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An exciting new contribution to the expanding but still largely uncharted territory of collaboration studies, Late Victorian Literary Collaboration is the first book-length study of the trend for collaborative writing that emerged in the last decades of the nineteenth century. As a result of the rapidly growing literary market, the years between 1870 and the turn of the century witnessed an unprecedented flow of collaboratively written novels. In the 1890s, co-authorship became a craze, with literary partnerships multiplying and fiction co-written by twenty and more authors appearing in the pages of popular magazines. By 1900, however, the trend had already reversed, and it quickly slipped i...
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This book has been considered by academicians and scholars of great significance and value to literature. This forms a part of the knowledge base for future generations. So that the book is never forgotten we have represented this book in a print format as the same form as it was originally first published. Hence any marks or annotations seen are left intentionally to preserve its true nature.
Re-tells the epic sagas of King Arthur, Roland, William Short Nose, Diarmid, Robin Hood, Wayland the Smith, and Grettir the Strong.
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A study of The Sacred Books of the East, a fifty-volume series of translations of Asian religious writings edited by the German-born philologist and scholar of religions, Friedrich Max Muller (1823-1900), and published by Oxford University Press between 1879 and 1910.
In Rider Haggard and the Imperial Occult, Simon Magus offers the first academic monograph on the world of occult thought which lies behind and beneath the fictional writing of H. Rider Haggard. It engages with a broad scope of religious, philosophical and anthropological ideas. Many of these were involved in debates within the controversies of the Anglican Church, which occurred in the face of Darwinism, and the criticism of the Bible. The book follows three main intellectual currents involved in the promulgation of these ideas, namely the reception of ancient Egypt, the resurgence of Romanticism and the ideas of the Theosophical Society, all couched within the context of Empire.