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The Chatto Book of Dissent
This is an anthology of verbal protest, whether avowedly political or quietly subversive, against war, racism, slavery, chauvinism, censorship, injustice and oppression in all their guises. It ranges in place and time from the Ancient Egyptian Satire of the Trades to Vaclav Havel's Memorandum, in form from Chaucerian verse to Parisian graffiti, and embraces protest songs, radio broadcasts, the text of seditious posters and the transcripts of trials; Charlotte Bronte and Lenny Bruce, Aesop and Aborigines.
Flora Poetica
This beautiful anthology brings together over 250 poems about flowers, plants and trees from eight centuries of writing in English, creating a rich bouquet of intriguing juxtapositions. Fourteenth-century lyrics sit next to poems of the twenty-first century; celebrations of plants native to the English soil share the volume with more exotic plant poetry. There are thirty poems about roses, by poets as diverse as Shakespeare, Dorothy Parker and the South African, Seitlhamo Motsapi; but there are also sections devoted to more unusual plants such as the mandrake, the starapple and the tamarind. An ex-gardener, the celebrated poet Sarah Maguire brings her extensive horticultural knowledge to bear on all the poems, arranging them into botanical families, identifying the plants being written about and writing a fascinating introduction. Whether you are a poetry lover, a gardener, a botanist, or simply the purchaser of the occasional bunch of flowers, this unique anthology allows you to luxuriate amidst the world's flora.
Peace and War
Peace and War: Historical, Philosophical, and Anthropological Perspectives is an accessible, higher-level critical discussion of philosophical commentaries on the nature of peace and war. It introduces and analyses various philosophies of peace and war, and their continuing theoretical and practical relevance for peace studies and conflict resolution. Using a combination of both historical and contemporary philosophical perspectives, the book is at once eclectic in its approach and broad in its inquiry of these enduring phenomena of human existence.
A Companion to Satire
A COMPANION TO SATIRE A COMPANION TO SATIRE “This book forms a substantial contribution to literary studies and is likely to be the standard work on the subject for a decade or two .... The chapters are densely detailed, the vocabulary elevated.” Reference Reviews “This sturdy volume should be of use to a variety of readers from advanced undergraduates to scholars seeking refresher (or crash) courses on either major” Studies in English Literature 1500-1900 “Offering a valuable contribution to the critical study of satire, Quintero has assembled insightful essays by an impressive roster of scholars...This book serves as a cogent, instructive overview of satire.” Choice “This boo...
F. R. Leavis
This is a critical introduction to the educational thought of F. R. Leavis (1895–1978), the greatest English literary critic of the twentieth century, providing the first in-depth examination of Leavis’s ideas in relation to contemporary mass higher education. During the course of a long, prolific and controversial academic career, which saw him take issue with figures such as Wittgenstein, T. S. Eliot and C. P. Snow, Leavis became one of the most articulate advocates for the idea of the university as ‘a centre of consciousness and human responsibility’ in the face of what he saw as the relentless technological drive of civilisation. With the journal Scrutiny which he co-founded, as ...
Aldous Huxley, from Poet to Mystic
Aldous Huxley began as a poet. He perfected the voice of the modern satirical poet of ideas, who used art against itself to produce a parodic poetry of breakdowns, collapses, stalemates, and dead ends best suited to the apparent pointlessness of the post-war era. His cleverest, most irreverent poems are contrapuntal: they, in effect, silence venerable poets and cancel traditional formats. Huxley's poetic personas either fail to preserve conventional forms or purposely sabotage them. By 1920, Huxley became the parodic equivalent of the formative intelligences (i.e., Dante, Goethe, and Lucretius) who once synthesized their respective eras positively. In this book, author Jerome Meckier explica...
Late Victorian Literary Collaboration
An exciting new contribution to the expanding but still largely uncharted territory of collaboration studies, Late Victorian Literary Collaboration is the first book-length study of the trend for collaborative writing that emerged in the last decades of the nineteenth century. As a result of the rapidly growing literary market, the years between 1870 and the turn of the century witnessed an unprecedented flow of collaboratively written novels. In the 1890s, co-authorship became a craze, with literary partnerships multiplying and fiction co-written by twenty and more authors appearing in the pages of popular magazines. By 1900, however, the trend had already reversed, and it quickly slipped i...
Modernism, Modernity, and Arnold Bennett
This book delineates the unique role of Arnold Bennett in the transformation of the British novel from the aesthetic, psychological, and sociopolitical assumptions of modernity to those of modernism. Early in his career, Bennett believed that the rejection of inherited traditions and authorities that was promulgated by such champions of modernity as Darwin, Marx, and even Herbert Spencer, would culminate in an assertion of personal autonomy. Bennett eventually assimilated the modernist critique of modernity, which discovered (with the help of Freud and the First World War) an intractable human irrationality that expressed itself in the most apparently reasonable schemes for human improvement.
F.R. Leavis
A collection of new studies on one of the best known and most important British literary critics of the twentieth century. The book is divided into four sections: documentary analysis of Leavis's practice as a teacher, drawing on seminar notes, lecture handouts, reading lists and other material; new bibliographical data, including a detailed account of Leavis's project to turn Daniel Deronda into a new novel called Gwendolen Harleth; critical essays on Leavis's thought; and memoirs of different phases in Leavis's career, from the 1930s to the 1960s. The volume also includes an up-to-date Reader's Guide to Leavis's own writings and to the many studies of his work.
