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A biographical dictionary devoted to Chinese women, this text is the result of years of research, translation and writing from contributors from around the world. This volume focuses on the 20th century and includes sportwomen, film stars, musicians, politicians, artists, educators and more.
3 Plays A Dull House Sleepers, Awake! Reviving the Rileys
Paradigm Publications brings the medicine and healing of the Oriental tradition to English-speaking readers. Our work is based on the premise that the West will successfully absorb Oriental traditional healing arts only by honoring the respect for language, tradition, and nature on which they were founded. Seeking to accurately transmit an Asian expertise that is rooted in bedside skills and highly trained sensory observations, our books for clinical professionals are produced by cooperative teams of Asian and Western clinical experts, scholars, and linguists. By adhering to voluntary, multi-author, multi-publisher standards, these works become part of a valuable library that is not limited by the interests of any one author or publisher. Based on similar principles, our books for discriminating readers offer the simple utility people need to apply these arts to their lives.The only English language ed. of the 16th-c. classic available.
The present Catalogue comprises information on 48 genera and 1802 valid species of the coleopterous subfamily Scaphidiinae. Unlike previous catalogues of the group, it gives exact type localities, depositories and sexes of primary types whenever traceable. Genera are listed with their type species and grammatical gender. References are given to subsequent taxonomic and nomenclatural acts, records, and to all other relevant information. Distributional information is provided per country, for larger or insular countries per subunits. An overview of fungus and slime mould hosts is annexed. The references to all taxa have been checked by the author. Infrasubspecific entities and priorities are dealt to comply with the ICZN. Nomenclatural problems are highlighted, and several new records are given. Extinct taxa are listed separately.
The Zhou Changes, better known in the West as I Ching, is one of the masterpieces of world literature. This book, the climax of more than forty years of research in Chinese archaeology, explores the text’s origins in the oracle-bone and milfoil divinations of Bronze Age China and how it transformed over the course of the Zhou dynasty into the first of the Chinese classics. The book provides an in-depth survey of the theory and practice of divination to demonstrate how the hexagram and line statements of the text were produced and how they were understood at the time.
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Called the leading heir to the great directors of post-WWII Europe and lavished with awards, Wong Kar-wai has redefined perceptions of Hong Kong's film industry. Wong's visual brilliance and emphasis on atmosphere over action have set him apart from peers while earning him an admiring international audience. In the Mood for Love regularly appears on lists of the twenty-first century's greatest films while critics and filmgoers recognize works like Chungking Express and Happy Together as modern classics. Peter Brunette describes the ways in which Wong's supremely haunting visual films create a new form of cinema by telling a story with stunning, suggestive visual images and audio tracks rather than character, dialogue, and plot. As he shows, Wong's early background in genre film offers fascinating insights on his more studied later works. He also delves into Wong's perennial themes of time, love, and loss and examines the political implications of his films, especially concerning the handover of former British colony Hong Kong to the People's Republic of China.
Critical theory and popular wisdom are rife with images of surveillance as an intrusive, repressive practice often suggestively attributed to eastern powers and opposed to western liberalism. Hollywood-dominated global media has long promulgated a geopoliticized east-west axis of freedom vs. control. This book focuses on Asian and Asia-based films and cinematic traditions obscured by lopsided western hegemonic discourse and—more specifically—probes these films’ treatments of a phenomenon that western film often portrays with neo-orientalist hysteria. Exploring recent and historical movies made in post-social and anti-Communist societies such as China, Hong Kong, Taiwan, Vietnam and South Korea, the book picks up on the political and economic concerns implicitly underlying Sinophobic and anti-Communist Asian images in Hollywood films while also considering how these societies and states depict the issues of centralization, militarization and technological innovation so often figured as distinctive of the difference between eastern despotism and western liberalism.
This work engages two of the most neglected themes in China’s long history: the integration of lands south of the Yangtze River into China and its impact on Chinese culture. The roots of Chinese civilization are commonly traced to the North. For millennia after the foundations of the northern culture had been laid, the South was not part of its mandate, and long after the imperial center had claimed political control in the late first millennium BCE, it remained culturally distinct. Yet for the past one thousand years the South has been the cultural, demographic, economic—and, on occasion, political—center of China. The process whereby this was accomplished has long been overlooked in ...
The national bestselling memoir of a woman’s resistance and struggles in Communist China—“an absorbing story of resourcefulness and courage” (The New York Times). A NEW YORK TIMES BEST BOOK OF THE YEAR In August 1966, a group of Red Guards ransacked the home of Nien Cheng. Her background made her an obvious target for the fanatics of the Cultural Revolution: educated in London, the widow of an official of Chiang Kai-shek’s regime, and an employee of Shell Oil. When she refused to confess that any of this made her an enemy of the state, she was placed in solitary confinement, where she would remain for more than six years. Life and Death in Shanghai recounts the story of Nien Cheng’s imprisonment—a time of extreme deprivation which she met with heroic resistance—as well as her quest for justice when she was released. It is also the story of a country torn apart by Mao Zedong’s vicious campaign to topple party moderates. An incisive, personal account of a terrifying chapter in twentieth-century history, Life and Death in Shanghai is also an astounding portrait of one woman’s courage.