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Protestant Women Novelists and Irish Society 1879-1922
Reviews a great number of novels by Anglo-Irish women novelists that - with few exceptions - have attracted little attention from contemporary and modern literary critics. The main focus is on the literature and its society. The disposition of this study reflects the areas of contention experienced by the Anglo-Irish of the period. Chapter 1, Land and Politics, deals with the Anglo-Irish landlords and their families. Chapter 2 is devoted to different aspects of religion. Chapter 3, Race, discusses the Celt and his presumed characteristics. The 'other' race, the English, will get some attention, as will the Protestant Anglo-Irish themselves. Chapter 4 focuses on this new ruling class, 'the new Irish'. A brief conclusion follows.
Irish Novels 1890-1940
Studies of Irish fiction are still scanty in contrast to studies of Irish poetry and drama. Attempting to fill a large critical vacancy, Irish Novels 1890-1940 is a comprehensive survey of popular and minor fiction (mainly novels) published between 1890 and 1922, a crucial period in Irish cultural and political history. Since the bulk of these sixty-odd writers have never been written about, certainly beyond brief mentions, the book opens up for further exploration a literary landscape, hitherto neglected, perhaps even unsuspected. This new landscape should alter the familiar perspectives on Irish literature of the period, first of all by adding genre fiction (science fiction, detective nove...
Love, Desire and Melancholy
Originally inspired by the digitisation of the autobiographical writings of Constance Maynard, this volume considers women’s historical experience of sexuality through the frame of the history of emotions. Constance Maynard (1849-1935) rose to prominence as the first Mistress and Principal of Westfield College, holding that position from 1882 to 1913. However, her writings offer more than an insight into the movement for women’s higher education. As pioneering feminist scholars such as Martha Vicinus have discovered, Maynard’s life writings are a valuable source for scholars of gender and sexuality. Writing about her relationships with other women teachers and students, Maynard attempted to understand her emotions and desires within the frame of her evangelical religious culture. The contributions to this volume draw out the significance of Maynard’s writings for the histories of gender, sexuality, religion, and the emotions. Interdisciplinary in nature, they use the approaches of literary studies, architecture studies, and life writing to understand Maynard and her historical significance. This book was originally published as a special issue of Women’s History Review.
Irish Novelists and the Victorian Age
This is the first comprehensive study of the Irish writers of the Victorian age, some of them still remembered, most of them now forgotten. Their work was often directed to a British as well as an Irish reading audience and was therefore disparaged in the era of W.B. Yeats and the Irish Literary Revival with its culturally nationalist agenda. This study is based on a reading of around 370 novels by 150 authors, including still-familiar novelists such as William Carleton, the peasant writer who wielded much influence, and Charles Lever, whose serious work was destroyed by the slur of 'rollicking', as well as Joseph Sheridan LeFanu, George Moore, Emily Lawless, Somerville and Ross, Bram Stoker...
Books Ireland
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Irish women's writing, 1878–1922
Irish women writers entered the British and international publishing scene in unprecedented numbers in the period between 1878 and 1922. Literary history is only now beginning to give them the attention they deserve for their contributions to the literary landscape of Ireland, which has included far more women writers, with far more diverse identities, than hitherto acknowledged. This collection of new essays by leading scholars explores how women writers including Emily Lawless, L. T. Meade, Katharine Tynan, Lady Gregory, Rosa Mulholland, Ella Young and Beatrice Grimshaw used their work to advance their own private and public political concerns through astute manoeuvrings both in the expanding publishing industry and against the partisan expectations of an ever-growing readership. The chapters investigate their dialogue with a contemporary politics that included the topics of education, cosmopolitanism, language, empire, economics, philanthropy, socialism, the marriage 'market', the publishing industry, readership(s), the commercial market and employment.
Emily Lawless 1845-1913
Emily Lawless is one of the most important of Ireland's forgotten women writers. From a Protestant ascendancy background, she combined nationalist feelings with unionist sympathies. This important new study argues that her own term, "interspace", can be used to explain her vision of Ireland and her position as an Anglo-Irish woman writer determined to resist categorization or stock solutions at a time of polarization and cultural transition. This is the first comprehensive study of the writing of Emily Lawless (1845-1913) and includes biographical information, letters, and contemporary reception as well as analyses based on present-day theoretical approaches, especially feminist criticism an...
Female Quest in Christina Stead's For Love Alone
Christina Stead's works resist simplistic categorization, a circumstance which has attracted some critics and exasperated many others. The upsurge of post-colonial and feminist criticism in the 1980s revitalized critical interest in her books. Exuberant intertextuality and an abundance of contradictory literary and ideological discourses - previously often regarded as excesses flawing Stead's literary style - now became appreciated qualities. The aim of this book is to illuminate a host of revealing, but frequently overlooked, details that form patterns essential for a deeper understanding and enjoyment of Stead's novels. Intertextuality and the workings of conflicting discourses play promin...
The "New Negro" in the Old World
"This book investigates the relationship between the "New Negro" moment of the early twentieth-century America and the Old World of Europe, as represented in James Weldon Johnson's The Autobiography of an Ex-Colored Man (1912), Jessie Fauset's There Is Confusion (1924), and Nella Larsen's Quicksand (1928). The episodes set in Europe form a lens through which the role of the African American in Western civilization can be studied. The African-American artist/protagonists are seen as cultural intermediaries, who bridge Euro-American and African-American culture, national and folk culture, high and low culture. This study suggests that in the novels of Johnson, Fauset, and Larsen, the trope of performance (based on double consciousness) is used to critique the notions of race and culture, whereby conceptions of racial essentialism and cultural authenticity are questioned. The novels themselves are also considered as performative acts that helped form the concept of a "New Negro" in the 1920s."--BOOK JACKET.
