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Forest Gate
Kasper Andreasen's images explore the traces that enable the development of a painting practice influenced by photography, writing, the materiality of paint, and informal gestures. These are accompanied by an essay that tells the story of a character named Piotr who visits a mysteriously destroyed town called Forest Gate, which proves impossible to comprehend visually. In combination, the artworks and the essay question the search for an ordered image in terms of materiality, composition, and framing.
Dot Dot Dot 13
The left-field arts journal whose very name promises more to come delivers three issues this season. There arent too many places to find intelligent, passionate, and semi-serious writing about the past, present, and future of visual culture and beyond. Dot Dot Dot, the brilliant journal edited by Stuart Bailey and Peter Bilak, is one of the few we've found. Issues 12 and 13 of this acclaimed graphic design journal are united by a thematic preoccupation with issues of distribution and dispersion. Exploring a variety of themes, including networks, schools, libraries, and the U.S. Postal Service, issue 12 collects pieces on and around these subjects, while issue 13 demonstrates them and doubles...
Cold Wars
A new interpretation of the Cold War from the perspective of the smaller and middle powers in Asia, the Middle East and Europe.
A Poetics of the Press
Literary Nonfiction. Poetics. Art. The publication of Donald Allen's The New American Poetry in 1960, as well as the Vancouver and Berkeley poetry conferences, sparked a poetic renaissance. It was an era rich in exploration and innovation that articulated a new relationship between form and content. Simultaneously, American artists began working with the book as a creative medium that rivaled the European tradition of the early twentieth century. This book is the first collection of interviews with some of the pioneers working at the intersection of the artists book and experimental writing that continues to this day. Includes interviews with Keith & Rosmaie Waldrop, Tom Raworth, Lyn Hejinian, Alan Loney, Mary Laird, Jonathan Greene, Alastair Johnston, Johanna Drucker, Phil Gallo, Steve Clay, Charles Alexander, Annabel Lee, Inge Bruggeman, Matvei Yankelevich, Anna Moschovakis, Aaron Cohick, and Scott Pierce. Co-published with Cuneiform Press.
Infant A
A short piece of fiction by the Amsterdam-based graphic designer and writer Louis Lüthi, Infant A follows famous book artist Ulises Carrión as he walks on the High Line in Chelsea, discussing two books simply titled A.
In Deed
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Ecstatic Alphabets/heaps of Language
Ecstatic alphabets/Heaps of language is a group exhibition on view at The Museum of Modern Art, New York, from May 6 to August 27, 2012. It brings together forty-four modern and contemporary artists and artists' groups working in all mediums including painting, sculptutre, film , video, audio, spoken word, and design, all of whom concentrate on the material qualities of written and spoken language--visual, arual, and beyond. This book--a volume in the continuing series, Bulletins of the serving library, published by Dexter Sinister--is that artist team's contribution to the exhibition.
Dot Dot Dot 14
The left-field arts journal whose very name promises more to come delivers three issues this season. There arent too many places to find intelligent, passionate, and semi-serious writing about the past, present, and future of visual culture and beyond. Dot Dot Dot, the brilliant journal edited by Stuart Bailey and Peter Bilak, is one of the few we've found. Issues 12 and 13 of this acclaimed graphic design journal are united by a thematic preoccupation with issues of distribution and dispersion. Exploring a variety of themes, including networks, schools, libraries, and the U.S. Postal Service, issue 12 collects pieces on and around these subjects, while issue 13 demonstrates them and doubles...
The Prize of Success
In the small world of Swiss graphic design, prizes such as the Swiss Design Awards (SDA) are followed closely. The winners' works are admired, envied and emulated. The generous prize money allows designers to launch their careers and focus on lesser paid but critically recognised work. Awards thus play the role of bellwethers of the scene. However, criticisms inevitably arise. Speaking in hushed tones, designers speculate as to why a colleague won over another. Rumours have it that jury members favour their inner circles and exclude competitors. Analysing this universe in detail, Jonas Berthod retraces the recent history of the SDA and the emergence of a new design culture in Switzerland.
