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Rethinking Third Cinema
In 1968, Argentinean Filmmakers Fernando Solanas and Octavio Getino first articulated the theory of a "Third Cinema" - a revolutionary genre of cinema that would counter oppression on a global scale. Intended to be a "guerilla cinema" geared at contesting the overwhelming dominance of Western cinema, Solana and Getino distinguished "Third Cinema" from other forms of cinema, classifying these other types as First Cinema (commercial cinema epitomized by Hollywood) and Second Cinema. "Third Cinema" was supposed to be a liberationary tool - particularly for the bulk of the world that was subject to European imperialism, such as Latin America, Africa and Asia. Spanning a wide geographical spread ...
Film Theory
This major new collection identifies the critical and theoretical concepts which have been most significant in the study of film and presents a historical and intellectual context for the material examined.
Ladies in Arms
In contemporary popular culture, armed women take center stage - but how can they be read from a feminist perspective? How do films, comics, and TV series depict the newly fashionable gunwomen between objectification and feminist empowerment? The contributions to this volume ask this question from different vantage points in cultural and literary studies, film and visual culture studies, history, and art history. They examine military and civic gun cultures, the rediscovery of historical armed women and revolutionaries, cultural phenomena such as gangsta rap, narcocultura and US politics, Bollywood and French cinema, and distinct genres such as the graphic novel, the romance novel, or the German police procedural Tatort.
A History of Colombian Economic Thought
Ever since the quest for independence between 1810 and 1819, economic thought in Colombia has been shaped by policy debates and characterized by a pragmatic and eclectic approach. Economic thought in Colombia can only be revealed through the exploration of economists’ practices and the role of economic arguments within broader public debate. This history of Colombian economic thought provides a detailed account of major issues that have marked the constant feedback between economic ideas and economic practice in Colombia during the 19th and 20th centuries. This volume is thus a history of the interaction between ideas and policy. Those involved in these debates – politicians, public offi...
The Film Edge
What does it mean to make films in Latin America? The landscape today is as complex as it is dynamic. New directors and new projects are constantly emerging; film festivals appear one after another in what could only be described as an explosion of cinema in the region. And yet inherent to this panorama, both so vital and so difficult to define, there is a troubling sense of uncertainty. This book, which brings together the writing of directors, producers, scholars and critics, examines the current state of Latin American cinema. Exploring tendencies and possibilities for the future of the audiovisual arts within the context of recent changes in methods of production and circulation, the aut...
Region, Race, and Class in the Making of Colombia
This pioneering translation of Alfonso Múnera’s seminal work El fracaso de la nación presents a new interpretation and innovative perspective on canonical Colombian history and the failure of the Colombian nation to English-speaking readers. Mainstream historiography depicts Colombian independence as the achievement of European-descendent elites only, downplaying the role and importance of regional subaltern classes. Múnera’s well-researched account challenges theoretical, political, and cultural interventions and shows that these subaltern groups were pivotal to achieving independence from Spain. It was their organizing and pressing for freedom from colonial domination that ultimatel...
Blood and Fire
Between 1946 and 1966a surge of violence in Colombia left 200,000 dead in one of the worst conflicts the western hemisphere has ever experienced. the first seven years of this little-studied period of terror, known as la Violencia, is the subject of Blood and Fire. Scholars have traditionally assumed that partisan politics drove La Violencia, but Mary Roldán challenges earlier assessments by providing a nuanced account of the political and cultural motives behind the fratricide. Although the author acknowledges that partisan animosities played an important role in the disintegration of peaceful discourse into violence, she argues that conventional political conflicts were intensified by oth...
The Colombian Caribbean
This is a study of the role of regions in the development of modern nations in Latin America. Eduardo Posada-Carbo focuses on the Colombian Caribbean between 1870 and 1950. He examines the achievements and shortcomings of arable agriculture and the significance of the livestock industry, the links between town and countryside, the influence of foreign migrants and foreign capital, the relationship between local and national politics, and the extent to which regionalism represented a challenge to the consolidation of the national state in Colombia. This original study opens up the area to scholarly scrutiny, and has wider implications for Latin American historiography.
Coffee in Colombia, 1850-1970
This is the first English-language history of Colombia as a coffee-producer.
