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The story of Australian art does not begin and end with landscape. This book puts flowers front and centre, because they have often been ignored in preference for more masculine themes. Departing from where studies of single flower artists leave off, Useless Beauty embraces the general topic of flowers in Australian art and shines new light on a slice of Australian art history that extends from 1880 to 1950. It is the first book of broad chronology to discuss Australian art through blossoms, which it does by addressing stories of major figures including Hans Heysen, Margaret Preston and Sidney Nolan, as well as specific objects such as surreal flowers, Aboriginal flowers and war flowers. Whe...
drawings of Brett Whiteley
Katie Langloh Parker was a white woman who notated the Aboriginal language Euahlayi and collected the legends from the Noongahburrahs in the latter decades of the nineteenth century. But her publication of the legends is controversial. There have been both critical and supportive critiques of her work, but little on the woman herself who accomplished something extraordinary as a nineteenth century squatter's wife in the outback.
Manual for court officials on the provisions in government regulations no. 10/1983 and 45/1990 regarding divorce and marriage procedures for government employees.
The desert has a hypnotic presence in Australian culture, simultaneously alluring and repellent. The 'Centre' is distant and unknown to most Australians, yet has become a symbol of the country. This exciting book, highly illustrated in full colour, reveals the singular impact that the desert, both geographical and metaphorical, has had on Australian culture. At the heart of the book is the profound relationship that Aboriginal Australians have with the desert, and the complex ways in which they have been seen by white people in this context.
Not many Australian artists can boast of designing clothes for Josephine Baker and Colette, in Paris in the 1920s, or of having served in the French Foreign Legian. Austraian born, with more than 50 years spent in Australia, Kahan has sketched and painted musicians for most of this time.
Henry Lawson - Miles Franklin - Henry Handel Richardson - Kenneth Slessor - Eleanor Dark - Christina Stead - Kylie Tennant - Patrick White - Thomas Keneally - Mem Fox.
Nora Heysen grew up at The Cedars near the Adelaide Hills town of Hahndorf, and was deeply influenced by her father, Hans Heysen. Nora Heysen: Light and life explores a notable career spanning seven decades, during which the artist painted some of Australia's most outstanding self-portraits, became the country's first female war artist, and was the first woman to win the prestigious Archibald Prize. Curator and author Jane Hylton has written extensively on Australian art and has curated numerous exhibitions. In 2000 she left the position of Curator of Australian Art at the Art Gallery of South Australia to become a freelance consultant.
The paintings of Jeffrey Makin, artist, academic and long term art critic for Melbourne's Sun-Herald, are featured in this lavishly illustrated monograph. In his introduction, Christopher Heathcote describes Makin's approach to landscape painting and his treatment of some of Australia's most dramatic landscape features.