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F.H. Varley
Frederick Horsman Varley was unique among the members of the Group of Seven. One of the greatest Canadian portraitists of the twentieth century, he is an intriguing example of an artist who, despite his fame as a portrait painter, remains better known for his landscapes. This is due mainly to his position as one of the founding members of the Group of Seven and their deliberate attempt to raise awareness of our national identity by depicting the Canadian landscape. Even though many public collections across the country, including the National Gallery of Canada, the Art Gallery of Ontario, and the Vancouver Art Gallery, display some of Varley’s best-known portraits, these works do not easily fit into the conventional mould of the Group of Seven. Nearly four decades after his death, Varley’s portraits are still not fully acknowledged. The release of this beautifully illustrated bilingual volume coincides with the opening of an unprecedented exhibition of his portraiture.
Memoirs of Vidocq
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Art as Compassion
Published on the occasion of exhibitions Bracha L. Ettinger: Resonance/Overlay/Interweave held June 3-July, 26, 2009 at Freud Museum, London; Bracha L. Ettinger: Fragilisation and Resistance held Aug. 21-Aug. 31, 2009 at Kuvataideakatemia (The Finnish Academy of Fine Arts), Helsinki; and Alma Matrix: Bracha L. Ettinger and Ria Verhaeghe held May 13-Aug. 1, 2010 at Fundaciao Antoni Taapies, Barcelona.
Wormholes
On the occasion of the exhibition The (Hemi)Cycle of Leaves and Paper at the Ghent Museum of Fine Arts, Malaysian artist Simryn Gill brings out an artist book entitled "Wormholes". At its core are subtle black and white photographs that trace the delicate remains of life in a building that slowy and gradually turns into ruin. Textual interventions by the artist guide the reader towards an atmosphere that is filled with subtle impressions.
The Symbolist Prints of Edvard Munch
Illustrated with black and white and colored prints from Edvard Munch. Original pictorial wrappers and color illustrated frontispiece. Published alongside the exhibition of the same name. "This exhibition considers Munch's relevance to a modern world through three interpretive paths." (From the forward) These paths are the technical methods Munch used as a Symbolist printmaker, his reception and exhibitions in North American, and Munch's influence in popular culture. With several essays and a chronology.
Drawing Attention
This beautiful, landmark book is the first to trace the history and reveal the highlights of the Art Gallery of Ontario's important and inspiring collection of drawings and watercolours. The AGO founded its Print and Drawing Department in 1976, and over the past 30 years it has become one of the fastest-growing collections in North America. In this unconventional selection of 100 of the drawings, ranging from the fifteenth to the mid-twentieth century, each work is accompanied by an insightful commentary by a distinguished expert. Images and text combine to provide a fascinating chronicle of five centuries of drawing, from Renaissance Italy to modern Canada.
Histoire de Chartres
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