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Violentologies
Violentologies explores how different forms of violence shape identity and political vision in both familiar and unexpected ways using Latina/o writers and performers as case-studies.
Remembering Conquest
This book analyzes the ways collective memories of the US-Mexico War have shaped Mexican Americans' civil rights struggles over several generations. As the first Latinx people incorporated into the nation, Mexican Americans were offered US citizenship by the Treaty of Guadalupe Hidalgo, which ended the war. Because the 1790 Naturalization Act declared whites solely eligible for citizenship, the treaty pronounced Mexican Americans to be legally white. While their incorporation as citizens appeared as progress towards racial justice and the electorate’s diversification, their second-class citizenship demonstrated a retrenchment in racial progress. Over several generations, civil rights activ...
Captive Nation
Captive Nation: Black Prison Organizing in the Civil Rights Era
Latina/os and World War II
This eye-opening anthology documents, for the first time, the effects of World War II on Latina/o personal and political beliefs across a broad spectrum of ethnicities and races within the Latina/o identity.
The Oxford Encyclopedia of Latina and Latino Literature
"Latino literature is a vibrant field of study. It is both an "emerging" literature-as evidenced by the production rate of independent presses and more recent inroads made into mainstream publishing houses-and a rich historical one that continues to be documented and recovered in archival and personal collections. The Oxford Encyclopedia of Latina and Latino Literature will address numerous dimensions of the literature and critical approaches utilized to interpret it. It will offer a nuanced introduction to scholars of the historical circumstances and critical approaches to a variety of genres and themes in Latino literature. All of the articles appear online as part of the Oxford Research Encyclopedia of Literature"--
La Pinta
In this groundbreaking study based on archival research about Chicana and Chicano prisoners—known as Pintas and Pintos—as well as fresh interpretations of works by renowned Pinta and Pinto authors and activists, B. V. Olguín provides crucial insights into the central roles that incarceration and the incarcerated have played in the evolution of Chicana/o history, cultural paradigms, and oppositional political praxis. This is the first text on prisoners in general, and Chicana/o and Latina/o prisoners in particular, that provides a range of case studies from the nineteenth century to the present. Olguín places multiple approaches in dialogue through the pairing of representational figure...
Life in Search of Readers
In this examination of Chicano/a literature, Manuel M. Martin-Rodriguez analyzes the ways it connects with and is shaped by the interaction with its audiences.
On Coerced Labor
On Coerced Labor focuses on those forms of labor relations that have been overshadowed by the “extreme” categories (wage labor and chattel slavery) in the historiography. It covers types of work lying between what the law defines as “free labor” and “slavery.” The frame of reference is the observation that although chattel slavery has largely been abolished in the course of the past two centuries, other forms of coerced labor have persisted in most parts of the world. While most nations have increasingly condemned the continued existence of slavery and the slave trade, they have tolerated labor relationships that involve violent control, economic exploitation through the appropriation of labor power, restriction of workers’ freedom of movement, and fraudulent debt obligations. Contributors are: Lisa Carstensen, Christian G. De Vito, Justin F. Jackson, Christine Molfenter, David Palmer, Nicola Pizzolato, Luis F.B. Plascencia, Magaly Rodríguez García, Kelvin Santiago-Valles, Nicole J. Siller, Marcel van der Linden, Sven Van Melkebeke.
Dreams in Double Time
In Dreams in Double Time Jonathan Leal examines how the musical revolution of bebop opened up new futures for racialized and minoritized communities. Blending lyrical nonfiction with transdisciplinary critique and moving beyond standard Black/white binary narratives of jazz history, Leal focuses on the stories and experiences of three musicians and writers of color: James Araki, a Nisei multi-instrumentalist, soldier-translator, and literature and folklore scholar; Raúl Salinas, a Chicano poet, jazz critic, and longtime activist who endured the US carceral system for over a decade; and Harold Wing, an Afro-Chinese American drummer, pianist, and songwriter who performed with bebop pioneers before working as a public servant. Leal foregrounds that for these men and their collaborators, bebop was an affectively and intellectually powerful force that helped them build community and dream new social possibilities. Bebop’s complexity and radicality, Leal contends, made it possible for those like Araki, Salinas, and Wing who grappled daily with state-sanctioned violence to challenge a racially supremacist, imperial nation, all while hearing and making the world anew.
Cantos de adolescencia
"Stop, Time, your fast race; /turn back to my lost infancy." With the final poem of this collection, "Upon Turning Twenty One," famed Chicano folklorist Americo Paredes closes a chapter in his life--one written during his formative years from 1932 to 1937--as he grew from a seventeen-year-old boy to a twenty-one year old man. In doing so, the renowned writer looks "toward the unknown future maze." Originally published in 1937 by Libreria Espanola in San Antonio, Texas, this new edition contains the first-ever English translations of the original Spanish poems and an introduction by the translators, scholars and poets in their own right, B. V. Olguin and Omar Vasquez Barbosa. Paredes, who die...
