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A highly readable narrative of the causes, course, and consequences of the Spanish Conquest, incorporating the perspectives of many Native groups, Black slaves, and the conquistadors, timed with the 500th anniversary of the fall of the Aztec capital of Tenochtitlan.Five hundred years ago, a flotilla landed on the coast of Yucatan under the command of the Spanish conquistador Hernan Cortes. While the official goal of the expedition was to explore and to expand the Christian faith, everyone involved knew that it was primarily about gold and the hunt for slaves.That a few hundred Spaniards destroyed the Aztec empire - a highly developed culture - is an old chestnut, because the conquistadors, w...
Analyzes contemporary Yucatecan and Chiapanecan Maya narratives. Recovering Lost Footprints, Volume 2 is an in-depth analysis of the sociohistorical conflict impacting Indigenous communities in Latin America. Continuing the project he began in volume 1, Arturo Arias analyzes contemporary Peninsular and Chiapanecan Maya narratives. He examines the works of Yucatecan writers Jorge Cocom Pech, Javier Gómez Navarrete, Isaac Carrillo Can, and Marisol Ceh Moo. For Chiapas, Arias looks at the works of Tseltal novelist Diego Méndez Guzmán, Tsotsil short-story writer Nicolás Huet Bautista, and Tseltal narrative writer Josías López Gómez. Arias problematizes the nature of Western modernity and ...
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The book provides a comprehensive account of a tropical lake, Alchichica, considering that tropical limnology is by far less known and well-understood than temperate. Many of the well-known temperate limnology paradigms do not apply in tropical limnology, such as the ≥ 1oC/m thermocline concept, or the role of phosphorous as a limiting nutrient. Lake Alchichica is - most likely – the best limnologically known Mexican lake up to date. Twenty years of continuous monitoring has led us to understand this deep, warm monomictic lake. The peculiar chemical composition of this saline lake – sodium-alkaline with a high concentration in magnesium waters, and groundwater-fed – led to the format...
The emergence of Latin American firebrands who champion the cause of the impoverished and rail against the evils of neoliberalism and Yankee imperialism--Hugo Chávez in Venezuela, Evo Morales in Bolivia, Néstor Kirchner in Argentina, Andrés Manuel López Obrador in Mexico--has changed the landscape of the Americas in dramatic ways. This is the first biography to appear in English about one of these charismatic figures, who is known in his country by his adopted nickname of "Little Ray of Hope." The book follows López Obrador's life from his early years in the flyspecked state of Tabasco, his university studies, and the years that he lived among the impoverished Chontal Indians. Even as h...
Includes information on Anglos, Catholic Church, Porfirio Diaz, migrants, mutual aid societies, Phelps Dodge Corporation, Rio Blanco, San Angel, San Antonio, strikes, Veracruz, women workers, etc.
By comparing the intersecting histories of interpretation of Mary Magdalene, a first-century disciple of Jesus, and La Malinche, a sixteenth-century Mesoamerican woman enslaved by the Spanish conquistadores, Jennifer Vija Pietz critically evaluates the use of past lives to address contemporaneous concerns. She demonstrates how the earliest sources portray each woman as an agent in the foundation of a new community: Magdalene’s proclamation of Jesus’s resurrection helped form the first Christian community, while La Malinche’s role as interpreter between Spanish and native people during the Conquest helped establish modern Mexico. Pietz then argues that over time, various interpreters tu...
Published by the Ruth Chandler Williamson Gallery, Scripps College in association with Getty Publications This richly illustrated exhibition catalogue features photographs by three Mexican women, each representing a different generation, who have explored and stretched notions of Mexican identity in works that range from the documentary to the poetic. Revolution and Ritual looks first at the images of Sara Castrejón (1888–1962), the woman photographer who most thoroughly captured the Mexican Revolution. The work of photographic luminary Graciela Iturbide (born 1942) sheds light on Mexico’s indigenous cultures. Finally, the self-portraits of Tatiana Parcero (born 1967) splice images of her body with cosmological maps and Aztec codices, echoing Mexico’s layered and contested history. By bringing their work into conversation, Revolution and Ritual invites readers to consider how Mexican photography has been transformed over the past century.