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After discovering that she is dying of lung cancer, aspiring young novelist Cordelia returns to her home in Equality, Alabama, because she is the seventh "Cordelia" in her matrilineal line and tradition and memory are all the small town has left.
Although the disciplines of critical education and cultural studies have traditionally occupied separate spaces as they have addressed different audiences, their concerns as well as the political and pedagogical nature of their work overlap. Education and Cultural Studies brings members of these two groups together to demonstrate how a critical understanding of culture and education can transgressively implement broad political change. All written from within this framework of cultural studies and critical pedagogy, the contributors illuminate the possibilities and opportunities open to practicing educators. In eschewing a romantic utopianism, and in assessing the current climate of what is attainable and practical, this book teaches us how we can begin to translate and perhaps even transform the vexing social problems that confront us daily. Contributors include Carol Becker, Harvey J. Kaye, David Theo Goldberg, Jeffrey Williams, Sharon Todd, Douglas Kellner, Deborah Britzman, Jacqueline Reid-Walsh, Claudia Mitchell, Cameron McCarthy, Mike Hill, Susan Searls, Stanley Aronowitz, Douglas Noble, Kakie Urch, Henry Giroux, David Trend, and Robert Mikilitsch.
Contributors from richly diverse backgrounds explore a wide range of current issues concerning the interrelationship of religion and film.
Focusing on the crossover between the sacred and the secular, this volume gathers the work of media experts, religious historians, sociologists of religion, and authorities on American studies and art history.
The parlour was the centre of the Victorian home and, as Thad Logan shows, the place where contemporary conflicts about domesticity and gender relations were frequently played out. In The Victorian Parlour: A Cultural Study, Logan uses an interdisciplinary approach that combines the perspectives of art history, social history and literary theory to describe and analyse the parlour as a cultural artefact. She offers a detailed investigation of specific objects in the parlour, and argues that these things articulated social meaning and could present symbolic resolutions to disturbances in the social field. The book concludes with a discussion of how representations of the parlour in literature and art reveal the pleasures and anxieties associated with Victorian domestic life.
This book discusses the history of the Barbie doll and at the cultural reappropriations of Barbie by artists, collectors and especially lesbians and gay men.
The End of Youth is a collection of 13 linked stories, essays and rants, about carrying on after youth's hope is gone. In "Afraid of the Dark," a child learns that there is good reason to be afraid. The adolescent narrator of "Description of a Struggle" finds that love can be brutal. "The Smokers" examines an adult's realization that longevity means seeing loved ones die. Written with the same spare and vivid beauty as her earlier award-winning works, The End of Youth is certain to win even wider acclaim. "Throughout her writing career, Brown has exhibited a rare sensitivity in delving into difficult, uncomfortable material—death, disease, imperfect bodies and minds . . . in this slim book...
This book begins by putting gay & lesbian sexuality and politics in historical context and demonstrates how and why queer theory emerged.
A collection of 19 stories. The title story is about the reaction of a young woman to a group that has given up sex, in Jimmy Dean: My Kind of Guy, a woman has an affair with the famous actor who did not die, and Pandora's Box is on a woman offering sex on the phone.