You may have to Search all our reviewed books and magazines, click the sign up button below to create a free account.
The first comprehensive narrative of the South Carolina state capitol and the history enshrined in its monuments from 1787 to the present The South Carolina State House grounds are a work in progress—a cultural landscape of human-built and natural components connected physically, conceptually, and aesthetically. As public property, the grounds should represent and welcome everyone in the state. While it is a beautiful space, it is not neutral. Over the past two centuries, various groups have jostled for political and cultural power, and the winners have used the grounds to assert their authority and broadcast political positions on the state's most visible stage. These struggles have resul...
Over the past two hundred years, Americans have reproduced George Washington’s Mount Vernon plantation house more often, and in a greater variety of media, than any of their country’s other historic buildings. In this highly original new book, Lydia Mattice Brandt chronicles America’s obsession with the first president’s iconic home through advertising, prints, paintings, popular literature, and the full-scale replication of its architecture. Even before Washington’s death in 1799, his house was an important symbol for the new nation. His countrymen used it to idealize the past as well as to evoke contemporary--and even divisive--political and social ideals. In the wake of the mid-...
Mount Vernon, despite its importance as the estate of George Washington, is subject to the same threats of time as any property and has required considerable resources and organization to endure as a historic site and house. This book provides a window into the broad scope of preservation work undertaken at Mount Vernon over the course of more than 160 years and places this work within the context of America’s regional and national preservation efforts. It was at Mount Vernon, beginning with efforts in 1853, that the American tradition of historic preservation truly took hold. As the nation’s oldest historic house museum, Mount Vernon offers a unique opportunity to chronicle preservation...
Together with the Olympics, world's fairs are one of the few regular international events of sufficient scale to showcase a spectrum of sights, wonders, learning opportunities, technological advances, and new (or renewed) urban districts, and to present them all to a mass audience. Meet Me at the Fair: A World's Fair Reader breaks new ground in scholarship on world's fairs by incorporating a number of short new texts that investigate world's fairs in their multiple aspects: political, urban/architectural, anthropological/ sociological, technological, commercial, popular, and representational. Contributors come from eight different countries and represent affiliations in academia, museums and libraries, professional and architectural firms, non-profit organizations, and government regulatory agencies. In taking the measure of both the material artifacts and the larger cultural production of world's fairs, the volume presents its own phantasmagoria of disciplinary perspectives, historical periods, geographical locales, media, and messages, mirroring the microcosmic form of the world's fair itself.
No figure in American history has generated more public interest or sustained more scholarly research around his various homes and habitations than has George Washington. The Permanent Resident is the first book to bring the principal archaeological sites of Washington's life together under one cover, revealing what they say individually and collectively about Washington’s life and career and how Americans have continued to invest these places with meaning. Philip Levy begins with Washington’s birthplace in Westmoreland County, Virginia, then moves to Ferry Farm—site of the mythical cherry tree—before following Washington to Barbados to examine how his only trip outside the continent...
At the fifth biennial David B. Warren Symposium, seven scholars examined contributions made by women to the material culture of nineteenth-century Texas, the Lower South, and the Southwest. The resulting papers explore such diverse topics as women’s creative enterprises in Texas, their artistic contributions, as seen in the making of fine art, quilts, sunbonnets, and memorial hairwork pieces, and their role in adapting personal spaces such as an antebellum parlor and African American homes after the Civil War. In this volume, Mel Buchanan shares insights about the woman behind the furnishing of an important antebellum parlor. Whitney Stuart discusses Reconstruction-era African American material culture as expressed by women in their new free homes. Katherine Burlison reveals one woman’s impressive literary and artistic accomplishments in New Orleans. Katherine J. Adams provides interpretive analysis of quilts from Texas and the Lower South. The paper on sunbonnets by Rebecca Jumper Matheson provides a unique window into nineteenth-century Texas. The publication concludes with an essay by Lauren Clark focused on decorative memorial works woven of hair.
Since its founding in 1801, African Americans have played an integral, if too often overlooked, role in the history of the University of South Carolina. Invisible No More seeks to recover that historical legacy and reveal the many ways that African Americans have shaped the development of the university. The essays in this volume span the full sweep of the university's history, from the era of slavery to Reconstruction, Civil Rights to Black Power and Black Lives Matter. This collection represents the most comprehensive examination of the long history and complex relationship between African Americans and the university. Like the broader history of South Carolina, the history of African Amer...
Breaking the Bronze Ceiling uncovers a glaring omission in our global memorial landscape—the conspicuous absence of women. Exploring this neglected narrative, the book emerges as the foremost guide to women's memorialization across diverse cultures and ages. As global memorials come under intense examination, with metropolises vying for a more inclusive recognition of female contributions, this book stands at the forefront of contemporary discussion. The book’s thought-provoking essays artfully traverse the complex terrains of gender portrayal, urban tales, ancestral practices, and grassroots activism—all anchored in the bedrock of cultural remembrance. Rich in the range of cases discu...
How do we create the new from the old? The Architecture of Influence explores this fundamental question by analyzing a broad swath of twentieth-century architectural works—including some of the best-known examples of the architectural canon, modern and postmodern—through the lens of influence. The book serves as both a critique of the discipline’s long-standing focus on "genius" and a celebration of the creative act of revisioning and reimagining the past. It argues that all works of architecture not only depend on the past but necessarily alter, rewrite, and reposition the traditions and ideas to which they refer. Organized into seven chapters—Replicas, Copies, Compilations, Generalizations, Revivals, Emulations, and Self-Repetitions—the book redefines influence as an active process through which the past is defined, recalled, and subsequently redefined within twentieth-century architecture.
The death of a chief executive, regardless of the circumstances—sudden or expected, still in office or decades later—is always a moment of reckoning and reflection. Mourning the Presidents brings together renowned and emerging scholars to examine how different generations and communities of Americans have eulogized and remembered US presidents since George Washington’s death in 1799. Over twelve individually illuminating chapters, this volume offers a unique approach to understanding American culture and politics by uncovering parallels between different generations of mourners, highlighting distinct experiences, and examining what presidential deaths can tell us about societal fissures at various critical points in the nation’s history, right up to the present moment.