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Exploration of the relationship between the design of housing and domestic routine.
As the 20th Century progressed, urban housing became quite homogenized throughout the world. Apartment buildings in Sao Paulo are very similar to those in Seoul, Moscow, and even Chicago. It is clear that the modernist architectural vocabulary made famous by the so-called "International style" has gone much beyond corporation identity buildings and prevails in the housing sector in most of the urbanized world. According to a study supported by the United Nations Habitat (ANGEL, 2000), residential buildings - although varying in size, shape and construction materials - now take on one of four basic forms: the single family house, the row house, the walk-up apartment building and the high-rise. This book is the result of almost a decade of research on multi-family buildings, known worldwide as apartments. The main goal is to investigate the extent to which those buildings are or are not alike, or whether the similarities are more visual than experiential.
Built space supports our daily habits and our membership of communities, organizations, institutions, or social formations. Architecture and Spatial Culture argues that architecture matters because it makes the settings of our life intelligible, so that we can sustain or creatively transform them. As technological and social innovations allow us to overcome spatial constraints to communication, cooperation, and exchange, so the architecture of embodied experience reflects independent cultural choices and human values. The analysis of a wealth of examples, from urban environments to workplaces and museums, shows that built space functions pedagogically, inducing us to specific ways of seeing, understanding, and feeling, and supporting distinct patterns of cooperation and life in common. Architecture and Spatial Culture is about the principles that underpin the design and inhabitation of space. It also serves as an introduction to Space Syntax, a descriptive theory used to model the human functions of layouts. Thus, it addresses architects, students of architecture and all those working in disciplines that engage the design of the built environment and its social effects.
This volume contributes to the debate on the application, in the disciplines of architecture and urbanism, of new formal methods and methodological advances based on tools from mathematics. From millennial geometry to current shape grammars, several formal approaches to architecture and urbanism are presented here, in order to look at the potentials and purposes of these formal methods, both those on the horizon and those already accomplished. This book promotes the use of formal methods in the creation of new explicit languages for problem-solving in the field. This collection of papers will help students, academics, researchers, and practitioners developing formal methods towards the digitalization of the architecture and urbanism sector.
For many foreign observers, Brazil still conjures up a collage of exotic images, ranging from the camp antics of Carmen Miranda to the bronzed girl (or boy) from Ipanema moving sensually over the white sands of Rio's beaches. Among these tropical fantasies is that of the uninhibited and licentious Brazilian homosexual, who expresses uncontrolled sexuality during wild Carnival festivities and is welcomed by a society that accepts fluid sexual identity. However, in Beyond Carnival, the first sweeping cultural history of male homosexuality in Brazil, James Green shatters these exotic myths and replaces them with a complex picture of the social obstacles that confront Brazilian homosexuals. Rang...
Directory of foreign diplomatic officers in Washington.
Directory of foreign diplomatic officers in Washington.
This book examines trends in divorce throughout the world, comparing previously inaccessible information on Asian and Arab countries and Eastern Europe, as well as data from Latin America, Western Europe, and the Anglo countries over the last four decades. It discusses are how divorce rates in different countries are affected by industrialisation, dictatorship, civic standards for nations, and easier divorce laws; the relations between divorce and such factors as age and class; the meaning of the worldwide rise in cohabitation; and why people are becoming less likely to remarry.
This book offers a concise yet comprehensive overview on critical issues in monitoring and responding to new microbial threats to blood safety. It provides information on the current concerns and mechanisms for monitoring potential new infectious threats to blood safety, evaluates the response to these new threats, and explores the complex issues related to blood safety, including health economics, the relationship between levels of public health threats (actual danger) versus public concerns (perceived danger), and the challenges in coordinating international collaborative efforts. The text also includes several case studies that illustrate the existing systems used for monitoring and responding to new threats to blood safety. Written by experts in the field, Blood Safety: A Guide to Monitoring and Responding to Potential New Threats is a valuable resource for health care professionals who are responsible for the medical management of blood services.
People from outside of Brasília often dismiss Brazil’s capital as socially divided, boring, corrupt, and emotionally cold. Apparently its founders created not a vibrant capital, but a cultural wasteland. However, as Sophia Beal argues, Brasília’s contemporary artists are out to prove the skeptics wrong. These twenty-first-century artists are changing how people think about the city and animating its public spaces. They are recasting Brasília as a vibrant city of the arts in which cultural production affirms a creative right to the city. Various genres—prose, poetry, film, cultural journalism, music, photography, graffiti, street theater, and street dance—play a part. Brasília’s initial 1960s art was state-sanctioned, carried out mainly by privileged, white men. In contrast, the capital’s contemporary art is marked by its diversity, challenging norms about who has a voice within the Brasília art scene. This art demystifies the capital’s inequities and imagines alternative ways of inhabiting the city.