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Race, Culture, and Identity
In this groundbreaking book, Shireen Lewis gives a comprehensive analysis of the literary and theoretical discourse on race, culture, and identity by Francophone and Caribbean writers beginning in the early part of the twentieth century and continuing into the dawn of the new millennium. Examining the works of Patrick Chamoiseau, Raphaël Confiant, Aimé Césaire, Léopold Senghor, Léon Damas, and Paulette Nardal, Lewis traces a move away from the preoccupation with African origins and racial and cultural purity, toward concerns of hybridity and fragmentation in the New World or Diasporic space. In addition to exploring how this shift parallels the larger debate around modernism and postmodernism, Lewis makes a significant contribution by arguing for the inclusion of Martinican intellectual Paulette Nardal, and other women into the canon as significant contributors to the birth of modern black Francophone literature.
Eloquent Obsessions
Out of the core of experience, these essays began as obsessions. Whether founded in some strongly lived moment, deeply held conviction, long-term interest, or persistent and unanswered question, these essays reveal the writer's voice--personal, often passionate, full of conviction, certainly unmistakable. Marianna Torgovnick has drawn together writings by leading contemporary scholars in the humanities, representing fields of literary criticism, American and Romance studies, anthropology, and art history. Eloquent Obsessions presents cultural criticism at its thoughtful and writerly best. This collection explores a wide range of issues at the intersection of personal and social history--from...
The Boundaries of Fiction
Focusing on canonical works by Daniel Defoe, Henry Fielding, Laurence Sterne, and others, this book explains the relationship between British fiction and historical writing when both were struggling to attain status and authority. History was at once powerful and vulnerable in the empiricist climate of seventeenth- and eighteenth-century England, suspect because of its reliance on testimony, yet essential if empiricism were ever to move beyond natural philosophy. The Boundaries of Fiction shows how, in this time of historiographical instability, the British novel exploited analogies to history. Titles incorporating the term ?history,? pseudo-editors presenting pseudo-documentary ?evidence,? ...
Theology and the New Histories
Theology and the New Histories explores how Christianity, as an historical religion, is responding to the challenge of multiple readings of history—women’s history, history written from the perspective of minority groups, new sources of history, including those that are non-Western, and deconstructionist history. These new histories pose challenges to the assumptions of traditional theology. They also affect our understanding of the history of Christianity and of the development of Christian doctrine. Contributors include: Terrence W. Tilley, Justo L. González, Michael Horace Barnes, Vincent J. Miller, Elizabeth A. Clark, Barbara Green, O.P., Ann R. Riggs, Donna Teevan, James T. Fisher, Pamela Kirk, Ann Coble, Franklin H. Littell, Brian F. Linnane, and Margaret R. Pfeil.
History, Theory, Text
A historian of early Christianity considers various theoretical critiques to examine the problems and opportunities posed by the ways in which history is written. Clark argues for a renewal of the study of premodern Western history through engagement with the critical methods that have transformed other humanities disciplines in recent decades.
Portraits of Spiritual Authority
This volume deals with several figures of spiritual authority in Christianity during late antiquity and the early middle ages, and seeks to illuminate the way in which the struggle for religious influence evolved with changes in church and society. A number of literary portraits are examined, portraits which, in various literary genres, are themselves designed to establish and propagate the authority of the people whose lives and activities they describe. The sequence begins with visionary and prophetic figures of the second and third centuries, proceeds through several testimonies from the fourth century to the power of holy persons, moves on to Syriac portraits of the fifth to seventh centuries, and ends with the demise of the authority of the holy man in the eighth.
Bad Objects
Bad objects are a contrarian's delight. In this volume, leading French feminist theorist and literary critic Naomi Schor revisits some of feminist theory's most widely discredited objects, essentialism and universalism, with surprising results. Bilingual and bicultural, she reveals the national character of contemporary theories that are usually received as beyond borders, while making a strong argument for feminist theory's specific claims to universalism. Written in a distinctive personal and self-reflective mode, this collection offers new unpublished work and brings together for the first time some of Schor's best-known and most influential essays. These engagements with Anglo-American f...
Confessions of the Critics
The Confessions of the Critics shatters a certain silence. Autobiographical criticism has until now skated relatively free from the challenges that usually assail a new literary critical method. It has had this immunity from critique largely because feminists and third-world liberation fighters--such as Alice Walker, Adrienne Rich and Jane Gallop--ushered it to the North American academic stage. Other women and men, including Rigoberta Menchu, Nawal al-Sadawi, Mahasweta Devi and Malcolm X, wrote in the tradition and genre of testimonio . These and other unimpeachably militant backgrounds gave confessional criticism a certain cache among the largely liberal community of literary scholars. We ...
Reproductions of Banality
Reproductions of Banality was first published in 1986. Minnesota Archive Editions uses digital technology to make long-unavailable books once again accessible, and are published unaltered from the original University of Minnesota Press editions. An established fascist state has never existed in France, and after World War II there was a tendency to blame the Nazi Occupation for the presence of fascists within the country. Yet the memory of fascism within their ranks still haunts French intellectuals, and questions about a French version of fascist ideology have returned to the political forefr.
