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The political and social turmoil of the twentieth century took Magda Nachman from a privileged childhood in St. Petersburg at the close of the nineteenth century, artistic studies with Léon Bakst and Kuzma Petrov-Vodkin at the Zvantseva Art Academy, and participation in the dynamic symbolist/modernist artistic ferment in pre-Revolutionary Russia to a refugee existence in the Russian countryside during the Russian Civil War followed by marriage to a prominent Indian nationalist, then with her husband to the hardships of émigré Berlin in the 1920s and 1930s, and finally to Bombay, where she established herself as an important artist and a mentor to a new generation of modern Indian artists.
In this fascinating biography of the Indian revolutionary M. P. T. Acharya (1887-1954), Ole Birk Laursen uncovers the remarkable transnational networks, movements and activities of India's most important anticolonial anarchist in the twentieth century. Driven by the urge for complete freedom from colonialism, authoritarianism, fascism and militarism, which are rooted in the idea and politics of the nation-state, Acharya fought for an international vision of socialism and freedom. During the tumultuous opening decades of the 1900s--marked by the globalisation of radical inter-revolutionary struggles, world wars, the rise of communism and fascism, and the growth of colonial independence moveme...
"Aspiring thinkers require a stage for their performance and an audience to help give their actions distinction and meaning. To be made durable and influential, their charismatic stories have to be framed by supporting ideals, practices, and institutions. Although the biographies of the Empire's most famous thinkers have a comfortable platform in modern Russia's printed record, scholars have yet to explore fully the intimate context surrounding their activities in the early nineteenth century. There is, as a result, a certain homeless quality to our understandings of Imperial Russian culture, which this history of one extremely productive home will help us correct."—from The House in the G...
Een aantal essays over de culturele bijdrage die Russische vrouwen geleverd hebben aan de Russische beschaving. De volgende bijdragen zijn opgenomen: The second fantasy mother, or all baths are women's baths / door Nancy Condee; Keeping a-breast of the waist-land: women's fashion in early-nineteenth-century Russia / door Helena Goscilo; Female fashion, Soviet style: bodies of ideology / door Ol'ga Vainshtein; Getting under their skin: the beauty salon in Russian women's lives / door Nadezhda Azhgikhina en Helena Goscilo; Domestic porkbarreling in nineteenth-century Russia, or who holds the keys to the larder / door Darra Goldstein; The ritual fabrics of Russian village women / door Mary B. K...
Skilfully connecting multidisciplinary sources along broad historical continuum, The Space of the Book will be a valuable resource as the study of Russian print culture takes on new directions in a digitized world.
Reinventing Romantic Poetry offers a new look at the Russian literary scene in the nineteenth century. While celebrated poets such as Aleksandr Pushkin worked within a male-centered Romantic aesthetic—the poet as a bard or sexual conqueror; nature as a mother or mistress; the poet’s muse as an idealized woman—Russian women attempting to write Romantic poetry found they had to reinvent poetic conventions of the day to express themselves as women and as poets. Comparing the poetry of fourteen men and fourteen women from this period, Diana Greene revives and redefines the women’s writings and offers a thoughtful examination of the sexual politics of reception and literary reputation. Th...
It is often assumed that cultural identity is determined in a country’s metropolitan centres. Given Russia’s long tenure as a geographically and socially diverse empire, however, there is a certain distillation of peripheral experiences and ideas that contributes just as much to theories of national culture as do urban-centred perspectives. Writing at Russia’s Border argues that Russian literature needs to be reexamined in light of the fact that many of its most important nineteenth-century texts are peripheral, not in significance but in provenance. Katya Hokanson makes the case that the fluid and ever-changing cultural and linguistic boundaries of Russia’s border regions profoundly...
As the cultural and ideological foundations of imperial Russia were threatened by forces of modernity, an array of Orthodox churchmen, theologians, and lay thinkers turned to asceticism, hoping to ensure the coming Kingdom of God promised to the Russian nation.
Self-Portrait, with Parents and Footnotes is a story of movement. Moving from city to city characterized the author's growing up—from Poland to Belgium and from the East Coast to the West Coast of the United States. The book also moves between past and present. The authors' parents, Jews from Eastern Europe, lived through the Spanish Civil War, the Second World War, the post-war Communist world, and much migration in between. How were these events transmitted to their child, and what questions do they give rise to today? The book moves between straightforward story-telling and reflections on memory, on politics and religion, and on literature. It seeks the genesis of intellectual interests in personal story.
“Explore[s] the Jewish past via letters that reflect connections and collisions between old and new worlds.” —Jewish Book Council At the turn of the 20th century, Jewish families scattered by migration could stay in touch only through letters. Jews in the Russian Empire and America wrote business letters, romantic letters, and emotionally intense family letters. But for many Jews who were unaccustomed to communicating their public and private thoughts in writing, correspondence was a challenge. How could they make sure their spelling was correct and they were organizing their thoughts properly? A popular solution was to consult brivnshtelers, Yiddish-language books of model letters. De...