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The Coazze Notebook
"During his sojourn, the Maestro kept a notebook in which he recorded everything that caught his eye, from the natives' peculiar manners and dialect to the fastchanging scenery on his walks along picturesque trails. These notes and impressions gave way to poems, illustrations, and storylines, all merging into a seemingly experimental text encompassing graphic art, fiction, and autobiography. THE COAZZE NOTEBOOK, as it came to be known, is a compendium of literary criticism, illuminating and emotionally charged personal reflections, vernacular expressions, and sharply observed geographical descriptions. The notes are fragmentary, and occasionally embellished, but they shed light on Pirandello's mode of thought and, in particular, how the ideas he gathered from real life were incorporated into his writing." Literary Nonfiction. Essay. Poetics. Italian Studies. Translation.
Pirandello’s Visual Philosophy
This collection draws on cutting-edge work that crosses traditional disciplinary boundaries to offer new perspectives on the importance of visuality and the imagination in the work of Luigi Pirandello, the great Italian modernist. The volume re-examines traditional critical notions central to the study of Pirandello by focusing on the importance of the visual imagination in his poetics and aesthetics, an area of multimedia investigation which has not yet received ample attention in English-language books. Putting scholarship on Pirandello in conversation with new work on the multimedia dimensions of modernism, the volume examines how Pirandello worked across and was adapted through multiple ...
The Author in Criticism
The Author in Criticism:Italo Calvino’s Authorial Image in Italy, the United States, and the United Kingdom explores the cultural and historic patterns and differences in the critical readings of Italian author Italo Calvino’s works in the United States of America, the United Kingdom, and Italy. It considers the external factors that contribute to create recognizable patterns in the readings of Calvino’s texts in different contexts. This volume therefore covers, most notably, matters of genre (science fiction, postmodernism), cultural perceptions and conventions, the (re)current image of the author in different media, academic schools, -curricula and -canons, biographical information (...
Portrait of the Artist and His Mother in Twentieth-Century Italian Culture
The power exercised by the mother on the son in Mediterranean cultures has been amply studied. Italy is a special case in the Modern Era and the phenomenon of Mammismo italiano is indeed well known. Scholars have traced this obsession with the mother figure to the Catholic cult of the Virgin Mary, but in fact, it is more ancient. What has not been adequately addressed however, is how Mammismo italiano has been manifested in complex ways in various modern artistic forms. Portrait of the Artist and His Mother in Twentieth-Century Italian Culture focuses on case studies of five prominent creative personalities, representing different, sometimes overlapping artistic genres (Luigi Pirandello, Pie...
The Outcast
A young wife in a nineteenth-century Sicilian village, Marta is deeply in love with her husband Rocco and pregnant with his child. But when Rocco discovers a letter written to Marta by a would-be suitor, he falsely accuses her of infidelity and banishes her from their home. Soon the whole village turns against the supposed adulteress, setting in motion a series of tragic events that culminates in the loss of Marta’s family home and business, as well as the deaths of her father and newborn child. Plunged into poverty and treated as a social leper, with practically nothing else to lose, Marta is determined to claw her way back into a society bent on excluding her. The Outcast is an early masterwork from Nobel Prize–winning Italian author Luigi Pirandello that combines elements of Zolaesque naturalism with emerging modernist aesthetics. This fresh English translation, the first in nearly one hundred years, showcases Pirandello’s deft play with language and his use of irony.
Heroism and Wisdom, Italian Style
This is an interdisciplinary work that philosophically analyzes concepts such as heroism; practical wisdom; honor; Nietzsche’s notions of will to power, the overman, and the three metamorphoses; Plato’s understanding of love; creating meaning in life; the issue of morally dirty hands in political administration; the relationship between political means and ends; the proper role of positive duties in society; the aspirations of grand strivers; and the linkages between biological, biographical, and autobiographical lives, all in the context of explaining and evaluating the lives and works of fourteen historically significant Italian: Gaius Julius Caesar, Brunetto Latini, Dante Alighieri, C...
Italian Women Writers, 1800–2000
Italian Women Writers, 1800–2000: Boundaries, Borders, and Transgression investigates narrative, autobiography, and poetry by Italian women writers from the nineteenth century to today, focusing on topics of spatial and cultural boundaries, border identities, and expressions of excluded identities. This book discusses works by known and less-known writers as well as by some new writers: Sibilla Aleramo, La Marchesa Colombi, Giuliana Morandini, Elsa Morante, Neera, Matilde Serao, Ribka Sibhatu, Patrizia Valduga, Annie Vivanti, Laila Waida, among others; writers who in their works have manifested transgression to confinement and entrapment, either social, cultural, or professional; or who have given significance to national and transnational borders, or have employed particular narrative strategies to give voice to what often exceeds expression. Through its contributions, the volume demonstrates how Italian women writers have negotiated material as well as social and cultural boundaries, and how their literary imagination has created dimensions of boundary-crossing.
Values, Virtues, and Vices, Italian Style
Values, Virtues, and Vices, Italian Style illustrates the story of the evolution of Italian values, virtues, and vices is a narrative of longing, exhilaration, and devastation, a journey of the spirit that all human beings necessarily undertake but navigate with varying degrees of success. The lives of Caesar, Dante, Machiavelli, and Garibaldi demonstrate how we can lead staunchly meaningful lives even within an inherently meaningless universe. The ambition of this work is nothing more, nothing less, than entangling, through a careful examination of the values, virtues, and vices of four famous historical figures, a host of overlapping but distinct concepts, such as pride, honor, justificati...
From Theater to Cinematography
From Theater to Cinematography: The Disquiet of Modernity in Pirandello and His Contemporaries investigates visual perception from the mid-nineteenth century until 1929, tracing the developments and controversies that would lead to the first talking films. Defining the `performative' space of mass entertainment as a conflict between street amusement and legitimized "art" theatre, I call attention to how visual spectacles in the city square blurred and subverted categories of class and aesthetics. Central to the inquiry is the aggressive way the cinematograph replaced theater as the leading entertainment in Europe and America. More specifically, the situation in Italy is closely examined, in particular the ambivalence of Pirandello with respect to film.
