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The Routledge Companion to Twentieth Century British Theatre and Performance
The Routledge Companion to Twentieth Century British Theatre and Performance provides a broad range of perspectives on the multiple models and examples of theatre, artists, enthusiasts, enablers, and audiences that emerged over this formative 100-year period. This first volume covers the first half of the century, constructing an equitable and inclusive history that is more representative of the nation's lived experience than the traditional narratives of British theatre. Its approach is intra-national – weaving together the theatres and communities of England, Scotland, Wales, and Northern Ireland. The essays are organised thematically arranged into sections that address nation, power, an...
The Pretty Gentleman
Erotic sketches, a blackmail letter, a closeted aristocrat, his ambitious lover, and a sacrificial murder. Love, betrayal, deception and vengeance in Regency London. George Rowlands, an aspiring young painter meets the charismatic Sir Henry Wallace who invites him to draw his sculpture collection and his handsome valet Gregorio Franchese. Patronised by Wallace to study at the Royal Academy, George is befriended by the aloof John McCarther, assistant to the eccentric Gothic painter, Henry Fuseli. Meanwhile, Lady Arabella Wallace becomes increasingly suspicious of her husband's enthusiasm for his new protégé. When a male brothel, the White Swan, is exposed, Henry Wallace receives a letter of extortion in George's handwriting. After Gregorio Franchese is found murdered, Georgeis suspected when erotic drawings of Gregorio are discovered in his possession. Will he face the gallows? Or will self-sacrifice and truth save his fate? .
An Oak Tree
You will see no false nothing false tonight the Hypnotist Tim Crouch's second play collapses a tale of loss and grief into an exploration of theatrical representation, in a piece of theatre that is at once formally innovative and profoundly moving. Written for two actors, An Oak Tree depicts the fraught meeting of a grieving father and the stage hypnotist who was behind the wheel of the car that killed his daughter, with the father played by a different actor at each performance, walking on stage with no prior knowledge of the play. Catherine Love explores An Oak Tree's connections with conceptual art, the unique process of its creation, its interrogation of stage representation, its relationship with audiences, and its place as part of Crouch's ongoing body of work.
Davies and Penhall's Sunny Afternoon
Half Title -- Series Information -- Title Page -- Copyright Page -- Table of Contents -- Introduction -- 1 The principal players -- The Davies family and the beginnings of the Kinks -- The band -- The management team -- Sunny Afternoon's creative team -- 2 Act One -- 3 Act Two -- Appendix A Appendix Sunny Afternoon fact sheet -- Appendix B The songs of Sunny Afternoon -- Bibliography -- Index
Twentieth-Century British Theatre
In this book, Claire Cochrane maps the experience of theatre across the British Isles during the twentieth century through the social and economic factors which shaped it. Three topographies for 1900, 1950 and 2000 survey the complex plurality of theatre within the nation-state which at the beginning of the century was at the hub of world-wide imperial interests and after one hundred years had seen unprecedented demographic, economic and industrial change. Cochrane analyses the dominance of London theatre, but redresses the balance in favour of the hitherto marginalised majority experience in the English regions and the other component nations of the British political construct. Developments arising from demographic change are outlined, especially those relating to the rapid expansion of migrant communities representing multiple ethnicities. Presenting fresh historiographic perspectives on twentieth-century British theatre, the book breaks down the traditionally accepted binary oppositions between different sectors, showing a broader spectrum of theatre practice.
Children of the Queen's Revels
History of boy actors in England during the Elizabethan Age.
Troilus and Cressida
The second edition of Troilus and Cressida featuring a revised and updated Introduction and new illustrations.
George Alexander and the Work of the Actor-Manager
In the first book-length study of the work and legacy of West End actor-manager George Alexander since the 1930s, George Alexander and the Work of the Actor Manager examines the key part this figure played in presenting new drama by authors including Oscar Wilde and Henry James. The book sheds new light on the figure of the actor-manager, assessing in detail the influence of Alexander within and beyond his time. At the St. James’s Theatre in London between 1891 and 1918, through a range of strategies including the support of new writers, and adaptation of fiction to the stage, Alexander sustained professional status through practices that continue to be reflected in the cultural industries today. A range of evidence is employed including production reviews, anecdotal accounts, financial records, and personal correspondence, to reveal how he operated as a business entrepreneur as well as an artistic innovator.
Oil, Gas, and Crime
This book addresses the causes of rising crime rates resulting from the rapid population growth and industrialization associated with natural resource extraction in rural communities. Ruddell describes the social problems emerging in these boomtowns, including increases in antisocial behavior, as well as property-related and violent crime, industrial mishaps and traffic collisions. Many of the victims of these crimes are already members of vulnerable or marginalized groups, including rural women, Indigenous populations, and young people. The quality of life in boomtowns also decreases due to environmental impacts, including air, water and noise pollution. Law enforcement agencies, courts, an...
Text & Presentation, 2010
Text & Presentation is an annual publication devoted to all aspects of theatre scholarship. This new volume represents a selection of the best research presented at the 34th international, interdisciplinary Comparative Drama Conference held in Los Angeles in 2010. Topics covered include metatheatrical experiments and adaptations of Greek tragedy, early Soviet orientalist plays, the working class on the 1920s Broadway stage, Tennessee Williams's grandfather as character model, psychotherapy on stage, and African American musicals, among other topics. Reviews of eight selected books are also included.
