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This classic volume contains Thomas Burke’s 1910 work, “Catholic History of Liverpool”. A fascinating and detailed account of Catholicism and its influence on Liverpool’s history, this book will appeal to those with an interest in Liverpool’s religious background, and would make for a great addition to collections of allied literature. Thomas Burke (1886–1945) was a British author. Other notable works by this author include: “Night-Pieces” (1935), “The Beauty of England” (1933), and “The English Inn” (1930). Many classic books such as this are becoming increasingly rare and expensive. We are republishing this volume now in an affordable, modern, high-quality edition complete with a specially commissioned new biography of the author.
What is meditation? How do you do it? Why is it necessary? More than just a how to manual, this is, above all, a book about why meditation matters.
This book is based on sections of Nikolaus Pevsner's 'South Lancashire' and 'North Lancashire', both published in 1969"--acknowledgements.
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"Since the foundation of the town by King John, Liverpool has had a church by the river. Over the following centuries dozens more churches came and went, but the imprint of the activity of the Parish of Liverpool on the city and people was profound. Particularly until the mid-nineteenth century (and at times afterwards) the history of the town was inseparable from her church, and their unusually strong relationship is not replicated in other cities. Control of the church sat with the corporation (down to the council's instruction to the incumbent in 1612 to get his hair cut!), and the town claimed ownership of the church and its contents. Between the seventeenth and the nineteenth centuries the health and social care for the town was run from the church under the Elizabethan Poor Law. This unique portrayal of the relationship between the town and Parish of Liverpool draws on the extensive records which have survived, as well as archives which have not been examined in depth before."--Book jacket.
This illustrated account of the impact of the English Gothic revival on American church architecture in the mid-nineteenth century finds that this fundamentally conservative movement provided the foundation for a new, influential aesthetic. With meticulous research and carefully chosen illustrations, Phoebe Stanton here explores the influence of the English Gothic revival on American church architecture in the mid-nineteenth century, arguing that this fundamentally conservative movement provided a foundation for a new aesthetic. Examining the writings of the movement's leading proponents as well as a variety of important buildings, Stanton offers a comprehensive survey of the architectural principles and models that became most influential in America. She also confirms the importance of the Cambridge Camden Society, which provided the theoretical atmosphere and practical examples that helped to establish new standards of excellence in American architecture.