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This book brings together an international roster of renowned scholars from disciplines including philosophy, political theory, intellectual history, and literary studies to address the conceptual foundations of the humanities and the question of their future. What notions of the future, of the human, and of finitude underlie recurring anxieties about the humanities in our current geopolitical situation? How can we think about the unpredictable and unthought dimensions of praxis implicit in the very notion of futurity? The essays here argue that the uncertainty of the future represents both an opportunity for critical engagement and a matrix for invention. Broadly conceived, the notion of in...
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Why do people in socialist China read and write literary works? Earlier studies in Western Sinology have approached Chinese texts from the socialist era as portraits of society, as keys to the tug-of-war of dissent, or, more recently, as pursuit of "pure art." The Uses of Literature looks broadly and empirically at these and many other "uses" of literature from the points of view of authors, editors, political authorities, and several kinds of readers. Perry Link, author of Evening Chats in Beijing, considers texts ranging from elite "misty" poetry to underground hand-copied volumes (shouchauben) and shows in concrete detail how people who were involved with literature sought to teach, learn...
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This is the story of the workers of Tianjin (Tientsin) and how, in the first half of the 20th century, they helped shape Tianjin's identity as the major industrial centre of North China. This text should be of interest to students of the period covered, and also to those students of Communist China who wish to understand the antecedents of China's current urban society and trace the roots of powerful continuities. The book offers a wealth of detail on material life, forms of entertainment, local festivals and individual rites of passage and makes use of studies of the local economy carried out by contemporaries and in the People's Republic. The Workers of Tianjin is a contribution to both Chinese labour history and urban history.
In the years since the death of Mao Zedong, interest in Chinese writers and Chinese literature has risen significantly in the West. In 2000, Gao Xingjian became the first Chinese writer to receive the Nobel Prize for Literature followed by Mo Yan in 2012, and writers such as Ha Jin and Da Sijie have also become well known in the West. Despite this progress, the vast majority of Chinese writers remain largely unknown outside of China. This book introduces the lives and works of eighty contemporary Chinese writers, and focuses on writers from the "Rightist" generation (Bai Hua, Gao Xiaosheng, Liu Shaotang), writers of the Red Guard generation (Li Rui, Wang Anyi), Post-Cultural Revolution Write...
Mit Ausnahme Japans ist in wohl keinem Land der Welt so viel an chinesischer Literatur übersetzt worden wie in Deutschland. Der Band macht die oftmals nur schwer zugängliche, reiche Übersetzungsliteratur – auf die Anfänge zurückgreifend – bis 2020 bibliographisch zugänglich.
Modern Chinese literature has been flourishing for over a century, with varying degrees of intensity and energy at different junctures of history and points of locale. An integral part of world literature from the moment it was born, it has been in constant dialogue with its counterparts from the rest of the world. As it has been challenged and enriched by external influences, it has contributed to the wealth of literary culture of the entire world. In terms of themes and styles, modern Chinese literature is rich and varied; from the revolutionary to the pastoral, from romanticism to feminism, from modernism to post-modernism, critical realism, psychological realism, socialist realism, and m...
This book provides a comprehensive and in-depth survey of the foundational research orientations of contemporary Chinese Marxism. The chapters in this book not only attach importance to the exploration of classic Marxist texts but also explore the challenges posed on classic Marxist texts by modernity, and in doing so, highlight the relationship between Marxism and the traditional Chinese culture. As a school of thought, Marxism has exerted tremendous influence on fields of humanities and social sciences over the course of its introduction, dissemination, and development. Through this volume, well established Chinese scholars from Mainland China also discuss contemporary Chinese Marxism in an interdisciplinary context. Further, this volume facilitates dialogues, exchanges, and collisions of ideas between researchers of contemporary Chinese Marxism on one side and the researchers of Western Marxism on the other. This book will be a great resource for academics, researchers, and advanced students of Marxism, philosophy and sociology. The chapters in this book were originally published in the journal Educational Philosophy and Theory.
What is the sentimental and how can we understand it through the cinema of a particular culture in an age of globalisation? Chow explores these questions by examining nine contemporary Chinese directors whose accomplishments have become historic events in world cinema.