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Essays by Philip Hoare, Morrissey, Jon Savage, Andrew Renton and Lynne Tillman.
Out is a fashion, style, celebrity and opinion magazine for the modern gay man.
Illustrated narrative of the evolution, realization, and legacy of the punk aesthetic - from the marginal cultural catalysts behind the movement through the musicians and artists who fourished in its prime to the traces still visible in popular culture today
Britain's most articulate singer–songwriter remains a complex individual whose lyrics are concerned with realism, opinion, waspish wit, irony, asexuality, melancholy and love. In this candid biography, Morrissey's friends and members of his entourage speak frankly to David Bret to reveal a fascinating portrait of the iconic star. Bret's fully up-to-date biography is packed with revelations; accusations of racism and fascism; confessions of physical abuse; High Court royalty battles and the public shaming; the attack on Cliff Richard; renegade fans' attempts to sabotage his career. Placed upon a pedestal and worshipped; alternately derided and attacked by detractors, Morrissey is perhaps the only English entertainer to have successfully created hisown culture, a personal world filled with foibles, likes and dislikes, and above all unsuppressable opinion; a world which David Bret describes with vivid candour that provides a comprehensive insight into the singer-songwriter's life and music as well as an ideal introduction for new fans of his work. The book includes a full discography, numerous original photos and a comprehensive bibliography.
Featuring classics bands such as The Ramones, The Sex Pistols, The Damned and The Clash, this book is a comprehensive review of punk flyers, posters and artworks.
This book is a revelatory guide to hundreds and hundreds of original 7" record cover sleeve designs - visual artefacts found at the heart of the most radical and anarchistic musical movement of the 20th century. Punk Rock 45 Soundsystem! is introduced (and co-compiled) by Jon Savage, author of the acclaimed definitive history of punk, England's Dreaming. As well as the encyclopaedic visual imagery featured inside, the book also includes a number of interviews with celebrated designers involved in creating punk's original iconic imagery. The revolutionary do-it-yourself ethic of punk was applied to the aesthetic of design as much as it was to music, and record sleeves acted as lo-fi signifiers of anarchy, style, fashion, politics and more with an urban and suburban invective courtesy of the 1000s of new bands - punk, post-punk, pre-punk, nearly-punk and more - that emerged at the end of the 1970s. This book is an exhaustive, thorough and exciting celebration of the stunning artwork of punk music - everything from the most celebrated and iconic designs through to the stark beauty of the cheapest do-it-yourself lo-fi obscurities.
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The Graphic Art of the Underground: A Countercultural History takes the reader on a dazzling journey through the visual art and design of alternative and youth cultures from the 1950s to the present day. Ian Lowey and Suzy Prince ’s compelling account draws upon the work of an array of artistic figures – many of whose lives have proved as colourful as their work– such as Ed ‘Big Daddy’ Roth, Kenny ‘Von Dutch’ Howard, Robert Williams, Robert Crumb, Martin Sharp, Jamie Reid, Linder Sterling, Gee Vaucher, Winston Smith, Barney Bubbles, Mark Ryden, Shag, Camille Rose Garcia, Marion Peck and Pete Fowler among numerous others.
A compelling visual portrait of a time, place, and subculture that raised a middle finger to modern society Oh So Pretty: Punk in Print 1976-80 is an unrivalled collection of visually striking ephemera from Britain’s punk subculture. It presents 500 artefacts - 'zines,' gig posters, flyers, and badges - from well-known and obscure musical acts, designers, venues, and related political groups. While punk was first and foremost a music phenomenon, it reflected a DIY spirit and instantly recognizable aesthetic that was as raw and strident and irrepressible as the music. As disposable as the items in this book once were, together they tell a story about music, history, class, and art, and document a seismic shift in society and visual culture.