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The English Works of Sir Henry Spelman, Kt
  • Language: en
  • Pages: 718

The English Works of Sir Henry Spelman, Kt

  • Type: Book
  • -
  • Published: 1723
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  • Publisher: Unknown

None

Bygone Lincolnshire
  • Language: en
  • Pages: 276

Bygone Lincolnshire

  • Type: Book
  • -
  • Published: 1891
  • -
  • Publisher: Unknown

None

Ten Addresses
  • Language: en
  • Pages: 254

Ten Addresses

  • Type: Book
  • -
  • Published: 1879
  • -
  • Publisher: Unknown

None

A Topographical Dictionary of Great Britain and Ireland
  • Language: en
  • Pages: 942

A Topographical Dictionary of Great Britain and Ireland

  • Type: Book
  • -
  • Published: 1833
  • -
  • Publisher: Unknown

None

The History of the Most Renowned and Victorious Princess Elizabeth, Late Queen of England
  • Language: en
  • Pages: 746

The History of the Most Renowned and Victorious Princess Elizabeth, Late Queen of England

  • Type: Book
  • -
  • Published: 1675
  • -
  • Publisher: Unknown

None

Annual Report
  • Language: en
  • Pages: 236

Annual Report

  • Type: Book
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  • Published: 1888
  • -
  • Publisher: Unknown

None

Kelso Kin
  • Language: en
  • Pages: 442

Kelso Kin

  • Type: Book
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  • Published: 1979
  • -
  • Publisher: Unknown

The Kelso family claims royal antiquity in Scotland to 910. John Kelso was born in Scotland in 1702. With his wife, Polly, and their three sons, he immigrated to Baltimore in 1748. Descendants lived in Indiana, Tennessee, Kentucky, Missouri, Montana, Arkansas and elsewhere.

Hollywood and Africa
  • Language: en
  • Pages: 334

Hollywood and Africa

Hollywood and Africa - recycling the ‘Dark Continent’ myth from 1908–2020 is a study of over a century of stereotypical Hollywood film productions about Africa. It argues that the myth of the Dark Continent continues to influence Western cultural productions about Africa as a cognitive-based system of knowledge, especially in history, literature and film. Hollywood and Africa identifies the ‘colonial mastertext’ of the Dark Continent mythos by providing a historiographic genealogy and context for the term’s development and consolidation. An array of literary and paraliterary film adaptation theories are employed to analyse the deep genetic strands of Hollywood–Africa film adaptations. The mutations of the Dark Continent mythos across time and space are then tracked through the classical, neoclassical and new wave Hollywood–Africa phases in order to illustrate how Hollywood productions about Africa recycle, revise, reframe, reinforce, transpose, interrogate — and even critique — these tropes of Darkest Africa while sustaining the colonial mastertext and rising cyberactivism against Hollywood’s whitewashing of African history.