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This publication is the long-awaited complement to Michael Loewe's acclaimed Biographical Dictionary of the Qin, Former Han and Xin Periods (2000). With more than 8,000 entries, based upon historical records and surviving inscriptions, the comprehensive Biographical Dictionary of Later Han to the Three Kingdoms (23-220 AD) now provides information on men and women of the Chinese world who lived at the time of Later (or Eastern) Han, from Liu Xiu, founding Emperor Guangwu (reg. 24-57), to the celebrated warlord Cao Cao (155-220) at the end of the dynasty. The entries, including surnames, personal names, styles and dates, are accompanied by maps, genealogical tables and indexes, with lists of books and special accounts of women. These features, together with the convenient surveys of the history and the administrative structure of the dynasty, will make Rafe de Crespigny's work an indispensable tool for any further serious study of a significant but comparatively neglected period of imperial China.
Paper Figures is a lively story about a secret Chinese Black Ops team, which successfully completes deadly missions issued by the government, and sometimes by private employers. One day, a completed private rescue mission triggers something extraordinary, with consequences of which are wholly unforeseen. Hana, the beautiful tactical commander, Feng, the insane murderess, Shaozu, the sharpshooter and woman-chaser, as well as the team leader, Zhenbang, the martial artist with a vast network of contacts, find themselves in a never-expected situation: they have to protect themselves against assassins whose identity is unknown. The team starts an investigation to find out the reason for these events. Only one person is available to helps find out that the reason of the unpredicted events is the latest rescue mission, but things get a lot scarier: the rescued person shouldn't have been rescued, because she has some terrible secrets, so bad that they scare even the Black Ops team members to death...
Murder, mystery, and courtroom drama -- Chinese style! "Sanxia wuyi" (later revised and called "Qixia wuyi") is a semi-historical narrative of adventure, crime-detection, and courtroom drama. It revolves around the famed Song dynasty magistrate, Bao Zheng (999-1072), who is more commonly known as Magistrate Bao (Bao Gong) and is the quintessential incorruptible government official. This novel, derived from the oral narrative attributed to the Qing storyteller Shi Yukun (fl. 1870s), was first published in 1879, after undergoing a complex and fascinating textual evolution. The non-historical component of narrative, which represents the creative genius of the storyteller and his tradition, revolves around a group of compelling heroes and gallants -- foremost among them are Zhan Zhao, Hero Par Excellence, Jiang Ping, Diplomat Supreme and Unparalleled Underwater Genius, Ai Hu, Youngest of the Tried and True, and the beloved Bai Yutang, Gallant of Incomparable Elegance and Passion.
ung devotional texts shows, however, that many literati participated in intra-Buddhist debates. Others were drawn to Buddhism because of its power, which found expression and reinforcement in its ties with the state. For some, monasteries were extravagant houses of worship that reflected the corruption of the age; for others, the sacrifice and industry demanded by such projects were exemplars worthy of emulation. Finally, Buddhist temples could evoke highly personal feelings of filial piety and nostalgia. This book demonstrates that representations of Buddhism by lay people underwent a major change during the T’ang–Sung transition. These changes built on basic transformations within the Buddhist and classicist traditions and sometimes resulted in the use of Buddhism and Buddhist temples as frames of reference to evaluate aspects of lay society. Buddhism, far from being pushed to the margins of Chinese culture, became even more a part of everyday elite Chinese life.
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This is a unique and conclusive reference work about the 6,000 individual men and women known to us from China’s formative first empires. Over decennia Michael Loewe (Cambridge, UK) has painstakingly collected all biographical information available. Not only those are dealt with who set the literary forms and intellectual background of traditional China, such as writers, scholars, historians and philosophers, but also those officials who administered the empire, and the military leaders who fought in civil warfare or with China’s neighbours. The work draws on primary historical sources as interpreted by Chinese, Japanese and Western scholars and as supplemented by archaeological finds and inscriptions. By devoting extensive entries to each of the emperors the author provides the reader with the necessary historical context and gives insight into the dynastic disputes and their far-reaching consequences. No comparable work exists for this important period of Chinese history. Without exaggeration a real must for historians of both China and other cultures.
Combining anatomies of textual examples with broader contextual considerations related with the social, political and economic developments of post-Mao China, Xiaoping Wang intends to explore newly emerging social and cultural trends in contemporary China, and find the truth content of Chinese society and culture in the age of global capitalism. Through in-depth textual analyses covering a variety of media, ranging from fiction, poetry, film to theoretical works as well as cultural phenomena which mirror social and cultural occurrences and reflect the present ideological proclivities of the Chinese society, this study offers timely interpretations of China in the age of globalization, its political inclinations, social fashions and cultural tendencies, and provides thought-provoking messages of China’s socio-economic and political reality.