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This indispensable work for Tamil love poetry of South India deals with the relationship between the oldest grammar and poetics, "Tolk ppiyam," and the ancient literature ("Sangam" literature) of the 1-3 C. A.D., providing the original meanings and historical changes of many technical terms of love poetry.
This text presents new English translations of 150 erotic poems composed in India's three classic languages, Old Tamil, Sanskrit and Maharasti Prakit. The poems are selected from anthologies that date from as early as the first century C.E.
A Selection From Old Tamil, Prakrit And Sanskrit Poetry While The Striped Frogs Croak And The Toads Peep, The Rains Have Begun. And Now, He Will Be The Monsoon Guest Of Your Fine Wrists And Ample Shoulders. Driving His Tall Chariot With Its Tinkling Bells, Our Lover Will Come Back Today. Ainkurunuru 468 Dating From The First To Late Fourteenth Centuries Ce, This Collection Of 188 Poems Is Gleaned From The Three Literary Languages Of Classical India Old Tamil, Prãkrit And Sanskrit. Martha Ann Selby Combines Her Unique Mastery Of These Languages With Her Scholarship And Poetical Skills To Offer A Pan-Indian Flavour Of The Changing Seasons. The Poems Celebrate The Rhythm And Beauty Of The Cycle Of Time: Summer, The Rainy Season, Autumn, Early Winter, Late Winter, And Spring. Nature Is Portrayed Through A Range Of Sensual, Sexual And Colourful Images And Allegories. The Autumn Poems, For Example, Depict A World Washed Clean By Rains, Ready For Love, Specifically, Clandestine Love, Set In The Hills Among Mists And Blooming Wild Cane At Night. Readers Will Appreciate The Collection S Fine Poetic Quality And Be Spellbound By The Unique Beauty Of India S Six Seasons.
Dating from the early decades of the third century C.E., the Ainkurunuru is believed to be the earliest anthology of classical Tamil love poetry and known to be a work of enduring importance. Commissioned by a Cera-dynasty king and composed by five masterful poets, the anthology renders the five landscapes of reciprocal love distinctive to the genre: jealous quarreling, anxious waiting and lamentation, clandestine love before marriage, elopement and love in separation, and patient waiting after marriage. Despite its centrality to literary and intellectual traditions, the Ainkurunur.
This study argues that, in early medieval south India, it was in the literary arena that religious ideals and values were publicly contested.
Lexicon of Tamil Literature is a reference-dictionary of Tamil literature of South India from its early beginnings more than 2000 years ago until the present time (ca. 1980). It includes in the order of Roman alphabet names and short biographies of authors, lists of their works, anonymous literary works and most important matters of Tamil prosody, rhetoric and poetics. Whenever available, bibliographic data are given with individual entries in selection. Brief contents and evaluative statements are given with literary works of greater importance, whether ancient or modern. An introduction is included. The work is the first of its kind in a non-Indian language. It is an indispensable source of data and work of reference for Tamil literature in particular, and for the totality of Indic literatures in general.
Manuscripts have played a crucial role in the educational practices of virtually all cultures that have a history of using them. As learning and teaching tools, manuscripts become primary witnesses for reconstructing and studying didactic and research activities and methodologies from elementary levels to the most advanced. The present volume investigates the relation between manuscripts and educational practices focusing on four particular research topics: educational settings: teachers, students and their manuscripts; organising knowledge: syllabi; exegetical practices: annotations; modifying tradition: adaptations. The volume offers a number of case studies stretching across geophysical boundaries from Western Europe to South-East Asia, with a time span ranging from the second millennium BCE to the twentieth century CE.
Spoken by eighty million people, Tamil is one of the great world languages, and one of the few ancient languages that survives as a mother tongue. David Shulman presents a comprehensive cultural history of Tamil, emphasizing how its speakers and poets have understood the unique features of their language over its long history.