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The Routledge Companion to Twentieth Century British Theatre and Performance
The Routledge Companion to Twentieth Century British Theatre and Performance provides a broad range of perspectives on the multiple models and examples of theatre, artists, enthusiasts, enablers, and audiences that emerged over this formative 100-year period. This first volume covers the first half of the century, constructing an equitable and inclusive history that is more representative of the nation's lived experience than the traditional narratives of British theatre. Its approach is intra-national – weaving together the theatres and communities of England, Scotland, Wales, and Northern Ireland. The essays are organised thematically arranged into sections that address nation, power, an...
The Pretty Gentleman
Erotic sketches, a blackmail letter, a closeted aristocrat, his ambitious lover, and a sacrificial murder. Love, betrayal, deception and vengeance in Regency London. George Rowlands, an aspiring young painter meets the charismatic Sir Henry Wallace who invites him to draw his sculpture collection and his handsome valet Gregorio Franchese. Patronised by Wallace to study at the Royal Academy, George is befriended by the aloof John McCarther, assistant to the eccentric Gothic painter, Henry Fuseli. Meanwhile, Lady Arabella Wallace becomes increasingly suspicious of her husband's enthusiasm for his new protégé. When a male brothel, the White Swan, is exposed, Henry Wallace receives a letter of extortion in George's handwriting. After Gregorio Franchese is found murdered, Georgeis suspected when erotic drawings of Gregorio are discovered in his possession. Will he face the gallows? Or will self-sacrifice and truth save his fate? .
Children of the Queen's Revels
History of boy actors in England during the Elizabethan Age.
An Oak Tree
You will see no false nothing false tonight the Hypnotist Tim Crouch's second play collapses a tale of loss and grief into an exploration of theatrical representation, in a piece of theatre that is at once formally innovative and profoundly moving. Written for two actors, An Oak Tree depicts the fraught meeting of a grieving father and the stage hypnotist who was behind the wheel of the car that killed his daughter, with the father played by a different actor at each performance, walking on stage with no prior knowledge of the play. Catherine Love explores An Oak Tree's connections with conceptual art, the unique process of its creation, its interrogation of stage representation, its relationship with audiences, and its place as part of Crouch's ongoing body of work.
Davies and Penhall's Sunny Afternoon
Half Title -- Series Information -- Title Page -- Copyright Page -- Table of Contents -- Introduction -- 1 The principal players -- The Davies family and the beginnings of the Kinks -- The band -- The management team -- Sunny Afternoon's creative team -- 2 Act One -- 3 Act Two -- Appendix A Appendix Sunny Afternoon fact sheet -- Appendix B The songs of Sunny Afternoon -- Bibliography -- Index
Twentieth-Century British Theatre
In this book, Claire Cochrane maps the experience of theatre across the British Isles during the twentieth century through the social and economic factors which shaped it. Three topographies for 1900, 1950 and 2000 survey the complex plurality of theatre within the nation-state which at the beginning of the century was at the hub of world-wide imperial interests and after one hundred years had seen unprecedented demographic, economic and industrial change. Cochrane analyses the dominance of London theatre, but redresses the balance in favour of the hitherto marginalised majority experience in the English regions and the other component nations of the British political construct. Developments arising from demographic change are outlined, especially those relating to the rapid expansion of migrant communities representing multiple ethnicities. Presenting fresh historiographic perspectives on twentieth-century British theatre, the book breaks down the traditionally accepted binary oppositions between different sectors, showing a broader spectrum of theatre practice.
The Theatre of Fake News
This book argues that theatre and drama help us to understand the concern about ‘fake news’. Moran shows that ‘fake news’ has arisen in the twenty-first century through what are essentially a series of performance contexts. Although the concept of ‘fake news’ has developed to great prominence since 2016, there is a much longer history of theatre makers and thinkers grappling with the ideas that underpin our modern worries about misinformation being distributed in the press, in broadcast news, and via social media.
Troilus and Cressida
The second edition of Troilus and Cressida featuring a revised and updated Introduction and new illustrations.
Thornton Wilder's The Skin of our Teeth
"Ladies and gentlemen, I’m not going to play this particular scene tonight." - Sabina Thornton Wilder’s The Skin of Our Teeth (1942) telescopes an audacious stretch of western history and mythology into a family drama, showing how the course of human events operates like theatre itself: constantly mutable, vanishing and beginning again. Kyle Gillette explores Wilder’s extraordinary play in three parts. Part I unpacks the play’s singular yet deeply interconnected place in theatre history, comparing its metatheatrics to those of Stein, Pirandello and Brecht, and finding its anticipation of American fantasias in the works of Vogel and Kushner. Part II turns to the play’s many historic and mythic sources, and examines its concentration of western progress and power into the model of a white, American upper-middle-class nuclear family. Part III takes a longer view, tangling with the play’s philosophical stakes. Gillette magnifies the play’s ideas and connections, teasing out historical, theoretical and philosophical questions on behalf of readers, scholars and audience members alike.
Oil, Gas, and Crime
This book addresses the causes of rising crime rates resulting from the rapid population growth and industrialization associated with natural resource extraction in rural communities. Ruddell describes the social problems emerging in these boomtowns, including increases in antisocial behavior, as well as property-related and violent crime, industrial mishaps and traffic collisions. Many of the victims of these crimes are already members of vulnerable or marginalized groups, including rural women, Indigenous populations, and young people. The quality of life in boomtowns also decreases due to environmental impacts, including air, water and noise pollution. Law enforcement agencies, courts, an...
