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Expressividades Acadêmicas na América Latina Agradecemos a você que entrou na dança, passou pelas salas de aula, pesquisou, mergulhou em rios de imagens e conheceu um pouco das autoesculturas cinzeladas alhures. Os relatos sensÃveis trazem um pouco da realidade dos cursos de graduação e pós-graduação na América Latina. São descrições sensÃveis de vivências acadêmicas e pessoais, forjadas na tridimensionalidade do corpo e do pensamento. Modeladas durante o contexto pandêmico, as autoesculturas trazem as digitais do relato reflexivo do nosso tempo. Imersivo, contingenciado, dolorido e profundo, tal qual o mundo experienciado por cada participante. Para além dos desafios nos ...
Os trabalhos presentes no livro demarcam perspectivas distintas e complementares da relação entre Educação Profissional e Território, desde as que enfocam este último enquanto unidade de planejamento para discutir as polÃticas educacionais entre os entes federados, o que também ganha destaque a territorialização da oferta de educação profissional diante das vocações dos arranjos socioprodutivos e culturais na Bahia; e aquelas que buscam, na análise das territorialidades, apreender o conteúdo territorial – História, memórias, sujeitos sociais, movimentos, contradições, formas de produzir material e imaterialmente a vida, lutas sociais e resistências – para a organizaÃ...
'NDiaye is a hypnotic storyteller with an unflinching understanding of the rock-bottom reality of most people's life.' New York Times ' One of France's most exciting prose stylists.' The Guardian. Obsessed by her encounters with the mysterious green women, and haunted by the Garonne River, a nameless narrator seeks them out in La Roele, Paris, Marseille, and Ouagadougou. Each encounter reveals different aspects of the women; real or imagined, dead or alive, seductive or suicidal, driving the narrator deeper into her obsession, in this unsettling exploration of identity, memory and paranoia. Self Portrait in Green is the multi-prize winning, Marie NDiaye's brilliant subversion of the memoir. Written in diary entries, with lyrical prose and dreamlike imagery, we start with and return to the river, which mirrors the narrative by posing more questions than it answers.
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First published in 1997. Routledge is an imprint of Taylor & Francis, an informa company.
The Sense of Brown is José Esteban Muñoz's treatise on brownness and being as well as his most direct address to queer Latinx studies. In this book, which he was completing at the time of his death, Muñoz examines the work of playwrights Ricardo Bracho and Nilo Cruz, artists Nao Bustamante, Isaac Julien, and Tania Bruguera, and singer José Feliciano, among others, arguing for a sense of brownness that is not fixed within the racial and national contours of Latinidad. This sense of brown is not about the individualized brown subject; rather, it demonstrates that for brown peoples, being exists within what Muñoz calls the brown commons—a lifeworld, queer ecology, and form of collectivity. In analyzing minoritarian affect, ethnicity as a structure of feeling, and brown feelings as they emerge in, through, and beside art and performance, Muñoz illustrates how the sense of brown serves as the basis for other ways of knowing and being in the world.