Welcome to our book review site go-pdf.online!
You may have to Search all our reviewed books and magazines, click the sign up button below to create a free account.
Brand New Animals
Jules Spinatsch's answer to the traditional distinction between applied & free photography can best be described as a cheerful "do-as-you-please" approach. His independent works express his personal artistic beliefs: they are keen-sighted & probingly experimental, capturing atmospheric moments of Spinatsch's immediate surroundings. His images are of an enthralling beauty, & in his close-ups Spinatsch conveys the relevance & charm of minute details. In his series We Will Never Be So Close Again he portrays motorists snoozing at the wheel--images that border on the ethereal. Brand New Animals deals with the artistic depiction of nature, which Spinatsch introduces to the reader as an alternative world.
Globalization, Violence and the Visual Culture of Cities
This book is the first interdisciplinary volume to examine the complex relationship between globalization, violence, and the visual culture of cities
Science and Art Symposium 2000
Some words about SCART 2000. SCART stands for science and art. SCART meetings are organized in a loose time sequence by an international group of scientists, most of them fluid-dynamicists. The first meeting was held in Hong-Kong, the second one in Berlin, and the third, and latest, one in Zurich. SCART meetings include a scientific conference and a number of art events. The intention is to restart a dialogue between scientists and artists which was so productive in the past. To achieve this goal several lectures given by scientists at the conference are intended for a broader public. In the proceedings they are denoted as SCART lectures. The artists in tum address the main theme of the conference with their contributions. The lectures at SCART 2000 covered the entire field of fluiddynamics, from laminar flows in biological systems to astrophysical events, such as the explosion of a neutron star. The main exhibition by Dutch and Swiss artists showed video and related art under the title 'Walking on Air'. Experimental music was performed in two concerts.
Art Diary
None
Temporary Discomfort
Temporary Discomfort is artist Jules Spinatsch's documentation of three cities in a transitory state of emergency lock-down during two global economic summits (WEF and G8). It comines different photographical genres: landscape photography of the site, photojournalism, and police photography, but with the camera lens turned, atypically, on the security forces. The photo series and videos aim to achieve a speculative reconstruction of the situations in Davos, New York, Genoa and Evian/Geneva, while they also ask questions about the conditions under which photography is and can be produced today. Spinatsch's position while working on the project was that of an informed outsider--his presence in the area around the meetings was acknowledged by the security forces but not really appreciated, which was one the factors that determined his work. Spinatsch's new approach to documentary photography is theorized here by essayist Martin Jaeggi and presented through beautiful photographs with strong political undertones.
Motor Blues
The rise of Sam Childers from violent, drug-addicted biker to a man willing to risk everything to rescue the orphans and child soldiers of Sudan "All my life, from birth, it's been a fight. And it always seemed to be another man's war. I always seemed to be fighting for someone else. But it always came back to me. The Word says we're born into sin, and sin always comes back to war." -Sam Childers Sam Childers has always been a fighter. Born to a violent father and a mother of great faith, his life was a contradiction. With an affinity for drugs and women, the angry young man grew into a drug-dealing biker. But that was then. Nowadays Sam-along with the cadre of Sudanese soldiers he employs-s...
Catalogo
None
Photo Art
"As digital technologies continue to impact photography, there are those image-makers who rise above the fray to produce compelling work. Photo Art: Photography in the 21st Century features 120 of the latest, greatest, and newly up-and-coming artists in a luscious compendium, each showcased in a four-page spread, with texts by sixteen top curators and theorists, and a glossary of important terms. More than a coffee-table book, Photo Art reads like an international art fair between covers."--Publisher's website.
Street and Studio
"The photographic portrait has two parallel histories that run side by side, from the birth of photography to the twenty-first century; one of portraits made in the studio, the other of those taken in the street. The advent of small, easily concealed cameos allowed photographers to capture subjects in the street unaware. In contrast, the studio offered the opportunity to present carefully composed images to the world, making use of the elaborate staging and technical devices at the photographer's disposal." "With celebrities today expected to pose for the paparazzi in the street, and the studio being used increasingly for informal and intimate shots, these traditions have been subverted. Accompanying a major exhibition at Tate Modern, Street & Studio explores the fascinating contrasts, tensions and connections between these two traditions."--BOOK JACKET.
