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Considering the relationships between war, technology, and modern society, this book fuses military and social history concerning the use of organized violence between states during the period since 1789. Thirteen essays look at the military use of technology on and off the battlefield, the introduction of total war (during the two world wars), and the possibility of limited war in the nuclear age. The experiences of the British military are emphasized. Contributors include historians, archivists, psychologists, and military scholars. c. Book News Inc.
Dialogue between film and theatre studies is frequently hampered by the lack of a shared vocabulary. Stage-Play and Screen-Play sets out to remedy this, mapping out an intermedial space in which both film and theatre might be examined. Each chapter’s evaluation of the processes and products of stage-to-screen and screen-to-stage transfer is grounded in relevant, applied contexts. Michael Ingham draws upon the growing field of adaptation studies to present case studies ranging from Martin McDonagh’s The Cripple of Inishmaan and RSC Live’s simulcast of Richard II to F.W. Murnau’s silent Tartüff, Peter Bogdanovich’s film adaptation of Michael Frayn’s Noises Off, and Akiro Kurosawa’s Ran, highlighting the multiple interfaces between media. Offering a fresh insight into the ways in which film and theatre communicate dramatic performances, this volume is a must-read for students and scholars of stage and screen.
"Senelick's accomplishment is astounding."--Library Journal
One publication cultivating many of New York City's greatest stories is the City section in The New York Times.
New York magazine was born in 1968 after a run as an insert of the New York Herald Tribune and quickly made a place for itself as the trusted resource for readers across the country. With award-winning writing and photography covering everything from politics and food to theater and fashion, the magazine's consistent mission has been to reflect back to its audience the energy and excitement of the city itself, while celebrating New York as both a place and an idea.
Robert L. Bartley Editor Emeritus, The Wall Street Journal As this collection of essays is published, markets, regulators and society generally are sorting through the wreckage of the collapse in tech stocks at the turn of the millennium. All the more reason for an exhaustive look at our last “bubble,” if that is what we choose to call them. We haven’t had time to digest the lesson of the tech stocks and the recession that started in March 2001. After a decade, though, we’re ready to understand the savings and loan “bubble” that popped in 1989, preceding the recession that started in July 1990. For more than a half-century, we can now see clearly enough, the savings and loans wer...
Authoritative criticism covering every area of world cinema: classic silents and thirties comedies, documentaries and the avant-garde, French or Japanese cinema as well as the Hollywood mainstream and the latest megaprocutions and B-movie horrors. Assessments of well over 10,000 movies, including full details of director, cast, alternative titles and release date for each film.
Sponsored by the Communication, Information Technologies, and Media Sociology section of the American Sociological Association (CITAMS),this volume in Emerald Studies in Media and Communications features social science research on criminality, policing, and mass media in the digital age.
Tim Burton, the cinematic genius behind many American gothic film classics, revises the imagery of horror movies, TV sci-fi and cartoons, and imbues juvenile fantasy with emotional depth. Tim Burton: A Child s Garden of Nightmares charts the filmmaker s path from malcontent animator at Walt Disney to directing feature films with a fantasy aesthetic. Tim Burton is the definitive guide to a cinematic career based on a love of pop-gothic imagery. Part of the Ultrascreen series.
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