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Audition Speeches for 6-16 Year Olds
Intended for students and children taking part in speech and drama competitions and exams, this book contains a range of audition speeches. It includes female, male and unisex speeches selected from both plays and children's books. Where relevant the author has indicated how a speech could be shortened for younger children. There is also an introductory section with contributions from Alan Ayckbourn, Carol Schroder (teacher and examiner for the London Academy of Music and Dramatic Art), Richard Carpenter (TV writer) and Ed Wilson (Director of the National Youth Theatre) and senior casting directors for the RSC, TV and film. This edition has been freshly revised to include 10 new speeches from well known recent productions as well as children's books including Harry Potter. 'A superb compilation' Amateur Stage
The Methuen Drama Book of Plays by Black British Writers
The Methuen Drama Book of Plays by Black British Writers provides an essential anthology of six of the key plays that have shaped the trajectory of British black theatre from the late-1970s to the present day. In doing so it charts the journey from specialist black theatre companies to the mainstream, including West End success, while providing a cultural and racial barometer for Britain during the last forty years. It opens with Mustapha Matura's 1979 play Welcome Home Jacko which in its depiction of a group of young unemployed West Indians was one of the first to explore issues of youth culture, identity and racial and cultural identification. Jackie Kay's Chiaroscuro examines debates abou...
An Anthology of Modern Verse
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Book Makers
"This is the only general survey of British publishing as a history over the twentieth century. It aims to look at how publishing companies and their owners and staffs were organised and how their output responded to the wider social, economic and cultural trends of the period. It concentrates on the key figures like William Heinemann, Allen Lane, Paul Hamlyn and Robert Maxwell but also looks at less well known but often very significant figures whose contributions were also vital. The study reveals a fascinating and dynamic industry that was influential not only for literary history, but also for the history of education, and general cultural history at home and abroad. Its spread is broad and it considers not only fiction and trade publishing but also scholarly, academic, scientific, children's, technical, medical and professional publishing. It reveals a fascinating tale of creative genius, individual endeavour, personal idiosyncrasy, occasional duplicity and bad behaviour and far-sighted vision that over the century made British book publishing the best in the world and still underlies its role today"--BLACKWELL'S.
Look Look
Michael Frayn's farce "Noises Off" was about actors at work; this later work shows the other half of the great confrontation which constitutes live theatre - the audience. "Look Look" was first performed at the Aldwych Theatre, London, in April 1990.
London in Landscape
This title captures the different faces of London in all seasons, from Bow Street to Chinatown, from Buckingham Palace to Smithfield Market, from the Tate Modern to Trafalgar Square.
The Methuen Drama Book of Plays from the Sixties
This collection contains major works by some of the most important playwrights to emerge during the late fifties and early sixties, many of them collectively labelled "Angry Young Men", most of them associated with the Royal Court Theatre.
