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George P. Marsh Correspondence
The broad diplomatic production of George P. Marsh, the first US ambassador to the Reign of Italy, contains much more than the records of Italo-American relations. From 1864 Marsh reported to the Secretary of State in Washington DC and to some personal friends a detailed and constantly updated description of the political, social, economic and cultural situation in the peninsula. George P. Marsh was born in Woodstock, Vermont in 1801 and despite his weak health, he started soon to study on his own in his father’s library in Burlington. At the age of 20, he was fluent in more than 20 foreign languages, very acquainted with different literatures and origins of languages and dialects. He is t...
Transnational Soldiers
Warfare in the modern era has often been described in terms of national armies fighting national wars. This volume challenges the view by examining transnational aspects of military mobilization from the eighteenth century to the present. Truly global in scope, it offers an alternative way of reading the military history of the last 250 years.
Till Death Do Us Part
Major General Emory Upton (1839–1881) served in all three branches of the U.S. military during the American Civil War. Lauded as a war hero, he later earned acclaim for his influence on military reforms, which lasted well beyond his lifetime. An account of Upton’s life is not complete, however, without a look into his brief, yet passionate, marriage to Emily Norwood Martin (1846–1870). This edition of Emory and Emily’s letters unveils the private life of a brilliant Civil War personality. It also introduces readers to the devout young woman who earned the general’s fanatic devotion before her untimely death from tuberculosis. Until now, only a few of the couple’s intimate letters...
George P. Marsh Correspondence
He applied science to life, not with the disinterested precision of a scientist, but with the aims and methods of a humanist. After 1861 he represented the United States at the Court of Savoy, in the critical years in which Italy was built, and the United States reshaped along modern lines. From his perspective, he described prominent Italian contemporaries and their relations with the United States and his opinion could not be ignored by the Department of State. The hero of the Marsh reports was Giuseppe Garibaldi; the "devil", Napoleon III. His luminous exposition, with a clear and fresh language, revealed many aspects of his historical times and of the images of Italy, which were frequently corroborated by the diaries of American tourists and writers doing their "Grand Tour": far from being a modern country, Italy appeared a wonderful destination for traveling, the land of Dante, Machiavelli, Petrarca.
Whom We Shall Welcome
Whom We Shall Welcome examines World War II immigration of Italians to the United States, an under-studied period in Italian immigration history. Danielle Battisti looks at efforts by Italian American organizations to foster Italian immigration along with the lobbying efforts of Italian Americans to change the quota laws. While Italian Americans (and other white ethnics) had attained virtual political and social equality with many other groups of older-stock Americans by the end of the war, Italians continued to be classified as undesirable immigrants. Her work is an important contribution toward understanding the construction of Italian American racial/ethnic identity in this period, the role of ethnic groups in U.S. foreign policy in the Cold War era, and the history of the liberal immigration reform movement that led to the 1965 Immigration Act. Whom We Shall Welcome makes significant contributions to histories of migration and ethnicity, post-World War II liberalism, and immigration policy.
A Century of Italian American Economics
Through a historical analysis of the link between Italian American migration in the 20th century and the investigation of the minutes of the Board of Directors and the financial statements of the American Chamber of Commerce in Italy, this book provides a privileged observation point for the study of the economic relations between Italy and the United States throughout the twentieth century. Showing that the Chamber played a fundamental role in highlighting the changes of Italian economy and society, and in strengthening the cooperation between the two countries, it retraces a long-lasting tradition of trade and business, and depicts a solid and enduring relationship between Italy and the United States.
Exhibiting Italian Art in the United States from Futurism to Arte Povera
This volume explores how Italian institutions, dealers, critics, and artists constructed a modern national identity for Italy by exporting – literally and figuratively – contemporary art to the United States in key moments between 1929 and 1969. From artist Fortunato Depero opening his Futurist House in New York City to critic Germano Celant launching Arte Povera in the United States, Raffaele Bedarida examines the thick web of individuals and cultural environments beyond the two more canonical movements that shaped this project. By interrogating standard narratives of Italian Fascist propaganda on the one hand and American Cold War imperialism on the other, this book establishes a more ...
Annie Chartres Vivanti
This book explores the work of a writer, Annie Chartres Vivanti (1866–1942), who brought a transnational dimension to the marked provincialism of the Italian novel by addressing issues of gender, ethnicity, and sexuality on personal and international levels, and by creating work that distanced itself from much of the female-penned literature of the day, scorning both decorum and social respectability. Chapters in this book examine Vivanti’s output from multiple perspectives, taking into account her politics and her career as a journalist, writer, and singer, as well as her literary work.
Davide Rondoni
In this monograph, Gregory M. Pell provides a full-length study on the poetry of Davide Rondoni, one of Italy’s most active contemporary writers and thinkers. This book includes comparative studies of Jorie Graham, Gjertrud Schnackenberg, Charles Wright, John Ashbery, Patrizia Fazzi, and Mario Luzi. As the first book in English on Davide Rondoni’s poetry, this study explores how the Italian poet deals with art, and the places of art, in a way that transcends the notion of ekphrasis (or, verbal representation of pictorial art) to see poetry as the transcription of an experience with art, thus becoming a sort of anti-ekphrasis, or an atmospheric ekphrasis. The social and religious aspects of art take precedence over aesthetic concerns, without discounting them, in Rondoni’s unsentimental poetry, which takes the form of recitative theatrical monologues. Thus, art becomes more than simple visual representation or the subject of an art history catalogue. Instead, in certain poets, such as Rondoni, we experience life through art’s complete process: from the artist’s originary idea to the work’s execution to our interaction with it in the here and now.
