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The Prose Fiction of Louise Von François (1817-1893)
Louise von François (1817-1893) was a German realist writer whose work appeared in several editions during her lifetime and was translated abroad. Her most famous novel, Die letzte Reckenburgerin, attracted significant critical attention from her contemporaries and was regarded as one of the most innovative novels of the century. Her other prose fiction, however, is less well known. In the context of the ongoing re-assessment of nineteenth-century women writers, this book evaluates the thematic preoccupations and narrative technique of François's creative work as a whole. Through a study of ten representative texts, most of which have not been subject to detailed literary analysis in the past, the author considers François's powerful portrayals of female self-reliance, and seeks to elucidate aspects of her most cherished convictions, which centred on values of honour and duty, and on a vision of a more equitable and decent society.
The Last Von Reckenburg
Reprint of English translation of important 19th-century German novel with strong feminist overtones. In Die letzte Reckenburgerin (1871), Louise von François, one of the major female German-language writers of the nineteenth century, describes the fate of two women, the aristocrat Eberhardine von Reckenburg and the middle-class Dorothee Müller, set against the events of the French Revolution. This complex work is both an absorbing picture of the period, and a subtle psychological study with a strong feminist slant: François depicts Dorothee as a victim of a patriarchal society that robs her of any chance of self-development. The book thus has considerable significance in the light of recent feminist literary criticism. Professor Laane's detailed introduction gives an account of the the critical reception of the book in the United States - it was translated into English in 1887 by Mary Joanna Safford (under the pseudonym J.M. Percival) after achieving great popularity in Germany - and suggests ways of understanding this long neglected novel.
Louise Von François and Die Letzte Reckenburgerin
Although nearly forgotten today, Louise von François (1817-1893) enjoyed until the collapse of the Weimar Republic a reputation as one of Germany's outstanding women writers. Her life and work provide a fruitful testing ground for current feminist methodologies and theories. This study examines François's literary career as an example of the «anxiety of authorship, » presents a reading of François's finest novel, Die letzte Reckenburgerin (1870), and traces the reception of that novel.
Respectability and Deviance
The first major study in English of 19th-century German women writers, this book examines their social and cultural milieu along with the layers of interpretation and representation that inform their writing. The author demonstrates that these writings provide an extensive and informative look at an exciting and transformative epoch that so much shaped our own. 16 photos.
Louise von François
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A Companion to German Realism, 1848-1900
This volume of new essays by leading scholars treats a representative sampling of German realist prose from the period 1848 to 1900, the period of its dominance of the German literary landscape. It includes essays on familiar, canonical authors -- Stifter, Freytag, Raabe, Fontane, Thomas Mann -- and canonical texts, but also considers writers frequently omitted from traditional literary histories, such as Luise Mühlbach, Friedrich Spielhagen, Louise von François, Karl May, and Eugenie Marlitt. The introduction situates German realism in the context of both German literary history and of developments in other European literatures, and surveys the most prominent critical studies of ninteenth...
People and Ideas on the Move
During the 1970s the todays Austrian Federal Ministry of Education, Science and Research (Bundesministerium für Bildung, Wissenschaft und Forschung, BMBWF) supported the founding of the Center for Austrian Studies at the University of Minnesota in Minneapolis and the Austrian Chair at Stanford University in California. These foundings were the initial incentives for the worldwide 'spreading' of similar institutions; currently nine Centers for Austrian and Central European Studies exist in seven states on three continents. The funding of the Ministry enables to connect senior with young scholars, to help young PhD students, to participate and to benefit from the scientific connection of expe...
Roman in Englisch-deutscher Perspektiven
The Novel in Anglo-German Context focuses on cross-currents and affinities between fiction written in English and fiction written in German, and the thirty-one contributors to this volume cover authors from the eighteenth century to the present day. The essays collected in this book approach the theme of Anglo-German cultural cross-fertilisation from a number of different angles. These include the reception and translation of foreign authors, the examination of exile writers, the comparative exploration of aspects which are crucial to both German, Austrian or Swiss and British or Irish novelists at a given point in time, the fictional depiction of the respective other culture, Anglo-German images in the novel, as well as the role of the novel in the curricula of German and British secondary education. The topics chosen by the contributors offer stimulating views on a wide range of subject areas, and the volume is essential reading for anyone with a broad interest in Anglo-Irish, German, Austrian and Swiss literature, the development of fiction as well as Anglo-German literary and cultural relations.
Essays on Kant, Schelling, and German Aesthetics
As a student at the University of Jena at the beginning of the nineteenth century, Henry Crabb Robinson (1775-1867) became the outstanding English mediator of the revolution in German thought. For the first time, this volume collects his early writings, both published and unpublished. The contents include 'Letters on the Philosophy of Kant' and notes from F.W.J. Schelling's lectures on the philosophy of art. Further, Robinson's private lectures for Madame de Staël are presented with her marginalia. In the intellectual history of Romanticism, Robinson emerges as a major figure whose lucid and entertaining essays can still guide the modern reader through the key German texts.
