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This New York Times bestseller is perfect for fans of Tana French and Dennis Lehane. Midwinter. A child is found wandering through the snowy woods, her hands covered in someone else's blood. And she cannot—or will not—speak, not even to share her name. Who is this little girl lost? The only adult she seems to trust is the young officer who found her, Detective Lucy Black. Before long, Lucy manages to connect her case to that of a missing teenager, the kidnapped daughter of a local real estate tycoon. As the investigation twists and turns, Lucy is forced to question not only a range of dangerous suspects, but also everything she thought she knew about her own past.
Equally interested in the sensual and the serious, the erotic and the academic, this collection experiments with form, dialect, persona, and voice. Ultimately a hybrid document, Lucy Negro, Redux harnesses blues poetry, deconstructed sonnets, historical documents and lyric essays to tell the challenging, many-faceted story of the Dark Lady, her Shakespeare, and their real and imagined milieu.
A beautiful lost classic of nature writing which sits alongside Watership Down and War Horse. This is the story of Wulfgar, the dark-furred fox of Dartmoor, and of his nemesis, Scoble the trapper, in the seasons leading up to the pitiless winter of 1946. As breathtaking in its descriptions of the natural world as it is perceptive in its portrayal of damaged humanity, it is both a portrait of place and a gripping story of survival. Uniquely straddling the worlds of animals and men, Brian Carter's A Black Fox Running is a masterpiece: lyrical, unforgiving and unforgettable.
Recounting the experiences of black soldiers in the Civil War In the ten probing essays collected in this volume, Howard C. Westwood recounts the often bitter experiences of black men who were admitted to military service and the wrenching problems associated with the shifting status of African Americans during the Civil War. Black Troops, White Commanders and Freedmen during the Civil War covers topics ranging from the roles played by Lincoln and Grant in beginning black soldiery to the sensitive issues that arose when black soldiers (and their white officers) were captured by the Confederates. The essays relate the exploits of black heroes such as Robert Smalls, who single-handedly capture...
This book examines the problem of linearization from a new perspective: that of the linearization of affixes. The author’s driving proposition is that affixation provides a means of satisfying the universal requirement to linearize linguistic outputs. This proposition is tested using original data from Nuu-chah-nulth ("Nootka"; Wakashan family), an endangered Amerindian language that is remarkable for its complex morphology.
I've said it before... we've all at least thought about it: "If I knew I was gonna die a long, agonizing death -- I'd kill myself!"Runner is the story of a man haunted by the slow, excruciating deterioration of his father in his battle with Alzheimer's. George swore he'd off himself before enduring that fate. When early-warning symptoms emerge, the snub-nosed .38 in his dresser drawer beckons.Then tragedy strikes... a neighbor's daughter is killed in the crossfire of a drug raid and the bastards responsible are getting a free pass. Is George -- a reticent retired computer geek -- ballsy enough to make things right before he leaves this world?A draining reduction of his problem-solving skills makes it impossible to even do the required research, no less come up with a plan. Desperate, he enlists Crazy Lucy and even Spot, his newly rescued Border-Collie, to help him track down his targets: Sgt. Joseph Burgess and Lt. Col. Lawrence Robertson, stationed on Fort Bliss, El Paso, Texas.One final, perilous act may be all George has in him.
All three parts in one volume! From the author of New York Times bestseller Little Girl Lost, this unforgettable and moving thriller is perfect for fans of Tana French and Dennis Lehane. (Released in the UK as Hurt.) Just before Christmas, the body of a sixteen-year-old girl is found along the train tracks on the outskirts of a small town. As Detective Lucy Black investigates the teenager's tragic last hours in search of clues to her death, she realizes that some of the victim's friends may have been her most dangerous enemies—and that whoever killed her is ready to kill again. Haunted by the memory of a case gone wrong, and taunted by a killer on the loose, Lucy finds herself pitted against a lethal opponent hiding in plain sight. From an author described by John Connolly as "a major force" in suspense literature, Someone You Know is one of the most atmospheric, powerful thrillers you'll read all year.
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Some of the most iconic, hard-boiled Irish detectives in fiction insist that they are not detectives at all. Hailing from a region with a cultural history of mistrust in the criminal justice system, Irish crime writers resist many of the stereotypical devices of the genre. These writers have adroitly carved out their own individual narratives to weave firsthand perspectives of history, politics, violence, and changes in the economic and social climate together with characters who have richly detailed experiences. Recognizing this achievement among Irish crime writers, Babbar shines a light on how Irish noir has established a new approach to a longstanding genre. Beginning with Ken Bruen’s ...
A 16-year-old girl is found dead on a train line one freezing December night in Derry. Detective Sergeant Lucy Black is called to identify the body of the murdered girl as Karen Hughes. As Lucy delves deeper in to the case, she discovers that Hughes has been living in residential care, the product of an alcoholic mother and a father behind bars. The only clue as to the girl's movements are her mobile phone and various social media sites - where her 'friends' are not all they seem. Meanwhile Lucy's mind is consumed with the recurring trauma of a previous case. She has to tread carefully: with a new DI to contend with and the Assistant Chief Constable looking over her ear, she can't afford to make a mistake.