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Archaeology's Visual Culture
Archaeology’s Visual Culture explores archaeology through the lens of visual culture theory. The insistent visuality of archaeology is a key stimulus for the imaginative and creative interpretation of our encounters with the past. Balm investigates the nature of this projection of the visual, revealing an embedded subjectivity in the imagery of archaeology and acknowledging the multiplicity of meanings that cohere around artifacts, archaeological sites and museum displays. Using a wide range of case studies, the book highlights how archaeologists can view objects and the consequences that ensue from these ways of seeing. Throughout the book Balm considers the potential for documentary imag...
Sons of Garibaldi in Blue and Gray
Not much has been written about the Italian immigrant experience prior to 1880. This book, through careful analysis of primary and archival sources, brings to life the Civil War-time trials and tribulations of several notable Italian Americans--Bancroft Gherardi, Luigi Palma di Cesnola, Francis B. Spinola, Decimus et Ultimus Barziza, and Edward Ferrero, among others. Though their numbers were few, Italian Americans played central roles in the bloodiest war in our country's history. Included in this book are samples of John Garibaldi's wartime correspondence to his wife, lists of Italian Americans who served as officers and noncommissioned sailors in the Union Navy, and first-hand correspondence of William Howell Reed (Virginia hospitals overseer under President Grant) and the brother of a young Italian who died in the hospital during the war. Sons of Garibaldi in Blue and Gray fills a critical gap in studies of Italian American life in the United States in the late 1800s.
Soldier, Diplomat, Archaeologist
He fought for himself. He fought for his country. He fought for acceptance. As the son of an Italian count, Cavalry Colonel Louis Palma di Cesnola had more military experience than most of the leading officers in the Civil War. Objecting to his general’s orders, di Cesnola led his men into battle, earning himself a Medal of Honor. When di Cesnola was captured and thrown into the notorious Libby Prison, he was forced to examine his life decisions. Upon release, di Cesnola was torn between his desire to return to war or to his wife and daughter—a battle of his heart and his duty. Once the war ended, di Cesnola became America’s consul for archaeological excavators, and eventually became the first director of the New York Metropolitan Museum of Art. With every step of success, di Cesnola was forced to prove himself in a country that emphatically disapproved of immigrants. His plight forged a path of national acceptance of Italian-Americans throughout the entire country.
The Athenaeum
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Home Of The Brave
Taken directly from affidavits stored at the National Archives in Washington, District of Columbia, immigrant soldiers and witnesses attest to the events that resulted in 26 soldiers of these soldiers being awarded the medal of honor.
Spaces of Global Knowledge
’Global’ knowledge was constructed, communicated and contested during the long nineteenth century in numerous ways and places. This book focuses on the life-geographies, material practices and varied contributions to knowledge, be they medical or botanical, cartographic or cultural, of actors whose lives crisscrossed an increasingly connected world. Integrating detailed archival research with broader thematic and conceptual reflection, the individual case studies use local specificity to shed light on global structures and processes, revealing the latter to be lived and experienced phenomena rather than abstract historiographical categories. This volume makes an original and compelling contribution to a growing body of scholarship on the global history of knowledge. Given its wide geographic, disciplinary and thematic range this book will appeal to a broad readership including historical geographers and specialists in history of science and medicine, imperial history, museum studies, and book history.
"With ƒclat"
A detailed history of the Boston Athenaeum's historic role in the founding of the Museum of Fine Arts, Boston
The Rough Guide to Cyprus (Travel Guide eBook)
Practical travel guide to Cyprus featuring points-of-interest structured lists of all sights and off-the-beaten-track treasures, with detailed colour-coded maps, practical details about what to see and to do in Cyprus, how to get there and around, pre-departure information, as well as top time-saving tips, like a visual list of things not to miss in Cyprus, expert author picks and itineraries to help you plan your trip. The Rough Guide to CYPRUS covers: Larnaka, Lemesos, Pafos, the Troodos Mountains, Lefkosia (south Nicosia) and north Cyprus. Inside this travel guide you'll find: RECOMMENDATIONS FOR EVERY TYPE OF TRAVELLER Experiences selected for every kind of trip to Cyprus, from off-the-b...
Encyclopedia of the History of Classical Archaeology
With 1,125 entries and 170 contributors, this is the first encyclopedia on the history of classical archaeology. It focuses on Greek and Roman material, but also covers the prehistoric and semi-historical cultures of the Bronze Age Aegean, the Etruscans, and manifestations of Greek and Roman culture in Europe and Asia Minor. The Encyclopedia of the History of Classical Archaeology includes entries on individuals whose activities influenced the knowledge of sites and monuments in their own time; articles on famous monuments and sites as seen, changed, and interpreted through time; and entries on major works of art excavated from the Renaissance to the present day as well as works known in the Middle Ages. As the definitive source on a comparatively new discipline - the history of archaeology - these finely illustrated volumes will be useful to students and scholars in archaeology, the classics, history, topography, and art and architectural history.
The Met
New York City’s Metropolitan Museum of Art is one of the world’s greatest cultural institutions. Its holdings encompass a vast range—including paintings, sculptures, costumes, instruments, and arms and armor—and span millennia, from ancient Egypt and Greece to Islamic art to European Old Masters and modern artists. How did the Met amass this trove, and what do the experiences of the people who bought, restored, catalogued, visited, and watched over these works tell us about the museum? This book is a groundbreaking bottom-up history of the Metropolitan Museum of Art, exploring both its triumphs and its failings. Jonathan Conlin tells the stories of the people who have shaped the muse...
