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The Eighteenth Century English Novel
Early novelists such as Samuel Richardson, Daniel Defoe, and Laurence Sterne helped create the formula for the modern novel.
The Changeling
"The next good mood I find my father in, I'll get him quite discarded" With these chillingly offhand words, Beatrice-Joanna, the spoilt daughter of a powerful nobleman, plots to get rid of the family servant who has crossed her once too often. The Changeling remains one of the most compelling tragedies from the 17th century. Exposing the vexed relationship between servants and masters, setting notions of `change' against the revelation of psychological 'secrets' as ways of explaining human behaviour, and exploring the idea of love as a `tame madness', the play reveals the terrifying consequences of ungoverned sexual appetite and betrayal. Despite its seemingly domestic focus, The Changeling ...
Correspondence Primarily on Pamela and Clarissa (1732–1749)
Samuel Richardson was one of the great letter-writers in English. His three great novels, Pamela, Clarissa, and Sir Charles Grandison were written in epistolary form, and Richardson himself was known in his time for the way he used his letters for both professional and personal purposes. As a printer, Richardson corresponded with authors, readers, and other printers and publishers. As a friend, he supported his correspondents when they were personally struggling. As a novelist, he engaged readers both before and after the publication of his works, soliciting their opinion and defending his own methods. Correspondence Primarily on Pamela and Clarissa (1732–1749) gives us Richardson the printer, the friend, and the novelist in the crucial early years of his unexpected success and fame as a literary writer, providing insight into how and why he created innovative works that changed the course of literary history.
A King and No King
A popular and influential play from its first performance in 1611 until the early eighteenth century, 'A King and No King' helped establish tragicomedy as the seventeenth century's favoured dramatic genre, and Beaumont and Fletcher as leading playwrights of the day.Accompanying this newly edited text, an introduction explores the play's sources, both literary and dramatic, and offers a thorough reconsideration of its relation to its social and political context, and contemporary issues of royal absolutism, good governance, and the political role of the aristocracy. In addition, the introduction provides the fullest available account of 'A King and No King''s stage history, tracing the shifts in cultural mores that eroded its popularity and ultimately consigned it to the study rather than the stage. This fully annotated edition encourages an appreciation of the play's very real virtues and will appeal to theatre professionals as well as to students of Renaissance drama.
In Words and Deeds
Departing from earlier studies which regarded incest as a literary topos or dramatic metaphor foregrounding political, social, or legal issues, Words and Deeds: The Spectacle of Incest in English Renaissance Tragedy argues that the presence of incest on the Renaissance stage is a strategy for the enactment of the spectator’s tragic experience. Incest is explored neither as a sin nor as a crime, but as an “unspeakable” experience filtered through dramatic words and deeds. The incitement of desire, visual pleasure, and unconscious fantasy, as well as traumatic rejection, pain, and horror, are all aspects of this paradoxical and uncanny experience. Aristotelian theory of tragedy, Freudian...
The Householder
The roles of men and women in the ancient society were well defined. And even though the institution of marriage has remained the same since aeons, a woman’s purpose and status has drastically changed over the years. Women, since the beginning of time, were always taught that their purpose was to serve men. But now, the idea that women are created for themselves and for their own happiness is beginning to conquer the world. Women, today, are educated, independent, and not at all at the mercy of men. From living their lives as an oppressed gender, women now have an equal role in society. But despite her liberation, women continue to be enchained by the conditionings of the patriarchal mindset. The Householder explores the psychology which is responsible for the biases and prejudices that surround a woman’s identity and sexuality and takes us through her journey of survival in a unanimously skewed world.
Criminality and the Common Law Imagination in the 18th and 19th Centuries
By accessing penal history through the mediator of individual memory authors can be seen to depict the cumulative dialogue between the English common law and its cultural representations across historical time. Offering legal readings of works by authors including Thomas Hardy, Charles Brockden Brown, Charles Dickens, Samuel Richardson, George MacDonald, Charles Kingsley, Alfred Tennyson, Charlotte Bronte, Robert Browning, Henry Fielding and Sir Walter Scott; this book explores this literary phenomenon and its legal significance during the eighteenth and nineteenth centuries. In doing so it argues that the importance of precedent in Anglo-American common law creates a unique discourse of his...
Traditions and Innovations
This collection considers a wide range of texts, authors, and concerns--from the Man of Law's Tale to Tis Pity She's a Whore; from the mysterious Thomas Malory to the widely visible Ben Jonson; from the image of St. Paul's thorn in Troilus and Criseyde to the Renaissance iconography of Ganymede.
Desire and Dramatic Form in Early Modern England
This wide-ranging study uses close readings of texts by Marlowe, Shakespeare, Webster, Middleton and Ford to investigate the intersections of erotic desire and dramatic form in the early modern period, considering to what extent disruptive desires can successfully challenge, change or undermine the structures in which they are embedded.
Money, Morality, and Culture in Late Medieval and Early Modern Europe
One of the first volumes to explore the intersection of economics, morality, and culture, this collection analyzes the role of the developing monetary economy in Western Europe from the twelfth to the seventeenth century. The contributors--scholars from the fields of history, literature, art history and musicology--explore how money infiltrated every aspect of everyday life, modified notions of social identity, and encouraged debates about ethical uses of wealth.
