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Let's travel in time together, a thousand or so years back, and meet Viking women in their hearth-lit world. How did these medieval viragoes live, love and die? How can we encounter them as flesh-and-blood beings with fears and feelings - not just as names in sagas or runes carved into stone? In this groundbreaking work, Lisa Hannett lifts the veil on the untold stories of wives and mothers, girls and slaves, widows and witches who sailed, settled, suffered, survived - and thrived - in a society that largely catered to and memorialised men. Hannett presents the everyday experiences of a compelling cast of women, all of whom are resourceful and petty, hopeful and jealous, and as fabulous and flawed as we are today. Lisa Hannett is an award-winning Canadian-Australian writer and academic.
Bluegrass Symphony is the debut collection from a rising star in Australian genre fiction. Bluegrass Symphony deals with cowboys and fallow fields, shapeshifters and rednecks, superstitions and realities in harsh prairie country-and a whole bunch of other things thrown in the mix. In her introduction, Ann Vandermeer writes, "These stories are about more than people just trying to get something from one another. These stories are about power and redemption, transformation, and sacrifice."
In The Female Factory, procreation is big business. Children are a commodity few women can afford. Hopeful mothers-to-be try everything. Fertility clinics. Pills. Wombs for hire. Babies are no longer made in bedrooms, but engineered in boardrooms. A quirk of genetics allows lucky surrogates to carry multiple eggs, to control when they are fertilised, and by whom—but corporations market and sell the offspring. The souls of lost embryos are never wasted; captured in software, they give electronics their voice. Spirits born into the wrong bodies can brave the charged waters of a hidden billabong, and change their fate. Industrious orphans learn to manipulate scientific advances, creating moth...
With a twang in its heart and a song for luck on its tongue, Little Digs takes readers back to the lonesome dream counties introduced in the World Fantasy Award-nominated collection, Bluegrass Symphony. Trailer parks and graves are only temporary homes for souls in these tales, where gods dwell in churches and parking lot groves. Friday night football stars mingle with sirens; hunters' wives help their kids not to shoot, but to fly; Chanticleers spar their way into local government; and rash-afflicted men take dryads for lovers. In backwater towns, some witches have the know-how to pin pageant queens pretty, while others relieve girls of highfalutin aspirations. Local crow-boys and bloodthirsty Ursines are the best miners around. In these thirteen stories, forests are imbued with the deepest, saddest strains of country music, cornfield horizons stretch as long as a lone fiddle's wail, and distant hills make mandolin promises: sweet and catchy and short-lived.
For more than 80 years H. P. Lovecraft has inspired writers of horror and supernatural fiction with his dark vision of humankind's insignificant place in a vast, uncaring cosmos. At the time of his death in 1937, Lovecraft was virtually unknown, but from early cult status his readership expanded exponentially; his nightmarish visions laying down roots in the collective imagination of his readers. Now this master of the macabre is accepted as part of the literary mainstream, as an American author of note, and the impact of his work on modern popular culture - in literature, film, television, music, the graphic arts, gaming and theatre - has been profound. As Stephen King wrote in Danse Macabr...
Beyond the Veil is the second volume in an annual, non-themed horror series of entirely original stories, showcasing the very best short fiction that the genre has to offer, and edited by Mark Morris. This new anthology contains 20 original horror stories, 16 of which have been commissioned from some of the top names in the genre, and 4 of which have been selected from the 100s of stories sent to Flame Tree during a 2-week open submissions window. Contents List: THE GOD BAG by Christopher Golden CAKER’S MAN by Matthew Holness THE BEECHFIELD MIRACLES by Priya Sharma CLOCKWORK by Dan Coxon SOAPSTONE by Aliya Whiteley THE DARK BIT by Toby Litt PROVENANCE POND by Josh Malerman FOR ALL THE DEAD...
“Your career is unlikely to be a constant stream of hits, accolades, festival circuits — and that’s kind of good, because if you’re constantly on-the-road, it’s hard to write and create.” In these essays, Angela Slatter — the celebrated author of the Sourdough stories, the Verity Fassbinder series, and (as A.G. Slatter) All The Murmuring Bones — tackles just what it takes to sustain a writing career after your book has launched. Building on years of blog posts, keynotes, and articles, What To Do When You Don’t Have A Book Coming Out explores ways you stay visible and sustain a writing career, with advice on doing public readings, applying for grants, engaging with your community, and surviving the fallow periods when the next release seems very distant. Whether you’re a new writer trying to plot out your career, or an existing fan of Slatter’s writing looking for yet more sage advice, this chapbook provides a second look at the philosophy and processes of one of Australia’s most acclaimed writers of fantasy and horror.
A cloth bag containing ten copies of the title.
An anthology focusing on newer elements of steampunk, one which deconstructs the staples of the genre and expands on them, rather than simply repeating them, with a greater spread both in terms of location and character. This is steampunk with a modern, post-colonial sensibility. Contributors include: Jeff VanderMeer, Caitlín Kiernan, Mary Robinette Kowal, Jay Lake, Cherie Priest, Cat Rambo, Catherynne M. Valente, Genevieve Valentine and many more.