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Focusing on Eileen Hogan's depictions of enclosed green spaces and portraiture, this sumptuously illustrated catalogue offers an intimate glimpse into the artist's work and practice.
An analysis of the ways in which everyday objects are narrated to animate or realize certain versions of the world.
Ian Hamilton Finlay's early literary work has been overshadowed by his later achievements in the visual arts, particularly the garden at Little Sparta. This anthology is therefore a welcome volume, to which Ken Cockburn provides an introduction. The mordant wit of a story like "The Money" about an artist's financial situation, still has contemporary relevance; and the poems - particularly the Orkney lyrics and the "Glasgow Beasts" - shimmer with elegy, bright humour and intelligence.
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This anthology presents a series of texts in which major twentieth-century thinkers engage in dialogue with their predecessors. Presents a series of texts in which major twentieth-century thinkers engage in dialogue with their predecessors. Offers an innovative way into understanding modern critical thought. Spans the period from Marx to the present day. A conversation of ideas emerges between one generation and the next. Editorial material defines key terms and maps out contested terrain. Each piece is prefaced by contextualising notes and suggestions for further reading.
Manson reveals English words hiding within the original French text of Mallarme's poems. These pages are strewn with shreds of words: unevenly dispersed, semantically uncomfortable in each other's company, they stumble together to make momentary meaning before drifting apart on the white space of the page.
How to tackle representation in landscape design Representation is a hot topic in landscape architecture. While computerization has been a catalyst for change across many fields in design, no other design field has experienced such drastic reinvention as has landscape architecture. As the world urbanizes rapidly and our relationship with nature changes, it is vitally important that landscape designers adopt innovative forms of representation—whether digital, analog, or hybrid. In this book, author Diana Balmori explores notions of representation in the discipline at large and across time. She takes readers from landscape design's roots in seventeenth-century France and eighteenth-century E...
Alasdair Forbes has been developing his innovative and beautiful garden, Plaz Metaxu, in Devon, for the past thirty years. The thirty-two acre garden has been internationally acclaimed both as an unusually ambitious contemporary example of the making of place and for its poetic and psychological insights. Trained as an art historian, Alasdair always wanted his garden to be open to the worlds of myth, literature and the other arts, while remaining keenly aware of the strengths, vulnerabilities and delights a garden has to offer in its own right. He has been the only full-time gardener at Plaz Metaxu from its beginning until the present day, though invaluable part-time assistance has been prov...
This is a detailed, illustrated guidebook to walking in the Pentland Hills on the outskirts of Edinburgh. 60 varied walks have been carefully selected and described, ranging from low level family strolls to easy hill walks and lengthier, more challenging hill and moorland walks.
The artists’ books made in Russia between 1910 and 1915 are like no others. Unique in their fusion of the verbal, visual, and sonic, these books are meant to be read, looked at, and listened to. Painters and poets—including Natalia Goncharova, Velimir Khlebnikov, Mikhail Larionov, Kazimir Malevich, and Vladimir Mayakovsky— collaborated to fabricate hand-lithographed books, for which they invented a new language called zaum (a neologism meaning “beyond the mind”), which was distinctive in its emphasis on “sound as such” and its rejection of definite logical meaning. At the heart of this volume are close analyses of two of the most significant and experimental futurist books: Mir...