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Tamil Love Poetry
Dating from the early decades of the third century C.E., the Ainkurunuru is believed to be the earliest anthology of classical Tamil love poetry and known to be a work of enduring importance. Commissioned by a Cera-dynasty king and composed by five masterful poets, the anthology renders the five landscapes of reciprocal love distinctive to the genre: jealous quarreling, anxious waiting and lamentation, clandestine love before marriage, elopement and love in separation, and patient waiting after marriage. Despite its centrality to literary and intellectual traditions, the Ainkurunur.
Poems of Love and War
10/13/201010/13/2010
The Interior Landscape
This classic anthology of translations has long been out of print. The poems come from one of the earliest surviving texts of Tamil poetry, the Kuruntokai, an anthology of love lyrics probably recorded during the first three centuries AD. Seventy-six of these classical poems have here beengiven a modern language and form. In an effort at fidelity to the effect of the images and their placement in the original, Ramanujan has given a visual shape to the poems by typographic devices. An essay on Tamil poetry explains its techniques and enriches the reader's pleasure in these quiet, controlled, yet dramatic poems.
Tamil Love Poetry and Poetics
This indispensable work for Tamil love poetry of South India deals with the relationship between the oldest grammar and poetics, Tolkāppiyam, and the ancient literature (Sangam literature) of the 1-3 C. A.D., providing the original meanings and historical changes of many technical terms of love poetry.
Poets of the Tamil Anthologies
The poems of ancient Tamil are one of India's most important contributions to world literature. Presented here in English translation is a selection of roughly three hundred poems from five of the earliest poetic anthologies of classical Tamil literature. These lyrical poems are intimately related to the agricultural society that produced them, and their direct connection with the earth as well as their use of ornament and suggestion give them a quality unlike that of any other poetic tradition. Originally published in 1979. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
Ritual and Mythological Sources of the Early Tamil Poetry
This volume focuses on the origin of the early Tamil poetical canon, which constitutes a set of specific subjects, images, principles of arrangement of basic poetical themes which are called tiṇai. The author proceeds from the idea of a Russian scholar O. Freidenberg that literary forms ‘originate from anti-literary material rather than their own archetypes’. An outline of mythological concepts, prevalent in ancient Tamil culture, is presented, alongside main mythological figures - Murukaṉ, Māl, Cūr, Koṟṟavai, Vaḷḷi. A controversial notion of aṉanku, especially in its aspect of an inner female energy, is analyzed. In addition, the author explores the panegyric art of the Tamil kings’ singers, describing such singers and performers while discussing the idea of ritual character. The elements of five canonical tiṇai-themes of the akam poetry are examined, where the use of ethnological data suggests that the themes are based on some behaviour patterns which are meant to ensure a reliable control over the female energy. Finally, the text raises the problem of earlier poetic forms that consolidated the tiṇai system.
The Tamil Veda
In this multifaceted work, John Carman and Vasudha Narayanan clarify historical developments in South Asian religion and make important contributions to the methodology of textual interpretation and the comparative study of world religions.
Love Stands Alone
The breathtaking poems in Love Stands Alone speak to us across time, space, language and culture. The interior, akam, and the exterior, puram, form their two overarching themes. The akam poems are concerned with love in all its varied situations: clandestine and illicit; conjugal happiness and infidelity; separation and union. The puram poems encompass all other aspects of worldly life: wars and battlefields, the munificence of kings and chieftains, and the wisdom of bards. With a comprehensive introduction by A.R. Venkatachalapathy, M.L. Thangappa’s translations delight the senses and bring alive a world long past.
