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Fado and the Place of Longing
Fado, often described as 'urban folk music', emerged from the streets of Lisbon in the mid-nineteenth century and went on to become Portugal's 'national' music during the twentieth. It is known for its strong emphasis on loss, memory and nostalgia within its song texts, which often refer to absent people and places. One of the main lyrical themes of fado is the city itself. Fado music has played a significant role in the interlacing of mythology, history, memory and regionalism in Portugal in the second half of the twentieth century. Richard Elliott considers the ways in which fado songs bear witness to the city of Lisbon, in relation to the construction and maintenance of the local. Elliott explores the ways in which fado acts as a cultural product reaffirming local identity via recourse to social memory and an imagined community, while also providing a distinctive cultural export for the dissemination of a 'remembered Portugal' on the global stage.
The Politics of Domestic Resource Mobilization for Social Development
At a time when the development community is grappling with the challenge of raising the required investment—estimated in the trillions of dollars—for attainment of the Sustainable Development Goals (SDGs), countries’ mobilization of their own fiscal revenues is receiving increasing attention. This edited volume discusses the political and institutional contexts that enable poor countries to mobilize domestic resources for global commitments and national development priorities. It examines the processes and mechanisms that connect the politics of resource mobilization and demands for social provision; changes in state-citizen, state-business and donor-recipient relations associated with...
Best Tales of Texas Ghosts
Renowned storyteller Docia Williams gathers a medley of some of the best haunting stories from her four previous books-Spirits of San Antonio and South Texas, Phantoms of the Plains, Ghosts Along the Texas Coast, and When Darkness Falls-then she adds a hundred pages of new ghostly tales from the Piney Woods of East Texas and from North Central Texas, including the Dallas area. Once again Mrs. Williams brings to light tangible evidence and eyewitness testimony in Best Tales of Texas Ghosts to validate an illusive world without dimension, one filled with bizarre and disturbing accounts of unexplained presences. After interviewing hundreds of people with firsthand experiences and personally witnessing eerie manifestations, she has concluded, "There are things happening all around us that can only be labeled as supernatural."
Groom
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The Presidio And Militia On The Northern Frontier Of New Spain
Reports, orders, journals, and letters of military officials trace frontier history through the Chicimeca War and Peace (1576-1606), early rebellions in the Sierra Madre (1601-1618), mid-century challenges and realignment (1640-1660), and northern rebellions and new presidios (1681-1695).
Official Gazette
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Diplomatic List
Directory of foreign diplomatic officers in Washington.
Traditional Medicines in Drug Discovery and Development
This comprehensive book, comprising 20 chapters contributed by respected academics in their respective fields, highlights the immense contribution of traditional medicine to the discovery and development of modern drugs. Each chapter provides in-depth details, stimulating experts to further explore the flora used in traditional medicines and inspiring younger investigators to delve into the mysterious world of secondary metabolites in their quest for novel molecules. This book is of immense value to scientists, academicians, researchers, and students alike, making it a valuable addition to personal collections and libraries.
Haunted Texas
From the Alamo to UFO sightings, a collection from Texas's rich history and independent spirit.
The Reconstruction of Lisbon
This text exposes how Fado lyricists have appropriated popular novelist and playwright Julio Dantas' forging of Mouraria fadista/prostitute Maria Severa as a national heroine, and the Fado as Portugal's national song to manifest a sub-rosa criticism of the Estado Novo's demolition of the Mouraria between the 1930s and 1970s.
