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Gray draws on Louise Colet's recently discovered journals to present a compelling biography of one of the most fascinating women of the 19th century. Colet defied the rules and expectations of a misogynistic society to become an award-winning writer and the intimate of such great literary figures as Flaubert, Hugo and Musset. 16-page b&w photo insert.
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'Graham Anderson's translations of both Sand's and Colet's novels are faithful and highly readable, with short but helpful introductions. Both books have been translated before Sand's Elle et Lui was translated by an American, George Burnham Ives(1856-1930), a man remarkable for having turned to literary translation while serving eight and a half years in a Boston Prison for embezzlement and forgery. His translation was called She and He, and suffers from a stuffy, excessively formal prose style that doesn't replicate Sand's voice very well. Anderson's translation is far better:his prose is tighter, better paced, more natural sounding, modern without being anachronistic. Colet's novel Lui wa...
Fictionalized account of the author's relationships with her former lover Gustave Flaubert, her friend Alfred de Musset, and his lover George Sand.
Shortlisted for the Man Booker Prize for Fiction Flaubert's Parrot deals with Flaubert, parrots, bears and railways; with our sense of the past and our sense of abroad; with France and England, life and art, sex and death, George Sand and Louise Colet, aesthetics and redcurrant jam; and with its enigmatic narrator, a retired English doctor, whose life and secrets are slowly revealed. A compelling weave of fiction and imaginatively ordered fact, Flaubert's Parrot is by turns moving and entertaining, witty and scholarly, and a tour de force of seductive originality.
Written with verve and intensity (and a good bit of wordplay), this is the long-awaited study of Flaubert and the modern literary field that constitutes the definitive work on the sociology of art by one of the worlds leading social theorists. Drawing upon the history of literature and art from the mid-nineteenth century to the present, Bourdieu develops an original theory of art conceived as an autonomous value. He argues powerfully against those who refuse to acknowledge the interconnection between art and the structures of social relations within which it is produced and received. As Bourdieu shows, arts new autonomy is one such structure, which complicates but does not eliminate the interconnection. The literary universe as we know it today took shape in the nineteenth century as a space set apart from the approved academies of the state. No one could any longer dictate what ought to be written or decree the canons of good taste. Recognition and consecration were produced in and through the struggle in which writers, critics, and publishers confronted one another.
This volume brings together a series of essays by acknowledged experts on Flaubert. It offers a coherent overview of the writer's work and critical legacy, and provides insights into the very latest scholarly thinking. While a central place is given to Flaubert s most widely read texts, attention is also paid to key areas of the corpus that have tended to be overlooked. Close textual analyses are accompanied by discussion of broader theoretical issues, and by a consideration of Flaubert s place in the wider traditions that he both inherited and influenced. These essays provide not only a robust critical framework for readers of Flaubert, but also a fuller understanding of why he continues to exert such a powerful influence on literature and literary studies today. A concluding essay by the prize-winning author Mario Vargas Llosa examines Flaubert s legacy from the point of view of the modern novelist.