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A comprehensive selection of religious poetry that Scotland has produced over the centuries, including some Gaelic voices and reflecting the mixed religious profile of Scotland today. An earlier edition published in 2000 was a huge success, selling out very quickly. This eagerly awaited follow-up offers the very best from a diverse, often turbulent history and reveals an attractive and distinctive spirituality that is unique to Scotland. The poetry spans 15 centuries and includes poets from every corner of Scotland. It reflects the rich range of language across regions and centuries and is a unique collection of the deepest religious thought of a nation. Selected and introduced by three experts in the field, this offers an attractive and informed volume that will appeal to all lovers of Scottish literature.
This lively new study is the very first book to offer an absorbing history of the uncharted territory that is Scottish Catholic fiction. For Scottish Catholic writers of the twentieth century, faith was the key influence on both their artistic process and creative vision. By focusing on one of the best known of Scotland's literary converts, George Mackay Brown, this book explores both the Scottish Catholic modernist movement of the twentieth century and the particularities of Brown's writing which have been routinely overlooked by previous studies. The book provides sustained and illuminating close readings of key texts in Brown's corpus and includes detailed comparisons between Brown's writing and an established canon of Catholic writers, including Graham Greene, Muriel Spark, and Flannery O'Connor.This timely book reveals that Brown's Catholic imagination extended far beyond the 'small green world' of Orkney and ultimately embraced a universal human experience.
A Companion to Scottish Literature offers fresh readings of major authors and periods of Scottish literary production from the first millennium to the present. Bringing together contributions by many of the world’s leading experts in the field, this comprehensive resource provides the historical background of Scottish literature, highlights new critical approaches, and explores wider cultural and institutional contexts. Dealing with texts in the languages of Scots, English, and Gaelic, the Companion offers modern perspectives on the historical milieux, thematic contexts and canonical writers of Scottish literature. Original essays apply the most up-to-date critical and scholarly analyses t...
First published in 1969, An Orkney Tapestry, George Mackay Brown's seminal work, is a unique look at Orkney through the eye of a poet. Originally commissioned by his publisher as an introduction to the Orkney Islands, Brown approached the writing from a unique perspective and went on to produce a rich fusion of ballad, folk tale, short story, drama and environmental writing. The book, written at an early stage in the author's career, explores themes that appear in his later work and was a landmark in Brown's development as a writer. Above all, it is a celebration of Orkney's people, language and history. This edition reproduces Sylvia Wishart's beautiful illustrations, commissioned for the original hardback.Made available again for the first time in over 40 years, this new edition sits alongside Nan Shepherd's The Living Mountain as an important precursor of environmental writing by the likes of Kathleen Jamie, Robert Macfarlane, Malachy Tallack and, most recently, Amy Liptrot.
This three-volume series provides a critical examination of the history of theology in Scotland from the early middle ages to the close of the twentieth century. In Volume Three, the 'long twentieth century' is examined with reference to changes in Scottish church life and society.
A comprehensive selection of religious poetry that Scotland has produced over the centuries, including some Gaelic voices and reflecting the mixed religious profile of Scotland today. An earlier edition published in 2000 was a huge success, selling out very quickly. This eagerly awaited follow-up offers the very best from a diverse, often turbulent history and reveals an attractive and distinctive spirituality that is unique to Scotland. The poetry spans 15 centuries and includes poets from every corner of Scotland. It reflects the rich range of language across regions and centuries and is a unique collection of the deepest religious thought of a nation. Selected and introduced by three experts in the field, this offers an attractive and informed volume that will appeal to all lovers of Scottish literature.
Introduces Scotland's contribution to forms of traditional culture and expression - folk narrative, ballad, legend, song, broadsides and chapbooks.
First published in 1969, An Orkney Tapestry, George Mackay Brown's seminal work, is a unique look at Orkney through the eye of a poet. Originally commissioned by his publisher as an introduction to the Orkney Islands, Brown approached the writing from a unique perspective and went on to produce a rich fusion of ballad, folk tale, short story, drama, and environmental writing. The book, written at an early stage in the author’s career, explores themes that appear in his later work and was a landmark in Brown’s development as a writer. Above all, it is a celebration of Orkney's people, language and history. This edition reproduces Sylvia Wishart’s beautiful illustrations, commissioned for the original hardback. Made available again for the first time in over 40 years, this new edition sits alongside Nan Shepherd’s The Living Mountain as an important precursor of environmental writing by the likes of Kathleen Jamie, Robert Macfarlane, Malachy Tallack and, most recently, Amy Liptrot.
This is a superb collection of stories, focusing on light and darkness, winter and its festivals, by one of the greatest story-tellers of the twentieth century. Through a variety of characters from shipwrecked Scandinavians to an Edinburgh gentleman, George Mackay Brown looks at the impact of new ways of thinking on the traditional way of life of Orkney.
Catholic writers have made a rich contribution to British fiction, despite their minority status. Evelyn Waugh, Graham Greene, and Muriel Spark are well-known examples, but there are many other significant novelists whose work has a Catholic aspect. This is the first book to survey the whole range of this material and examine whether valid generalizations can be made about it. In charting such fiction from its development in the Victorian period through to the work of contemporaries such as David Lodge, the author analyses its complex relationships with changes in British society and the international Church. There is more than one way of being a Catholic, as Woodman shows, but he also demos...