You may have to Search all our reviewed books and magazines, click the sign up button below to create a free account.
Cryptology, for millennia a "secret science", is rapidly gaining in practical importance for the protection of communication channels, databases, and software. Beside its role in computerized information systems, cryptology is finding more and more applications inside computer systems and networks, extending to access rights and source file protection. The first part of this book treats secret codes and their uses - cryptography - before moving on to the process of covertly decrypting a secret code - cryptanalysis. Spiced with a wealth of exciting, amusing, and occasionally personal stories from the history of cryptology, and presupposing only elementary mathematical knowledge, this book will also stimulate general readers.
In today's extensively wired world, cryptology is vital for guarding communication channels, databases, and software from intruders. Increased processing and communications speed, rapidly broadening access and multiplying storage capacity tend to make systems less secure over time, and security becomes a race against the relentless creativity of the unscrupulous. The revised and extended third edition of this classic reference work on cryptology offers a wealth of new technical and biographical details. The book presupposes only elementary mathematical knowledge. Spiced with exciting, amusing, and sometimes personal accounts from the history of cryptology, it will interest general a broad readership.
Medieval Art, Modern Politics is an innovative volume of twelve essays by international scholars, prefaced by a comprehensive introduction. It examines the political uses and misuses of medieval images, objects, and the built environment from the 16th to the 20th century. In case studies ranging from Russia to the US and from catacombs, mosques, cathedrals, and feudal castles to museums and textbooks, it demonstrates how the artistic and built legacy has been appropriated in post-medieval times to legitimize varied political agendas, whether royalist, imperial, fascist, or colonial. Entities as diverse as the Roman papacy, the Catholic Church, local arts organizations, private owners of medieval fortresses, or organizers of exhibitions and publishers are examined for the multiple ways they co-opt medieval works of art. Medieval Art, Modern Politics enlarges the history of revivalism and of medievalism by giving it a uniquely political twist, demonstrating the unavoidable (but often ignored) intersection of art history, knowledge, and power.
Founded in 1990, Palmbout Urban Landscapes is now one of the leading urban planning offices in the Netherlands. It exemplifies current practices of urban planning in that country. Its approach is characterized by a constant search for a new relationship between urban planning, architecture, and landscape architecture. In this process of experimentation, Palmbout Urban Landscapes has established a profile not only in the field of the relationship between urban planning and architecture but above all in terms of mutual interactions between urban planning, the analysis and design of landscape, and infrastructure. The book documents some fifteen projects organized into six thematic blocks, including such extensive projects as Amsterdam Ijburg, a design for an urban extension to Amsterdam with a total area of 450 hectares, 18,000 residences, 100,000 square meters of office space, 30,000 square meters of stores, and other facilities, and Maastricht Belvedere, a restructuring of 280 hectares of a former industrial site with 4,000 residences, 100,000 square meters of office space, parking lots, and a vehicle bridge.
Medieval Art, Modern Politics is an innovative volume of twelve essays by international scholars, prefaced by a comprehensive introduction. It examines the political uses and misuses of medieval images, objects, and the built environment from the 16th to the 20th century. In case studies ranging from Russia to the US and from catacombs, mosques, cathedrals, and feudal castles to museums and textbooks, it demonstrates how the artistic and built legacy has been appropriated in post-medieval times to legitimize varied political agendas, whether royalist, imperial, fascist, or colonial. Entities as diverse as the Roman papacy, the Catholic Church, local arts organizations, private owners of medieval fortresses, or organizers of exhibitions and publishers are examined for the multiple ways they co-opt medieval works of art. Medieval Art, Modern Politics enlarges the history of revivalism and of medievalism by giving it a uniquely political twist, demonstrating the unavoidable (but often ignored) intersection of art history, knowledge, and power.
- Hochaktuelles Thema: Kohlenstoff- und Graphitmaterialien gehören aufgrund ihrer ausgezeichneten Eigenschaften und vielfältigen Anwendungsmöglichkeiten in unzähligen Bereichen, von der Nanotechnologie bis hin zur Elektronik, zu den interessantesten Verbindungsklassen. - Einzigartig und anwendungsorientiert: Es gibt viele Publikationen, die sich mit Materialien aus Kohlenstoff und Graphit beschäftigen. Dieses zweibändige Fachbuch gibt jedoch einen ausgezeichneten Überblick über Fertigung, Einsatz und Anwendung dieser Materialien in der Industrie. - Große Zielgruppe: Chemiker aus den Bereichen Elektrochemie (Li-Ionen-Batterien), Maschinenbau, Nukleartechnologie, Nanotechnologie, Katalyse, Keramik, Fasern, Polymere u.v.m. - Exzellentes Referenzwerk mit mehr als 1000 Seiten: von polygranularen Materialien bis zu Fullerenen, von Nanoröhren bis zu aktiviertem Kohlenstoff, alle wichtigen Kohlenstoff- und Graphitklassen werden behandelt.
Considering Castles and Tenshu -- Modern Castles on the Margins -- Overview: "from Feudalism to the Edge of Space" -- From Feudalism to Empire -- Castles and the Transition to the Imperial State -- Castles in the Global Early Modern World -- Castles and the Fall of the Tokugawa -- Useless Reminders of the Feudal Past -- Remilitarizing Castles in the Meiji Period -- Considering Heritage in Early Meiji -- Castles and the Imperial House -- The Discovery of Castles, 1877-1912 -- Making Space Public -- Civilian Castles and Daimyo Buyback -- Castles as Sites and Subjects of Exhibitions -- Civil Society and the Organized Preservation of Castles -- Castles, Civil Society, and the Paradoxes of "Taish...
Caspar David Friedrich (1774-1840), a major figure in the German Romantic movement, painted sublime works representing nature at its most melancholic and desolate. One of his most famous motifs was that of two intimate figures, seen from behind, gazing at the moon. Friedrich painted three versions of this theme, one of which -- Two Men Contemplating the Moon -- has recently been acquired by The Metropolitan Museum of Art. The book discusses the Metropolitan's painting in conjunction with the other two versions and a number of related paintings and drawings by Friedrich and his Dresden friends. It also presents fascinating details about the moon itself -- including what was known about it in Friedrich's lifetime and its presence and symbolism in contemporary Romantic poetry.