs/Local Encounters studies the relations and productive tensions between the Third International, intellectual histories of racial justice and anti-imperialism, as well as other forms of internationalism. Building on extant institutional histories of the Third International, it moves in new directions by focusing on the points of intersection – often conflictual and short-lived – with anti-imperialist, anti-racist, and nationalist organizing, making the Third International a site of encounter between a global political project and more local and regional contexts. Due to the broad range of geographic and linguistic expertise of the contrib...